15
Feedback on
This function connects the synthesizer’s output to the external
input. You can use the external input amplifier to distort
incoming signals. External Input Volume controls the
amount of feedback or distortion.
Bear in Mind that an external signal source cannot be
used in this modus.
Noise Volume
Here, you can adjust the noise’s volume. If noise acts as a
modulation source, volume adjustment will not affect the
intensity of the modulation. In this case the modulation signal
will be taken as is before going through this section.
Noise White/Pink
You can choose the type of noise. Your choice will affect
modulation if noise is used as a modulation source. White
noise is constant noise throughout the whole frequency
spectrum where as Pink noise is noise only using frequencies
the human ear can perceive.
MODIFIERS
In this section, filters and amplifiers modify the signal. Both
filter and amplifier each have an envelope with attack, decay
and sustain. A switch in the controllers section sets Release to
the Decay Time.
Filter
The filter together with the envelopes define the way the
sound progresses. The filter is a 24db/Octave Low pass filter.
Frequencies under the cutoff frequency remain unchanged,
reason for the term Low pass. There is a 24db/Octave
reduction for frequencies over the cutoff frequency. With use
of DSP-oversampling the filter remains free of aliasing.
Cutoff Frequency
This is the frequency above which
the spectrum is cut. Overtones are
reduced this way. You can change
the Cutoff Frequency manually.
Summary of Contents for MINIMAX ASB
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