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11

10

Middle control is increased (clockwise) the amount of ‘body’ is increased, which is 
more suitable for sustained lead guitar tones. 

20. Treble 

The Treble control allows exact adjustment of the treble frequencies within the 
sound. At low settings (counter clockwise) the sound will be warm and darker in 
character.  As  the  Treble  control  is  increased  (clockwise)  the  sound  will  become 
brighter. At the maximum settings the sound will be aggressive and cutting. 

21. ISF (Infinite Shape Feature) 

The patented ISF control works in conjunction with the Bass, 
Middle and Treble controls. It allows you to choose the exact 
tonal signature you prefer. Fully counter clockwise has a 
more American characteristic with a tight bottom-end and 
more aggressive middle, and fully clockwise has a British 
characteristic which is more ‘woody’ and less aggressive. 

Unlike conventional ‘contour’ controls and parametric equalisation systems, the 
Bass, Middle and Treble controls remain interactive with each other just like in a 
traditional guitar amplifier tone stack. This leads to a very familiar, musical response.

Master
22. Reverb

The Reverb control sets the overall level of the reverb effect. With the control fully 
counter clockwise there will be no reverb. Turning the control clockwise will increase 
the amount of reverb.

23. Resonance 

The  Resonance  control  sets  the  overall  bass  response  of  the  amplifier.  At  lower 
settings the cleans will be tight and funky and overdrives will be focussed in their 
bass response. At increased settings the clean sounds will become full and warm, 
whilst the crunch and overdrive tones will be more bass heavy and resonant.

24. Presence 

The Presence control sets the overall treble response of the amplifier. Percussive 
high-end can be accentuated on clean sounds and the amount of aggressive treble 
controlled with crunch and overdrive settings. 

25. Volume 

This controls the overall volume of your amplifier. Turning it clockwise increases the 
volume.

26. Power Indicator Light

The power indicator will light when the amplifier is switched on.

27. Standby

This switch enables the output stage. Always turn this switch on at least 30 seconds 
after the Power switch (28). During short breaks in playing use just this switch to 
turn ‘off’ and ‘on’ the amplifier’s output.

28. Power

This  switch  is  used  to  turn  the  amplifier  on  and  off.  You  should  always  turn  this 
switch on before turning on the Standby switch (27).

Rear Panel

1. Mains Fuse

The value of the Mains Fuse is specified on the rear panel. Never use a fuse of the 
incorrect value or attempt to bypass it.

2. Mains Input

The supplied detachable mains lead is connected here. The lead should only be 
connected to a power outlet that is compatible with the voltage, power and frequency 
requirements stated on the rear panel. If in doubt get advice from a qualified technician.

3. H.T. Fuse

The value of the H.T. Fuse is specified on the rear panel. Never use a fuse of the 
incorrect value or attempt to bypass it.

4. Speaker Outputs

The output marked ‘1x16 Ohm’ is for the connection of a single 16 Ohm extension 
speaker cabinet.

The outputs marked ‘1x8 Ohm or 2x16 Ohm’ are for the connection of either a 
single 8 Ohm extension cabinet or two 16 Ohm cabinets.

The outputs marked ‘1x4 Ohm or 2x8 Ohm’ are for the connection of either a single 
4 Ohm extension cabinet or two 8 Ohm cabinets. Also, the internal loudspeaker of 
the HT Stage 60 combo can be plugged in here if it is used with an 8 Ohm extension 
cabinet.See table below.
 

‘1x16 Ohm’ 

‘1x8 Ohm or 2x16  ‘1x4 Ohm or 2x8 

 

 output 

 Ohm’ outputs 

Ohm’ outputs

Internal 2x16 Ohm combo speakers 

 

X  X

One 16 Ohm extension cabinet 

 

X  X

Two 16 Ohm extension cabinets 

 

 

X  X

Internal 2x16 Ohm combo speakers 

  

 

plus one 8 Ohm extension cab

One 8 Ohm extension cabinet 

 

X  X

Two 8 Ohm extension cabinets 

 

Single 4 Ohm extension cabinet 

  X

WARNING:

 The output marked ‘1x16 Ohm’ should never be used at the same 

time as any of the outputs marked ‘1x8 Ohm or 2x16 Ohm’ or ‘1x4 Ohm or 2x8 
Ohm’ outputs. The outputs marked ‘1x8 Ohm or 2x16 Ohm’ or ‘1x4 Ohm or 2x8 
Ohm’ outputs should never be used at the same time. Failure to correctly match the 
impedance of the amplifier and speakers will damage the amplifier.

English

English

USA

UK

Summary of Contents for HT STAGE 100

Page 1: ...1 Owner s Manual Designed and Engineered by Blackstar Amplification UK HBK 1022 09 12 HT STAGE 100 HT STAGE 60...

Page 2: ...paratus 12 Only use attachments accessories specified by the manufacturer 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified s...

Page 3: ...unused for long periods of time Before the unit is switched on the loudspeaker should be connected as described in the handbook using the lead recommended by the manufacturer Always replace damaged f...

Page 4: ...voicing and gain structure and also the power amplifier damping to reproduce either ringing Class A performance in the boutique mode or very clean and tight Class AB tones in the modern setting The H...

Page 5: ...increased clockwise the sound will become more overdriven moving through crunch tones until at its maximum position a full distorted tone is arrived at 11 Overdrive 1 Volume This control adjusts the o...

Page 6: ...light when the amplifier is switched on 27 Standby This switch enables the output stage Always turn this switch on at least 30 seconds after the Power switch 28 During short breaks in playing use just...

Page 7: ...cause damage to the amplifier 6 Cabinet Switch The switch enables you to select either a 4x12 closed back or a 1x12 open back cabinet emulation for the Speaker Emulated Output 7 Reverb Dark Light In...

Page 8: ...ompatibel ist Netzkabel m ssen stets mit Vorsicht gehandhabt und ersetzt werden wenn sie in irgendeiner Weise besch digt werden Brechen Sie niemals den Erdungsstift Erde am Netzkabel ab Das Netzkabel...

Page 9: ...lass A Sounds im Boutique Modus oder sehr cleane und knackige Class AB Kl nge in der Stellung Modern zu erzeugen Der HT Stage verf gt ber zwei Overdrive Kan le die sich dieselbe EQ Sektion teilen Wie...

Page 10: ...aktiv gedr ckt ist wird das Mittenband st rker bersteuert was dem Overdrive Sound mehr Durchsetzungsverm gen und einen weicheren Charakter verleiht Vorderseite Clean Kanal 1 Input Hier schlie en Sie...

Page 11: ...erst rkers Bei niedrigen Einstellungen klingen cleane Sounds knackig und funky w hrend bei angezerrten Sounds die Basswiedergabe angehoben wird Bei h heren Einstellungen klingen Clean Sounds voll und...

Page 12: ...X X X plus 8 Ohm Lautsprecherbox Eine externe 8 Ohm Lautsprecherbox X X X X Zwei externe 8 Ohm Lautsprecherboxen X X X Eine externe 4 Ohm Lautsprecherbox X X X X WARNUNG Der mit 1x16 Ohm bezeichnete A...

Page 13: ...on de l alimentation g n rale de votre secteur Manipulez toujours les cordons d alimentation avec le plus grand soin Remplacez les s ils sont endommag s Ne d tachez jamais la prise de terre du cordon...

Page 14: ...e l amortissement de l amplificateur de puissance pour reproduire soit les performances retentissantes de la Classe A en mode boutique soit les sons tr s clairs et tr s fins de la Classe AB avec le r...

Page 15: ...uand le commutateur est enclench du gain est appliqu la bande des m diums pour donner plus de corps au son satur et obtenir une distorsion plus moelleuse Face avant Canal Clean 1 Entr e Branchez ici v...

Page 16: ...tit de reverb 23 Resonance La commande Resonance r gle la r ponse g n rale en graves de l amplificateur Avec des r glages bas les sons clairs seront fins et funky et la r ponse en graves des sons satu...

Page 17: ...nsion 16 ohms X X X X Deux baffles d extension 16 ohms X X X Baffle d extension interne 2x16 ohms X X X plus baffle d extension 8 ohms Simple baffle d extension 8 ohms X X X X Deux baffles d extension...

Page 18: ...CI N QUE SEA COMPATIBLE CON LOS VOLTAJES UTILIZADOS EN EL ARE EN DONDE EST LA FUENTE DE ALIMENTACI N DEBE DE SER MANEJADA CON CUIDADO Y DEBE DE SER REMPLAZADA EN CASO DE CUALQUIER DA O NUNCA ROMPA LA...

Page 19: ...lificador de potencia para reproducir un excelente rendimiento tipo Clase A en modo boutique o tonos muy limpios y apretados de Clase AB en el ajuste moderno El HT Stage tiene dos canales de overdrive...

Page 20: ...recuencias bajas en su tono Este amplificador cuenta con un avanzado circuito de configuraci n del tono que permite hacer variar el tono de apretado y cortante cuando se gira en sentido antihorario a...

Page 21: ...dos los sonidos limpios ser n plenos y calientes mientras los tonos crunch y overdrive ser n m s pesados en los graves y resonantes 24 Presencia El control de Presencia ajusta la respuesta de agudos d...

Page 22: ...er a utilizarse nunca al mismo tiempo que cualquiera de las salidas marcadas 1x8 Ohm o 2x16 Ohm o 1x4 Ohm o 2x8 Ohm La salidas marcadas 1x8 Ohm o 2x16 Ohm o salidas 1x4 Ohm o 2x8 Ohm no deber an utili...

Page 23: ...45 44 Japanese Japanese...

Page 24: ...YYY DNCEMUVCTCORU EQO 6 5VCIG NGCP QWVKSWG QFGTP 8QKEG QWVKSWG QFGTP 6 5VCIG 1XGTFTKXG 1XGTFTKXG 5 5 CTM TKIJV NCEMUVCT 6 5VCIG 6 5VCIG 5 PHKPKVG 5JCRG GCVWTG NCEMUVCT 74 YYY DNCEMUVCTCORU EQO 6 5VCI...

Page 25: ...1XGTFTKXG CKP 1XGTFTKXG 1XGTFTKXG 8QNWOG 1XGTFTKXG 1XGTFTKXG 8QKEG 5YKVEJ 1XGTFTKXG 1XGTFTKXG TQPV 2CPGN NGCP JCPPGN PRWV NGCP PFKECVQT NGCP NGCP 5GNGEV NGCP NGCP 8QNWOG NGCP 8QNWOG NGCP 8QKEG CUU 6TG...

Page 26: ...WOG 2QYGT PFKECVQT KIJV 5VCPFD 2QYGT 10 1 56 0 59 6 10 4GCT 2CPGN CKP WUG CKP PRWV 6 WUG 6 1XGTFTKXG CPF 1XGTFTKXG 3 CUU KFFNG 6TGDNG 5 PHKPKVG 5JCRG GCVWTG 5 3 CUVGT 4GXGTD 4GXGTD 4GUQPCPEG 4GUQPCPEG...

Page 27: ...VEJ 1XGTFTKXG NCEMUVCT 5 QQVUYKVEJ NGCP 1XGTFTKXG 1XGTFTKXG 4GXGTD 1P 1HH 6GEJPKECN 5RGEKHKECVKQP 6 5VCIG 2QYGT 4 5 YCVVU 8CNXGU Z Z Z 9GKIJV MI KOGPUKQPU OO Z Z QQVUYKVEJ 5 KPENWFGF QRVKQPCN 5 HQT 1X...

Page 28: ...0 10 10 0 0 10 0 10 0 0 10 10 0 10 0 10 0 CLEAN CLEAN PRESENCE VOICE VOICE VOICE HT STAGE 60 VOLUME 10 0 VOLUME 10 0 GAIN 10 0 GAIN 10 0 ON ON RESONANCE STANDBY POWER OD 2 VOLUME LEVEL ISF BASS MIDDL...

Page 29: ...latest information go to www blackstaramps com Whilst the information contained herein is correct at the time of publication due to our policy of constant improvement and development Blackstar Amplif...

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