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Front Panel controls 
 

 

 

The Input Level Controls let the engineer set precisely, the operating level and balance 
that will go through the equipment selected by the Insert buttons. The range is 10 dB in 
0.5 dB steps. 
 
The top row of buttons under ‘Functions’ select the following: 

1.

 

‘IN 1-2’ selects which input is processed. 

2.

 

‘S&M’ selects whether or not Insert 2 is in Stereo or Middle Sides mode. 

3.

 

‘OUT MON’ selects whether the Monitor Output jacks have the Input or Output 
signal sent to the monitor section. 

 
The Input Monitor Offset level control adjusts the level of the Input Monitor. This is very 
handy to match the input and output levels to listen to the effect of processing without the 
level difference clouding one’s judgment. The engineer can also match input and output 
level, look down at the scale, and determine the relative gain obtained from the mastering 
process. This control has a scale of -2 to +8dB in 0.5 dB steps. 
 
The S&M width control adjusts the stereo image width when the S&M button is pressed. 
Please note that activating S&M without ‘Insert 2’ selected still passes audio through the 
matrix. 
 
The Output level control let’s one set the final level presented to the A/D converter. The 
range is 10dB in 0.5 dB steps. 
 
The level controls are all stepped attenuators for accuracy, repeatability, and highest 
sound quality. The attenuators are built with what we feel are the highest quality switches 
and resistors available at any cost. It is useful to 

gently 

‘run the switches through’ their 

travel every so often to spread the lubricants around inside and wipe the contacts clean. 
This helps keep the switches quiet. The use of contact cleaners is not necessary and will 
damage the switches by washing the grease out. 
 
 
 
 
 

Summary of Contents for Master

Page 1: ...ergonomic and sonic performance at a price about a third of the designer s previous attempts In conjunction with the Dangerous Music Monitor the addition of one s favorite analog processing equipment...

Page 2: ...equipment in racks it is prudent to put power amplifiers and large power supplies at least several rack spaces if not in a different rack away from equipment that deals with low level signals Separati...

Page 3: ...sing makes a mastering engineer so equipped King of the Mountain The Width control allows adjustment of the stereo image width It works even when Insert 2 is not pressed when S M is selected Remember...

Page 4: ...cable may not equal better sound quality There are 2 Main outputs to feed A D converters a tape machine or patchbay depending on the user s preference The authors use 2 different A D converters to se...

Page 5: ...and output level look down at the scale and determine the relative gain obtained from the mastering process This control has a scale of 2 to 8dB in 0 5 dB steps The S M width control adjusts the stere...

Page 6: ...keep from losing the jumper Master should not need to be calibrated but in case it does here is the procedure 1 Obtain a calibrated oscillator and level measuring device These should be lab quality H...

Page 7: ...003 band limited to 22kHz IMD60 4 1 0 004 Crosstalk rejection 95 dB Headroom 27dBu Dynamic range 116 dB Power consumption 40 watts 100 130 200 250 volts user selectable Warrantee 2 years parts and la...

Page 8: ...7 Dangerous Music highly recommends the Mastering furniture built by Sterling Modular Systems to facilitate installation Please check out their website...

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