background image

adjustable tracking force holding it
down, so the moving parts should be
as light as possible in order to ensure
that they can move quickly. The total

apparent

mass of the parts that are

being moved as a result of the groove
modulation is called the

e

ective tip

mass

. Intuitively, this can be thought

of as giving an impression of the
amount of inertia in the stylus.

It is important to not confuse the
tracking force and the e

ective tip

mass, since these are very di

erent

things. Imagine a heavy object like a
1500 kg car, for example, lifted o

the

ground using a crane, and then slowly
lowered onto a scale until it reads 1 kg.
The “weight” of the car resting on the
scale is equivalent to 1 kg. However, if
you try to push the car sideways, you
will obviously find that it is more
di

cult to move than a 1 kg mass,

since you are trying to overcome the
inertia of all 1500 kg, not the 1 kg that
the scale “sees”. In this analogy, the
reading on the scale is equivalent to
the Tracking Force, and the mass that
you’re trying to move is the E

ective

Tip Mass. Of course, in the case of a
phonograph stylus, the opposite
relationship is desirable; you want a
tracking force high enough to keep the
stylus in the groove, and an e

ective

tip mass as close to 0 as possible, so
that it is easy for the groove to move it.

3.7 Compliance

Imagine an audio signal that is on the
left channel only. In this case, the
variation is only on one of the two
groove walls, causing the stylus tip to
ride up and down on those bumps. If
the modulation velocity is high, and
the e

ective tip mass is too large, then

the stylus can lift o

the wall of the

groove just like a car leaving the
surface of a road on the trailing side of
a bump. In order to keep the car’s
wheels on the road, springs are used to
push them back down before the rest
of the car starts to fall. The same is

true for the stylus tip. It’s being
pushed back down into the groove by
the cantilever that provides the spring.
The amount of “springiness” is called
the

compliance

of the stylus

suspension. (Compliance is the
opposite of spring sti

ness: the more

compliant a spring is, the easier it is to
compress, and the less it pushes back.)

Like many other stylus parameters, the
compliance is balanced with other
aspects of the system. In this case it is
balanced with the e

ective mass of the

tonearm (which includes the tracking
force

8

), resulting in a resonant

frequency. If that frequency is too high,
then it can be audible as a tone that is
“singing along” with the music. If it’s
too low, then in a worst-case situation,
the stylus can jump out of the record
groove.

If a turntable is very poorly adjusted,
then a high tracking force and a high
stylus compliance (therefore, a “soft”
spring) results in the entire assembly
sinking down onto the record surface.
However, a high compliance is
necessary for low-frequency
reproduction, therefore the maximum
tracking force is, in part, set by the
compliance of the stylus.

If you are comparing the specifications
of di

erent cartridges, it may be of

interest to note that compliance is
often expressed in one of five di

erent

units, depending on the source of the
information:

“Compliance Unit” or “cu”

mm/N
millimetres of deflection per
Newton of force

µ

m/mN

micrometres of deflection per
thousandth of a Newton of force

x 10

6

cm/dyn

hundredths of a micrometre of
deflection per dyne of force

x 10

6

cm/10

5

N

hundredths of a micrometre of
deflection per hundred-
thousandth of a Newton of force

Since

mm/N = 1000

µ

m / 1000 mN

1 dyne = 0.00001 Newton

Then this means that all five of these
expressions are identical, so, they can
be interchanged freely. In other words:

20 CU
= 20 mm / N
= 20

µ

m / mN

= 20 x 10

6

cm / dyn

= 20 x 10

6

cm / 10

5

N

3.8 Soundsmith SMMC20CL

Today, the Beogram 4000c is supplied
with an SMMC20CL cartridge made by
Soundsmith. This is a nude contact line
diamond stylus with a solid sapphire
cantilever. It is a variable reluctance
design, based on the original Bang &
Olufsen Micro Moving Cross
construction.

The SMMC20CL has an e

ective tip

mass of 0.32 mg, lower than the 0.5
mg of the original MMC 4000 cartridge,
but slightly higher than the 0.22 mg in
the MMC 6000 cartridge.

8

On the Mechanics of Tonearms, Dick Pierce

13

Summary of Contents for Beogram 4000c

Page 1: ...Beogram 4000c Technical Sound Guide Bang Olufsen A S This manual is for information purposes only and is not legally binding November 27 2020...

Page 2: ...ross 7 3 2 Signal Levels 8 3 3 Tip shape 10 3 4 Bonded vs Nude 12 3 5 Tracking force 12 3 6 E ective Tip Mass 12 3 7 Compliance 13 3 8 Soundsmith SMMC20CL 13 4 Audio Specifications 14 4 0 1 Magnitude...

Page 3: ...Emil Berliner was awarded a patent for a sound recording and reproducing system that was based on a groove in a rotating disc rather than Edison s cylinder the original version of the system that we k...

Page 4: ...are the same at Time 0 ms However it is also evident that when this is true they have very di erent amplitudes in fact the amplitude would have to double for every halving of frequency a drop of 1 oc...

Page 5: ...ns of the RIAA equalisation filter define the transition points as time constants instead of frequencies So instead of 50 Hz 500 Hz and 2122 Hz as shown in the response plots the points are listed as...

Page 6: ...down left up right for example This means that signals that are identical in both channels move the stylus laterally exactly as in earlier monophonic discs 4 Figure 2 10 An over simplified depic tion...

Page 7: ...eophonic Transducer Cartridge In 1963 Erik R rbaek Madsen of Bang Olufsen filed a patent for a cartridge based on the Moving Iron principle In it a cross made of Mu metal is mounted on the stylus Each...

Page 8: ...be encoded without incurring additional distortion that is inherent in the encoding system itself is when the maximum or minimum value in the audio signal reaches the highest possible signal value of...

Page 9: ...here is a relationship between the total playing time of a vinyl disc and the modulation velocity In order to have 20 minutes of music on a 12 LP spinning at 33 1 3 RPM then it the standard method was...

Page 10: ...here are a number of options when choosing the shape of the playback stylus 3 3 Tip shape The earliest styli were the needles that were used on 78 RPM gramophone players These were typically made from...

Page 11: ...k deeper into the groove making it more di cult for it to move independently on the two audio channels The second is that the point of contact between the stylus and the vinyl becomes smaller which ca...

Page 12: ...pin which is in turn connected to the cantilever the long arm that connects back to the cartridge housing This bonded design is cheaper to manufacture but it results in a high mass at the stylus tip...

Page 13: ...the compliance of the stylus suspension Compliance is the opposite of spring sti ness the more compliant a spring is the easier it is to compress and the less it pushes back Like many other stylus pa...

Page 14: ...of 70 7 mm sec 4 0 3 Rotational speed Every recording playback system whether for audio or for video signals is based on the fundamental principle that the recording and the playback happen at the sam...

Page 15: ...changes in the speed that are higher than 100 Hz This is typically only a problem with analogue tape decks caused by the magnetic tape sticking and slipping on components in its path and is not often...

Page 16: ...nal relative to the average frequency however the e ect of very slow and very fast changes have been reduced by the filter Finally the standard deviation of the variation from the average is calculate...

Page 17: ...mith SMMC20CL Stylus Nude 0 12 mm square Radius of curvature Contact Line Recommended tracking force 1 3 g Compliance 28 m mN E ective tip mass 0 32 mg General information Automatic speed selection Ye...

Page 18: ...nditions in the Cutting and Playing of Stereo Disk C R Bastiaans Vol 11 Issue 1 Jan 1963 Factors A ecting the Stylus Groove Relationship in Phonograph Playback Systems C R Bastiaans Vol 15 Issue 4 Oct...

Page 19: ...commendations for Lateral Cut Commercial and Transcription Disk Recordings 98 Processed Disk Records and Reproducing Equipment 386 Method of Measurement of Speed Fluctuations in Sound Recording and Re...

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