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7

EFFECT

T. WAH

You can produce a wah effect with the filter changing in response 

to the bass level.

Parameter

Value

Explanation

MODE

Selects the wah mode.

LPF

Low pass filter. This creates a wah effect over a wide 

frequency range.

BPF

Band pass filter. This creates a wah effect in a narrow 

frequency range.

POLARITY

Selects the direction in which the filter will change in response to 

the input.

DOWN

The frequency of the filter will fall.

UP

The frequency of the filter will rise.

SENS

0–100

Adjusts the sensitivity at which the filter will change 

in the direction determined by the polarity setting.
Higher values will result in a stronger response. With 

a setting of 0, the strength of picking will have no 

effect.

FREQ

0–100

Adjusts the center frequency of the Wah effect.

PEAK

0–100

Adjusts the way in which the wah effect applies to 

the area around the center frequency.
Higher values will produce a stronger tone which 

emphasizes the wah effect more. With a value of 50 

a standard wah sound will be produced.

E.LEVEL

0–100

Adjusts the volume of the effect sound.

D.LEVEL

0–100

Adjusts the volume of the direct sound.

GRAPHIC EQ

This adjusts the tone as a equalizer. You can adjust the tone 

character in seven bands.

Parameter

Value

40Hz

-20–+20 dB

100Hz
250Hz
500Hz
1kHz
2.5kHz
8kHz
LEVEL

-20–+20 dB

PARAMETRIC EQ

Adjusts the tonal quality. You can adjust the tone character in four 

bands.

Parameter

Value

Explanation

LOW GAIN

-20–+20 dB

Adjusts the tone for the low frequency 

range.

HIGH GAIN

-20–+20 dB

Adjusts the tone for the high frequency 

range.

LEVEL

-20–+20 dB

Adjusts the overall volume level of the 

equalizer.

LM FREQ (LOW-MID 

FREQUENCY)

20 Hz–10.0 kHz

Specifies the center of the frequency 

range that will be adjusted by the LOW-

MID GAIN.

LM Q
(LOW-MID Q)

0.5–16

Adjusts the width of the area affected by 

the EQ centered at the LOW-MID FREQ. 

Higher values will narrow the area.

LM GAIN 

(LOW-MID GAIN)

-20–+20 dB

Adjusts the low-middle frequency range 

tone.

HM FREQ
(HIGH-MID 

FREQUENCY)

20 Hz–10.0 kHz

Specifies the center of the frequency 

range that will be adjusted by the HIGH-

MID GAIN.

Parameter

Value

Explanation

HM Q (HIGH-MID Q)

0.5–16

Adjusts the width of the area affected by 

the EQ centered at the HIGH-MID FREQ. 

Higher values will narrow the area.

HM GAIN 

(HIGH-MID GAIN)

-20–+20 dB

Adjusts the low-middle frequency range 

tone.

ENHANCER

This is an effect that clarifies the contour of the input sound by 

emphasizing the attack of the sound following changes in the 

input level.

Parameter

Value

Explanation

SENS

0–100

This adjusts the Enhancer sensitivity. The 

more the value is increased, the more 

softly you can play and still have the 

effect applied.

LOW

0–100

Adjusts the enhancer volume for the low 

frequency range.

HIGH

0–100

Adjusts the enhancer volume for the 

high frequency range.

LOW FREQ

31.5Hz–125Hz

Sets the low frequency range for the 

enhanced sound.

HIGH FREQ

800Hz–8.00kHz

Sets the high frequency range for the 

enhanced sound.

TONE MODIFY

This changes the tone of the connected bass.

Parameter

Value

Explanation

TYPE

Selects the type of tone modification.
FAT

Fat tone with boosted mid range.

PRESENCE

Bright tone with boosted high-mid 

range.

MILD

Mild tone with the high end cut back.

TIGHT

Tone with the low frequencies cut.

ENHANCE

Tone with the high frequencies boosted.

RESO 1–3  

(RESONATOR 1–3)

This produces a tone with greater power 

and punch by adding resonance in the 

low-frequency range and midrange.

LOW

-50–+50

Adjusts the tone for the low frequency 

range.

HIGH

-50–+50

Adjusts the tone for the high frequency 

range.

LEVEL

0–100

Adjusts the volume of the effect sound.

RESONANCE

0–100

This adjusts the strength of the low-end 

and midrange resonance when TYPE is 

set to RESO 1, 2, or 3.

Summary of Contents for GT-1B

Page 1: ...Parameter Guide Sound List 02...

Page 2: ...S NOISE SUPPRESSOR 14 FOOT VOLUME 14 DELAY 15 REVERB 16 MASTER SETTING 17 MASTER SETTING 17 MASTER EQ 17 Controllers 18 CTL 1 EXP SW CTL 2 CTL 3 18 EXP 1 EXP 2 18 ASSIGN 1 6 18 Virtual Expression Peda...

Page 3: ...the 1 3 knobs to edit the value of the parameters shown in the screen When tabs are displayed on the screen you can switch pages by pressing the ENTER button 5 Press the EXIT button a number of times...

Page 4: ...hod SORT TYPE Value Explanation GENRE Search by the patch category DRIVE Search by the distortion type EFFECT Search by the effect type 3 Use the 2 knob to choose the search item SORT TYPE GENRE SORT...

Page 5: ...button a number of times to return to the play screen Assigning Favorite Parameters to 1 3 Knobs You can assign the parameters that are controlled by parameter knobs 1 3 when the play screen is displ...

Page 6: ...reates a cyclic change in volume ROTARY This produces an effect like the sound of a rotary speaker UNI V This models a Uni Vibe Although this resembles a phaser effect it also provides a unique undula...

Page 7: ...MID Q 0 5 16 Adjusts the width of the area affected by the EQ centered at the LOW MID FREQ Higher values will narrow the area LM GAIN LOW MID GAIN 20 20 dB Adjusts the low middle frequency range tone...

Page 8: ...Adjust the volume of the defretter sound TONE 50 50 Adjusts the amount of blurring between the notes D LEVEL DIRECT LEVEL 0 100 Adjust the volume of the direct sound BASS SYNTH This is a synth sound t...

Page 9: ...ier to achieve effect sound settings that match the tempo of the song If due to the tempo the time is longer than the range of allowable settings it is then synchronized to a period either 1 2 or 1 4...

Page 10: ...set to FAST When set to BPM the value of each parameter will be set according to the value of the MASTER BPM specified for each patch This makes it easier to achieve effect sound settings that match...

Page 11: ...e with Mode set to PICKING or AUTO 2 Setting available with Mode set to PICKING 3 Setting available with Mode set to AUTO CHORUS In this effect a slightly detuned sound is added to the original sound...

Page 12: ...nge in the wah sound produces a robust wah effect with no dilution of the sound RESO WAH This completely original effect offers enhancements on the characteristic resonances produced by analog synth f...

Page 13: ...eter Value Explanation ON OFF OFF ON Turns this effect on off TYPE Refer to PREAMP TYPE GAIN 0 120 Adjusts the distortion of the amp LEVEL 0 100 Adjusts the volume of the entire preamp Be careful not...

Page 14: ...ropriate If the noise level is low a lower setting is appropriate Adjust this value until the decay of the bass sound is as natural as possible High settings for the threshold parameter may result in...

Page 15: ...value of the MASTER BPM specified for each patch This makes it easier to achieve effect sound settings that match the tempo of the song If due to the tempo the time is longer than the range of allowa...

Page 16: ...reverberation E LEVEL EFFECT LEVEL 0 100 Adjusts the volume of the reverb sound LOW CUT FLAT 20 Hz 800 Hz This sets the frequency at which the low cut filter begins to take effect When FLAT is selecte...

Page 17: ...ST Major Major Minor Minor MASTER EQ Parameter Value Explanation LOW GAIN MASTER LOW GAIN 20 20 dB Adjusts the tone for the low frequency range MID GAIN MASTER MID GAIN 20 20 dB Adjusts the tone for t...

Page 18: ...E use Assign ASSIGN 1 6 For each parameter you can specify in detail which controller will control which parameter You can create eight sets of such assignments If you want to light the CTL1 switch s...

Page 19: ...ttings that match the tempo of the song If due to the tempo the time is longer than the range of allowable settings it is then synchronized to a period either 1 2 or 1 4 of that time WAVEFORM 2 Select...

Page 20: ...AVE RATE DEPTH LEVEL 1 ROTARY SPEED RATE SLOW RATE FAST TRANSITION B H BAL LEVEL 1 UNI V RATE DEPTH LEVEL 1 VIBRATO RATE DEPTH TRIGGER RISE TIME LEVEL CATEGORY TARGET 1 RngMOD FREQ E LEVEL D LEVEL MOD...

Page 21: ...TRIGGER RISE TIME LEVEL CATEGORY TARGET 2 RngMOD FREQ E LEVEL D LEVEL MODE 2 HUMAN MODE VOWEL1 VOWEL2 SENS RATE DEPTH MANUAL LEVEL 2 CHORUS RATE DEPTH E LEVEL MODE LOW CUT HIGH CUT 2 SubDELAY TYPE TIM...

Page 22: ...as set on the GT 1B When using an external footswitch or other controller that acts as an on off switch MIN is selected with Off and MAX is selected with On When using an external expression pedal or...

Page 23: ...patches are switched ON If the EXP 1 2 PEDAL s FUNC p 18 are the same between 2 patches the operational status is carried over when patches are switched For example if EXP 1 2 PEDAL FUNC is set to FO...

Page 24: ...FX1 PHASER TYPE 1PhTYP FX1 PHASER RATE 1PhRAT FX1 PHASER DEPTH 1PhDPT FX1 PHASER MANUAL 1PhMAN FX1 PHASER RESONANCE 1PhRES FX1 PHASER E LEVEL 1PhELV FX1 PHASER D LEVEL 1PhDLV FX1 FLANGER RATE 1FlgRAT...

Page 25: ...TrmRAT FX2 TREMOLO DEPTH 2TrmDPT FX2 TREMOLO LEVEL 2TrmLVL FX2 ROTARY BALANCE 2RotBAL FX2 ROTARY SPEED 2RotSPD FX2 ROTARY RATE SLOW 2RotSLW FX2 ROTARY RATE FAST 2RotFST FX2 ROTARY TRANSITION 2RotTRA F...

Page 26: ...ue Explanation MIX LEVEL 0 200 Adjusts the level of the audio input from the computer At this time the audio input from the computer is mixed at the final stage of the GT 1B EFX OUT EFFECT OUT LEVEL 0...

Page 27: ...45 Hz Specifies the reference pitch 3 OUTPUT MUTE Sound will not be output while tuning BYPASS While tuning the sound of the bass being input to the GT 1B will be output without change All effects wil...

Page 28: ...ound P32 CRY VIBE Drive sound combining a classic pedal wah and UNI V P33 ROCK N ROLL SOLO Drive sound for blues or rock with phaser added P34 METALMASTER Distortion tone that goes into the frequency...

Page 29: ...ong CTL1 switch controls octave and expression switch controls reverb P83 REVOLUTION SYNTH Reminiscent of a 90s acid jazz song P84 RESONANCE SAW Synth sound with prominent resonance P85 PHASER SYNTH S...

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