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Internal Jumpers and Adjustments 
(please see step 5 on page 2) 
 

The motherboard has input cable shield ground selection jumpers to accommodate 
different grounding schemes. It is recommended that all electrical equipment in the studio 
is properly grounded by making sure that power cables have 3 pins and that the third pin 
is connected to ground. The use of ‘ground lifts’ to clear up a buzz problem is frowned 
upon by the international consortium of electrical safety agencies. If a ground noise 
problem occurs, it may be cleared up by switching the jumper position on the connector 
associated with the piece of gear that is having the buzz problem. 

 

The shield lift headers have 2 posts. A jumper placed over both posts connects the chassis 
ground to the cable shield. To lift a shield, pull the jumper off of the posts. It is a good 
idea to put the ‘unused’ jumpers on one of the posts to keep from losing the jumper. 
 

Master 

should not need to be calibrated but in case it does, here is the procedure: 

 

1.

 

Obtain a calibrated oscillator and level measuring device. These should be lab 
quality (HP, Tektronix, Neutrik, Audio Precision, etc.) 

2.

 

Place the 

Master

 on a clean, well lit table with a pad under it to prevent scratches. 

3.

 

Remove the top to expose the motherboard for calibration. 

4.

 

Hook up the power supply and turn on the unit. 

5.

 

Set all controls to unity gain with all Function and Insert switches out. 

6.

 

Set the oscillator for +4dBu and plug into Input 1. Feed both channels. 

7.

 

Activate ‘Insert 1’ and measure the level coming out of the ‘Send 1’ jacks. 

8.

 

Adjust P1 and P2 to m4dBu. 

9.

 

Deactivate ‘Insert 1’ and adjust P3 and P4 to read +4dBu at ‘Main Output 1’. 

10.

 

Adjust P5 and P6 to m4dBu at the ‘Monitor Output’ jack. 

11.

 

Activate the ‘OUT MON’ function and adjust P7 and P8 to read +4dBu at the 
Monitor Output jack. 

12.

 

Pull the right channel’s input. Activate the ‘S&M’ function. Adjust the ‘xtalk’ pot 
for minimum signal at the Right output. The signal should null below -70dBu. 

Summary of Contents for Master

Page 1: ...ergonomic and sonic performance at a price about a third of the designer s previous attempts In conjunction with the Dangerous Music Monitor the addition of one s favorite analog processing equipment...

Page 2: ...equipment in racks it is prudent to put power amplifiers and large power supplies at least several rack spaces if not in a different rack away from equipment that deals with low level signals Separati...

Page 3: ...sing makes a mastering engineer so equipped King of the Mountain The Width control allows adjustment of the stereo image width It works even when Insert 2 is not pressed when S M is selected Remember...

Page 4: ...cable may not equal better sound quality There are 2 Main outputs to feed A D converters a tape machine or patchbay depending on the user s preference The authors use 2 different A D converters to se...

Page 5: ...and output level look down at the scale and determine the relative gain obtained from the mastering process This control has a scale of 2 to 8dB in 0 5 dB steps The S M width control adjusts the stere...

Page 6: ...keep from losing the jumper Master should not need to be calibrated but in case it does here is the procedure 1 Obtain a calibrated oscillator and level measuring device These should be lab quality H...

Page 7: ...003 band limited to 22kHz IMD60 4 1 0 004 Crosstalk rejection 95 dB Headroom 27dBu Dynamic range 116 dB Power consumption 40 watts 100 130 200 250 volts user selectable Warrantee 2 years parts and la...

Page 8: ...7 Dangerous Music highly recommends the Mastering furniture built by Sterling Modular Systems to facilitate installation Please check out their website...

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