6
Setting up
For stereo pick-up
place two MCE 94’s in front of the choir or
orchestra. The microphones should be used close together and
turned to the left and right approximately 45° so that the angle
between the two microphones is approximately 90° (X-Y arrangement).
The distance between orchestra and the microphones determines
the balance between direct and reverberant sound. The correct
distance will be established during a sound check or test recording.
Version
Model
Description
. . . . . . . . . . . . . . . . . . . . .
Order #
MCE 94
Condenser microphone (back
electret), cardioid, with switch,
incl. EA 19/25 elasticated
suspension and MKV 111
microphone clamp . . . . . . . . . . . . . . . . . 453.242
Optional Accessory
BMC 05 FM BLK
Standard microphone cable XLR-XLR,
5 m long. . . . . . . . . . . . . . . . . . . . . . . . . 434.787
BMC 10 FM BLK
Standard microphone cable XLR-XLR,
10 m long. . . . . . . . . . . . . . . . . . . . . . . . 434.795
SMC 05 FM BLK
Standard microphone cable XLR-Jack,
5 m long. . . . . . . . . . . . . . . . . . . . . . . . . 434.809
SMC 10 FM BLK
Standard microphone cable XLR-Jack,
10 m long. . . . . . . . . . . . . . . . . . . . . . . . 434.817
GST 400
Microphone stand, 3/8",
height 0.90 - 1.65 m,
with G 400 boom . . . . . . . . . . . . . . . . . . 421.294
ST 400
same as GST 400, but without
G 400 boom . . . . . . . . . . . . . . . . . . . . . . 421.286
GST 500
Microphone stand, 3/8",
height 0.85 - 1.60 m,
with telescopic G 500 boom . . . . . . . . . 406.252
ST 500
same as GST 500, but without
G 500 boom . . . . . . . . . . . . . . . . . . . . . . 406.643
WS 101
Wind shield, charcoal-grey . . . . . . . . . . 111.244
MAV 800
Clip for hanging mounting of
microphones . . . . . . . . . . . . . . . . . . . . . 448.133
MAV 802
Multi-purpose mounting for two
microphones . . . . . . . . . . . . . . . . . . . . . 453.32