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Page 108

vol - master-up @ 0.5db

FF,03,00,01,37,3B,FF

vol - master-dn @ 0.5db

FF,03,00,01,38,3C,FF

vol - left-up @ 0.5db

FF,03,00,01,39,3D,FF

vol - left-dn @ 0.5db

FF,03,00,01,3A,3E,FF

vol - center-up @ 0.5db

FF,03,00,01,3B,3F,FF

vol - center-dn @ 0.5db

FF,03,00,01,3C,40,FF

vol - right-up @ 0.5db

FF,03,00,01,3D,41,FF

vol - right-dn @ 0.5db

FF,03,00,01,3E,42,FF

vol - ls-up @ 0.5db

FF,03,00,01,3F,43,FF

vol - ls-dn @ 0.5db

FF,03,00,01,40,44,FF

vol - rs-up @ 0.5db

FF,03,00,01,41,45,FF

vol - rs-dn @ 0.5db

FF,03,00,01,42,46,FF

vol - sub-up @ 0.5db

FF,03,00,01,43,47,FF

vol - sub-dn @ 0.5db

FF,03,00,01,44,48,FF

vol - lcs-up @ 0.5db

FF,03,00,01,45,49,FF

vol - lcs-dn @ 0.5db

FF,03,00,01,46,4A,FF

vol - rcs-up @ 0.5db

FF,03,00,01,47,4B,FF

vol - rcs-dn @ 0.5db

FF,03,00,01,48,4C,FF

mode - dynamicrange-max

FF,03,00,01,49,4D,FF

mode - dynamicrange-mid

FF,03,00,01,4A,4E,FF

mode - dynamicrange-min

FF,03,00,01,4B,4F,FF

ASA - Boundary Gain Compensation OFF

FF,03,00,01,4C,50,FF

ASA - Boundary Gain Compensation ON

FF,03,00,01,4D,51,FF

update - ASA

FF,03,00,01,4E,52,FF

spk - lr-small

FF,03,00,01,4F,53,FF

spk - lr-big

FF,03,00,01,50,54,FF

spk - c-none

FF,03,00,01,51,55,FF

spk - c-small

FF,03,00,01,52,56,FF

spk - c-big

FF,03,00,01,53,57,FF

spk - lsrs-none

FF,03,00,01,54,58,FF

spk - lsrs-small

FF,03,00,01,55,59,FF

spk - lsrs-big

FF,03,00,01,56,5A,FF

spk - sub-no

FF,03,00,01,57,5B,FF

spk - sub-yes

FF,03,00,01,58,5C,FF

noise - sub

FF,03,00,01,59,5D,FF

vol - master-up @ 1db

FF,03,00,01,5A,5E,FF

vol - master-dn @ 1db

FF,03,00,01,5B,5F,FF

RESERVED

FF,03,00,01,5C,60,FF

*reserved for this application

delay - left-up @ 1 foot

FF,03,00,01,5D,61,FF

delay - left-dn @ 1 foot

FF,03,00,01,5E,62,FF

delay - center-up @ 1 foot

FF,03,00,01,5F,63,FF

delay - center-dn @ 1 foot

FF,03,00,01,60,64,FF

delay - right-up @ 1 foot

FF,03,00,01,61,65,FF

delay - right-dn @ 1 foot

FF,03,00,01,62,66,FF

delay - ls-up @ 1 foot

FF,03,00,01,63,67,FF

delay - ls-dn @ 1 foot

FF,03,00,01,64,68,FF

delay - rs-up @ 1 foot

FF,03,00,01,65,69,FF

delay - rs-dn @ 1 foot

FF,03,00,01,66,6A,FF

delay - sub-up @ 1 foot

FF,03,00,01,67,6B,FF

delay - sub-dn @ 1 foot

FF,03,00,01,68,6C,FF

delay - lcs-up @ 1 foot

FF,03,00,01,69,6D,FF

delay - lcs-dn @ 1 foot

FF,03,00,01,6A,6E,FF

delay - rcs-up @ 1 foot

FF,03,00,01,6B,6F,FF

delay - rcs-dn @ 1 foot

FF,03,00,01,6C,70,FF

spk - cs-none

FF,03,00,01,6D,71,FF

spk - cs-small 1

FF,03,00,01,6E,72,FF

spk - cs-small 2

FF,03,00,01,6F,73,FF

spk - cs-large 1

FF,03,00,01,70,74,FF

spk - cs-large 2

FF,03,00,01,71,75,FF

RESERVED

FF,03,00,01,72,76,FF

RESERVED

FF,03,00,01,73,77,FF

RESERVED

FF,03,00,01,74,78,FF

RESERVED

FF,03,00,01,75,79,FF

update - re-eq - timbre - decorrelation

FF,03,00,01,76,7A,FF

mode - re-eq is forced on (active in a non-THX mode)

FF,03,00,01,77,7B,FF

mode - re-eq is forced off (active in a non-THX mode)

FF,03,00,01,78,7C,FF

mode - timbre match is forced on (active in a non-THX mode)

FF,03,00,01,79,7D,FF

mode - timbre match is forced off (active in a non-THX mode)

FF,03,00,01,7A,7E,FF

mode - decorrelation is forced on (active in a non-THX mode)

FF,03,00,01,7B,7F,FF

mode - decorrelation is forced off (active in a non-THX mode)

FF,03,00,01,7C,80,FF

spk - crossover-up

FF,03,00,01,7D,81,FF

spk - crossover-dn

FF,03,00,01,7E,82,FF

update - vol master

FF,03,00,01,7F,83,FF

update - format - mode - dynamicrange

FF,03,00,01,80,84,FF

update - format - mode - vol master

FF,03,00,01,81,85,FF

update - (vol) c - sub - l - r - ls - rs - lcs - rcs

FF,03,00,01,82,86,FF

update - (delay) c - sub - l - r - ls - rs - lcs - rcs

FF,03,00,01,83,87,FF

update - (spk setup) lr - c - surr - sub - cs - crossover

FF,03,00,01,84,88,FF

ASA - Back speakers are less than 12" apart

FF,03,00,01,85,89,FF

ASA - Back speakers are equal to or between 12"-48" apart

FF,03,00,01,86,8A,FF

ASA - Back speakers are greater than 48" apart

FF,03,00,01,87,8B,FF

RESERVED

FF,03,00,01,88,8C,FF

vol - master recall 1

FF,03,00,01,89,8D,FF

vol - master recall 2

FF,03,00,01,8A,8E,FF

vol - master recall 3

FF,03,00,01,8B,8F,FF

vol - master recall 4

FF,03,00,01,8C,90,FF

vol - master store 1

FF,03,00,01,8D,91,FF

vol - master store 2

FF,03,00,01,8E,92,FF

vol - master store 3

FF,03,00,01,8F,93,FF

vol - master store 4

FF,03,00,01,90,94,FF

Summary of Contents for CINEMA REFERENCE Mach II

Page 1: ...602 610 Mamaroneck Avenue White Plains NY 10605 www ada usa com 1 800 HD AUDIO Fax 914 946 9620 RELEASED APRIL 2002 CINEMA REFERENCE Mach II Version 3 46 Installation Manual...

Page 2: ...gs DAMAGE REQUIRING SERVICE The appliance should be serviced by an authorized service center or qualified service personnel when The power supply cord or plug has been damaged or Objects have fallen o...

Page 3: ...20 CD Player Digital Connections 21 Tuner Radio Connection 22 Auxiliary Component Connection 22 Multi Room System Connection 23 Camcorder Connection 23 Video Game Connection 24 Computer Connection 25...

Page 4: ...Group A 61 Bass Group A 61 Treble Group B 61 Bass Group B 62 Storing Tone Presets 62 Volume Setups 63 Storing Volume Presets 63 Recalling Volume Presets 63 Turn On Volume Level Setup 63 Maximum Volume...

Page 5: ...itched ADA Bus 1 2 3 4 DATA PORT Serial Data 12VDC OUT 100mA Max Per DC 1 1 2 DC 2 1 2 WARNING Risk Of Hazardous Energy Make Proper Connections AVERTISSEMENT Energie Electrique Dangereuse Faire Des Co...

Page 6: ...tal Theater Systems Inc 1996 2000 Digital Theater Systems Inc All rights reserved Manufactured under license from Lucasfilm Ltd U S patent numbers 5 043 970 5 189 703 and or 5 222 059 European patent...

Page 7: ...onents and ac cessories are discussed in the following sections this area will ex plain the front panel features and basic operation commands of the Cinema Reference Mach II s front panel The text fou...

Page 8: ...n the audio exit Mute turn the Volume knob Once the Cinema Reference is on turning the Volume knob will only raise or lower the system s volume level This is considered the Master Vol ume Control as i...

Page 9: ...ng the current component in use in this example DVD PLAYER 1 The second line of the LCD display will advance through the input names until the desired component is displayed Once the desired component...

Page 10: ...ng place in this cir cuit This preserves the audio quality for those who opt to use the Record output to pass audio to a premium two channel audio system If a component is connected to a digital input...

Page 11: ...Digital Audio Coaxial Inputs 4 10 Amp Switched AC Outlet 1 1 2 2 3 4 3 5 6 4 7 8 5 1 2 6 REC OSD 7 8 L R L R L R L R AUDIO INPUTS VIDEO INPUTS VIDEO OUT 1 2 3 4 DIGITAL AUDIO INPUTS AC INPUT 115V 60H...

Page 12: ...RGB video inputs This flexibility permits you to maximize the Cinema Reference Mach II s A V jacks to accommodate a wide assortment of components Lastly the Cinema Reference features an option called...

Page 13: ...d Surround EX is a jointly developed technology of THX and Dolby Laboratories Inc and is a trademark of Dolby Used under authorization 2 3 4 1 PROCESSED VGA ONLY COMPOSITE S VIDEO ARE UP CONVERTED LIN...

Page 14: ...nnel Output L C R LS RS Sub 6 Channel RCA to DB 25 Multi Channel Audio Cable Not included with Cinema Referenceand typically not included with DVD Player 1 1 2 2 3 4 3 5 6 4 7 8 5 1 2 6 REC OSD 7 8 L...

Page 15: ...numbers 5 043 970 5 189 703 and or 5 222 059 European patent number 0323830 Other U S and foreign patents pending Lucasfilm and THX are trademarks or registered trademarks of Lucasfilm Ltd Surround EX...

Page 16: ...rademark of Dolby Used under authorization 2 3 4 1 PROCESSED VGA ONLY COMPOSITE S VIDEO ARE UP CONVERTED LINE DOUBLED 115V 60Hz 230V 50Hz VGASWITCHER AC VOLTAGE 115V 2 10 A S B 230V 1 10 A S B VGA RGB...

Page 17: ...ons Propres Pour L Hautparleur Voir La Notice De Fonctionnement CAUTION Disconnect Supply Cord Before Servicing ATTENTION Debrancher Avant Le Depannage Use Same Value Fuse 115V 1AS B 230V 5AS B Voltag...

Page 18: ...TS VGA RGB HDTV OUTPUT 10dB PIN CHAN PIN CHAN 1 14 LT 7 20 SBL 2 15 CT 8 21 SBR 3 16 RT 9 10 22 SHLD 4 17 SB 11 23 R T A 5 18 SL 12 24 R T B 6 19 SR 13 25 R T C 0dB MULTI PIN LFE SUM 115 V DVR PVR wit...

Page 19: ...Audio Cable 4 4 4 4 Video Cable When driving the TV with S Video or component video this cable is still required to drive the Cinema Reference s LCD display 1 1 2 2 3 4 3 5 6 4 7 8 5 1 2 6 REC OSD 7 8...

Page 20: ...oped technology of THX and Dolby Laboratories Inc and is a trademark of Dolby Used under authorization 2 3 4 1 PROCESSED VGA ONLY COMPOSITE S VIDEO ARE UP CONVERTED LINE DOUBLED 115V 60Hz 230V 50Hz VG...

Page 21: ...Hazardous Energy Make Proper Connections AVERTISSEMENT Energie Electrique Dangereuse Faire Des Connexions Propres Pour L Hautparleur Voir La Notice De Fonctionnement CAUTION Disconnect Supply Cord Be...

Page 22: ...autparleur Voir La Notice De Fonctionnement CAUTION Disconnect Supply Cord Before Servicing ATTENTION Debrancher Avant Le Depannage Use Same Value Fuse 115V 1AS B 230V 5AS B Voltage Selector Safety Fu...

Page 23: ...SUM 115 V TUNER Stereo Audio Out R L Audio Cable 7 7 1 1 2 2 3 4 3 5 6 4 7 8 5 1 2 6 REC OSD 7 8 L R L R L R L R AUDIO INPUTS VIDEO INPUTS VIDEO OUT 1 2 3 4 DIGITAL AUDIO INPUTS AC INPUT 115V 60Hz 23...

Page 24: ...23 R T A 5 18 SL 12 24 R T B 6 19 SR 13 25 R T C 0dB MULTI PIN LFE SUM 115 V CAMCORDER Stereo Audio Out R L Video Out Audio Cable 1 1 7 Video Cable 1 1 2 2 3 4 3 5 6 4 7 8 5 1 2 6 REC OSD 7 8 L R L R...

Page 25: ...nection 1 1 2 2 3 4 3 5 6 4 7 8 5 1 2 6 REC OSD 7 8 L R L R L R L R AUDIO INPUTS VIDEO INPUTS VIDEO OUT 1 2 3 4 DIGITAL AUDIO INPUTS AC INPUT 115V 60Hz 230V 50Hz AC OUTPUT 10A Max Switched ADA Bus 1 2...

Page 26: ...y Make Proper Connections AVERTISSEMENT Energie Electrique Dangereuse Faire Des Connexions Propres Pour L Hautparleur Voir La Notice De Fonctionnement CAUTION Disconnect Supply Cord Before Servicing A...

Page 27: ...nd Neo 6 are trademarks of Digital Theater Systems Inc 1996 2000 Digital Theater Systems Inc All rights reserved Manufactured under license from Lucasfilm Ltd U S patent numbers 5 043 970 5 189 703 an...

Page 28: ...OUT OUTPUT RF AC 3 IN INPUT LASER DISC PLAYER With AC 3 RF Output But No Internal RF Demodulator Opitcal Digital Audio Out Video Out Dolby Digital AC 3 RF Output S Video Output S Video Cable If Input...

Page 29: ...witch between inputs on your line doubler 1 1 2 2 3 4 3 5 6 4 7 8 5 1 2 6 REC OSD 7 8 L R L R L R L R AUDIO INPUTS VIDEO INPUTS VIDEO OUT 1 2 3 4 DIGITAL AUDIO INPUTS AC INPUT 115V 60Hz 230V 50Hz AC O...

Page 30: ...s Inc US Pat No 5 451 942 5 956 764 5 974 380 5 978 762 and other worldwide patents issued and pending DTS DTS ES Extended Surround and Neo 6 are trademarks of Digital Theater Systems Inc 1996 2000 Di...

Page 31: ...2 6 REC OSD 7 8 L R L R L R L R AUDIO INPUTS VIDEO INPUTS VIDEO OUT 1 2 3 4 DIGITAL AUDIO INPUTS AC INPUT 115V 60Hz 230V 50Hz AC OUTPUT 10A Max Switched ADA Bus 1 2 3 4 DATA PORT Serial Data 12VDC OUT...

Page 32: ...CAUTION Disconnect Supply Cord Before Servicing ATTENTION Debrancher Avant Le Depannage Use Same Value Fuse 115V 1AS B 230V 5AS B Voltage Selector Safety Fuse On This Side 115 V 115V 230V 1 2 3 OPTIC...

Page 33: ...4 5 974 380 5 978 762 and other worldwide patents issued and pending DTS DTS ES Extended Surround and Neo 6 are trademarks of Digital Theater Systems Inc 1996 2000 Digital Theater Systems Inc All righ...

Page 34: ...CR as a recording device you can do the following 1 Make certain that the DSS is on an active channel that your DVR is operating that your Cable TV Tuner is on a station and that your CD player is in...

Page 35: ...input label for that source While this new record input label tracks the same video options of the input label that has a digital audio connection the record input label will need to be set to track a...

Page 36: ...e inputs position for control purposes and is important when selecting inputs from a remote control PC or control system Elimi nating this number from the input label does not defeat the ability for t...

Page 37: ...s the stage in which you change the letter number or symbol At this level the selected character is flashing and underlined the display looks like LABEL INPUTS DVD PLAYER You navigate into this level...

Page 38: ...ange character mode 10 Turn the Mode knob counterclockwise so that the X changes to an S and then press the mode knob 11 Turn the Mode knob clockwise one click so that the I is underlined and blinking...

Page 39: ...eference Mach II has the jacks preas signed as noted in the previous sections you may wish to alter some of these conditions when cus tomizing your system Use the Out of the Box input configuration ch...

Page 40: ...R L R L R L R AUDIO INPUTS VIDEO INPUTS VIDEO OUT 1 2 3 4 DIGITAL AUDIO INPUTS AC INPUT 115V 60Hz 230V 50Hz AC OUTPUT 10A Max Switched ADA Bus 1 2 3 4 DATA PORT Serial Data 12VDC OUT 100mA Max Per DC...

Page 41: ...b 14 Turn the Mode knob until the display reads RGB INPUT 2 and then press the Mode knob 15 Turn the Volume knob to exit the setup mode At this time you have reassigned all of the A V inputs on the Ci...

Page 42: ...is true for the DVR if you are using the more advanced DVR s they feature a VGA output In the same line since not all VCRs feature an S Video output the Out of the Box setup shows that only compos it...

Page 43: ...nect Supply Cord Before Servicing ATTENTION Debrancher Avant Le Depannage Use Same Value Fuse 115V 1AS B 230V 5AS B Voltage Selector Safety Fuse On This Side 115 V 115V 230V 1 2 3 OPTICAL INPUTS MAIN...

Page 44: ...R2 and press the Mode knob 4 Turn the Mode knob to turn the AUX TRIGGER ON or OFF then press the Mode knob Repeat this step as necessary Turn On Input When controlling the Cinema Reference Mach II fro...

Page 45: ...gnal if they are also set to output HD VGA RGBHV Adjustment of the LCD will assist in correcting visual issues regarding ambient room light and angle of view To adjust the contrast brightness of the L...

Page 46: ...ck surround left and back surround right speakers is redirected to the subwoofer and summed combined with the LFE Low Frequency Effects or the 1 in a 5 1 mix As such these speakers are rolled off at 8...

Page 47: ...y of these features 1 Turn the Mode knob clockwise until the display s second line reads SETUP MENU and then press the Mode knob 2 Turn the Mode knob clockwise until the display s second line reads PR...

Page 48: ...se speakers that are set to Small as their bass information below the crossover setting will be summed with the LFE 1 effects channel and be directed to the subwoofer To set the Subwoofer Crossover 1...

Page 49: ...so while the subwoofer designed just to play low frequencies has to put out full range As such this aspect of the Cinema Reference Mach II makes it an ideal choice for those looking to add DVD Audio...

Page 50: ...Make Proper Connections AVERTISSEMENT Energie Electrique Dangereuse Faire Des Connexions Propres Pour L Hautparleur Voir La Notice De Fonctionnement CAUTION Disconnect Supply Cord Before Servicing AT...

Page 51: ...calibration To begin this setup 1 Turn the Mode knob clockwise until the display s second line reads SETUP MENU and then press the Mode knob 2 Turn the Mode knob clockwise until the display s second l...

Page 52: ...ss the Mode knob to adjust the left surround channel s level up or down so that the meter reads 75dB When completed press the Mode knob 11 Turn the Mode knob clockwise one click until the display read...

Page 53: ...ay s second line reads BACK TO MAIN and then press the Channel knob To exit this setup menu entirely turn the Volume knob At this time you have successfully stored the previous adjustments in Speaker...

Page 54: ...quire the use of a tape measure or some other distance measuring instru ment ADA suggests using the U S British standard to mea sure these distances in feet as sound travels at approximately 1 foot pe...

Page 55: ...ill cause the Cinema Reference s DSP to loose the delay reference point It is extremely important that at least one delay distance point remain at 0 1 Turn the Mode knob clockwise until the display s...

Page 56: ...ak Limit Manager using test tones 1 Turn the Mode knob clockwise until the display s second line reads SETUP MENU and then press the Mode knob 2 Turn the Mode knob clockwise until the display s second...

Page 57: ...ambient and rear directional information provides an enhanced surround expe rience over a wider listening area for all multi channel formats With stereo surround tracks and multi channel music the sig...

Page 58: ...to off FLAT the concept of offering a single on off function without changing the underlying level permits the creation of on off buttons on controls and touch screens As such the actual level contro...

Page 59: ...e power to correct deficiencies in the room s acoustics While Tone presets are discussed in the next section it is important to note that the Cinema Reference Mach II features four tone presets Not on...

Page 60: ...e assigned to Group A with a Treble frequency point of 6KHz and a Bass fre quency point of 260Hz Both Treble and Bass levels are defaulted to flat 0dB As the remote control may offer a Bass and Treble...

Page 61: ...hannel Again press the Channel knob to either include or exclude this channel from Tone Group A 4 Repeat step 3 for all channels in Tone Group A To return to the previous menu option turn the Channel...

Page 62: ...and then press the Channel knob 6 The top line of the display will read BASS GROUPAand the second line will display the LEVEL in DB To skip the Level adjustment and move directly to adjustment of the...

Page 63: ...Channel knob one click such that the display s top line reads BASS GROUP B and the second line reads FREQ in HZ To skip the Frequency adjustment and move directly to storing these settings in a Tone...

Page 64: ...the Channel knob 3 Turn the Channel knob clockwise until the display s top line reads STORE while the second line reads the VOL PRESET number you wish to store the volume level on and press the Chann...

Page 65: ...u change from digital input labels to analog input labels often the volume level may vary The Cinema Reference features an Analog Input Gain control that can be set individually per input labels linke...

Page 66: ...h the other speakers Solo Mode is also ideal when trying to get an understanding of how multi channel recordings are mixed as you can select to listen to just one channel at a time This is particularl...

Page 67: ...PORT Serial Data 12VDC OUT 100mA Max Per DC 1 1 2 DC 2 1 2 WARNING Risk Of Hazardous Energy Make Proper Connections AVERTISSEMENT Energie Electrique Dangereuse Faire Des Connexions Propres Pour L Haut...

Page 68: ...rts Data Carrier IR Flasher Remove Jumper Serial Direct Insert Jumper 40KHz IR Repeat Frequency IR Repeating Only 1 Repeater IR Serial Serial Data Only Off PGM DEL CON ERR Norm Invert 2 3 4 5 6 7 8 Re...

Page 69: ...AL AUDIO INPUTS AC INPUT 115V 60Hz 230V 50Hz AC OUTPUT 10A Max Switched ADA Bus 1 2 3 4 DATA PORT Serial Data 12VDC OUT 100mA Max Per DC 1 1 2 DC 2 1 2 WARNING Risk Of Hazardous Energy Make Proper Con...

Page 70: ...reuse Faire Des Connexions Propres Pour L Hautparleur Voir La Notice De Fonctionnement CAUTION Disconnect Supply Cord Before Servicing ATTENTION Debrancher Avant Le Depannage Use Same Value Fuse 115V...

Page 71: ...ctor Safety Fuse On This Side 115 V 115V 230V 1 2 3 OPTICAL INPUTS MAIN 2 3 4 1 S VIDEO INPUTS 8 CHANNEL DB 25 INPUT REC SBL LS RS L R C SUB SBR MAIN 4 GND OUT IN 12VDC L R RECORD OUT COMPONENT VIDEO...

Page 72: ...Surround and Neo 6 are trademarks of Digital Theater Systems Inc 1996 2000 Digital Theater Systems Inc All rights reserved Manufactured under license from Lucasfilm Ltd U S patent numbers 5 043 970 5...

Page 73: ...he same network works best if they are in the same location i e central equipment rack Second the units should all be set to run at the optimal baud rate of 19200 Finally be certain that your control...

Page 74: ...of Dolby Laboratories All rights reserved Manufactured under license from Digital Theater Systems Inc US Pat No 5 451 942 5 956 764 5 974 380 5 978 762 and other worldwide patents issued and pending...

Page 75: ...und speakers typically dipole in nature placed to the left and right side of the seating area two back surround speaker left and right against the back of the theater and a subwoofer s The subwoofer r...

Page 76: ...s significant information that permits the Cinema Reference Mach II to play the material to perfection To better understand the Cinema Modes both Dolby Digital and DTS bit streams will be examined mor...

Page 77: ...these systems In the event that you have only a 5 1 speaker array in your system and you are playing a Sur round EX DVD the Cinema Reference Mach II will redirect this in formation to the surround sp...

Page 78: ...ollowing Output lamps will illuminate depending on the Mode selected STEREO DNMX Stereo Downmix takes the center channel and surround information and sends it to the front left and right speakers The...

Page 79: ...2 enhancements are engaged THX MUSIC This mode is to be used for music playback and also has all channels active much like EX ES It also applies THX Ultra 2 enhancements including those that are set...

Page 80: ...surround speakers Again like DTS 5 1 Surround Dolby Digital 5 1 Surround or Dolby Digital Sur round EX all Cinema Mode features as previously described are available DTS ES Discrete A disc containing...

Page 81: ...audio Analog Audio Stereo or Mono Just like PCM digital audio the same 27 Two Channel modes avail able for PCM digital audio and Dolby Surround 2 0 are available here as well When the Cinema Referenc...

Page 82: ...R SUB LS and RS Output channel lamps are on all speakers are active and the THX symbol is illuminated PLII MATRIX Pro Logic II Matrix produces surround sound from mono material Here the L C R SUB LS...

Page 83: ...e knob To return to the previous setup menu option turn the Mode knob clockwise until the display s second line reads BACK TO MAIN and press the Mode knob To com pletely exit the setup menu turn the V...

Page 84: ...component as you make the following changes 2 Turn the Mode knob until the display s second line reads PLII CUSTOM1 2 or 3 and press the Mode knob 3 Turn the Mode knob clockwise until the display s s...

Page 85: ...1 or 2 then press the Mode knob 17 Turn the Mode knob one click so that the display s second line reads RS INVERTED To alter the polarity of the Right Surround speaker press the Mode knob To alter ano...

Page 86: ...d RS Output channel lamps are on To alter the Effect Delay and Level for Stereo Enhance 1 Select an Input label that is playing a two channel signal and press the Input knob You will want to be listen...

Page 87: ...mps are on To alter the Effect Delay and Level for Mono Enhance 1 Select an Input label that is playing a mono signal and press the Input knob You will want to be listening to a source component as yo...

Page 88: ...ful for playback of a concert or sporting event Here the L C R SUB LS and RS Output channel lamps are on THEATER This mode is supposed to sound like a theater and is useful for playback of plays or op...

Page 89: ...X where the two channel mode for this input label is something other than Stadium Theater Hall Club or Church the Output channel lamps typically indicate only L R and SUB channel lamps When the input...

Page 90: ...The soundtrack created for the movie theater is then trans ferred directly onto Laserdisc VHS tape DVD etc and is not changed for playback in a small home theater environment THX engineers developed...

Page 91: ...following the steps below 1 While playing a source select a non THX mode 2 Turn the Mode knob clockwise until the display s second line reads SETUP MENU and press the Mode knob 3 The display s second...

Page 92: ...s are not as boomy when selecting either the middle or mini mum position For some theaters where the sound is too lively selecting an alternate setting other than Maximum might prove worthwhile To alt...

Page 93: ...s the Input Label for the device whose Default Mode you wish to alter Then press the Input Knob 2 Turn the Mode knob clockwise until the display s second line reads SETUP MENU and press the Mode knob...

Page 94: ...USED When done press the Mode knob to continue with setting the Two Channel Default Mode for this Input Label To completely exit the setup menu turn any knob other than the Mode knob 6 Turn the Mode k...

Page 95: ...MODES and press the Mode knob 4 The display s second line will now read NON2 CHANNEL referring to non Two Channel source material 5 1 To alter the non Two Channel Default Mode for this Input Label pre...

Page 96: ...he setup menu turn any knob other than the Mode knob 6 Turn the Mode knob clockwise one click until the display s second line reads 2 CHANNEL and then press the Mode knob 7 Turn the Mode knob to selec...

Page 97: ...MOVIE 4 VCR THX EX ES PRO LOGIC II MOVIE THX DISCRETE EX ES PRO LOGIC II MOVIE 5 CABLE TV THX EX ES PRO LOGIC II MOVIE THX DISCRETE EX ES PRO LOGIC II MOVIE 6 CD PLAYER THX MUSIC QUAD HEX BYPASS DISCR...

Page 98: ...ring your configuration along the way INPUT INPUT LABEL AUDIO INPUT COMPOSITE VIDEO INPUT S VIDEO INPUT COMPONENT VIDEO INPUT RGB HV INPUT 1 DVD PLAYER D1 1 1 1 1 2 DSS O2 2 2 2 2 3 DVR PVR A3 3 3 OFF...

Page 99: ...ENU and press the Mode knob 2 Turn the Mode knob clockwise until the display s second line reads PRO SETUP and press the Mode knob 3 Turn the Mode knob clockwise until the display s second line reads...

Page 100: ...side events may require you to reset the microproces sor These events might include electrical power outages or brown outs power surges lightning storms etc If you are experiencing problems operating...

Page 101: ...the win dow permits you to turn the unit off mute unmute power on You can also opt to raise and lower Volume in either 5dB or 1dB steps as well as Recall and Store volume presets This page also permit...

Page 102: ...Number Label as well as the signal that will emit from the Processed RGB out put Low Voltage trigger assign ment is also facilitated on this page individually for Triggers 1 and 2 Lastly you may also...

Page 103: ...f of the window will be active If the Cinema Reference Mach II is playing a Two Channel source 2 0 the 2 Channel Modes in the upper half of the window will be active Under the Enhancement sub tab you...

Page 104: ...thout THX these additional features be come active in addition to those just mentioned Here you set the Surround speakers filters turn Surround Delay on or off invert the Right Surround speaker s pola...

Page 105: ...up A the Fre quency point for Treble and the Treble Level You can do the same for Bass setting both the Bass Frequency point and the Bass Level Once you have set speakers up in these two groups and ad...

Page 106: ...L meter Here you can en gage the Cinema Reference Mach II s internal pink noise generator to facilitate this setup Once setup is completed you can also Store the Balance Preset in one of the four Bal...

Page 107: ...on or off and also adjust the ASA setting Under the Remote sub tab you can use single steps to proceed through all of the Cin ema Reference Mach II steps one by one using a Execute Previous and Next s...

Page 108: ...ED FF 03 00 01 11 15 FF reserved for this application RESERVED FF 03 00 01 12 16 FF reserved for this application RESERVED FF 03 00 01 13 17 FF reserved for this application RESERVED FF 03 00 01 14 18...

Page 109: ...69 FF delay rs dn 1 foot FF 03 00 01 66 6A FF delay sub up 1 foot FF 03 00 01 67 6B FF delay sub dn 1 foot FF 03 00 01 68 6C FF delay lcs up 1 foot FF 03 00 01 69 6D FF delay lcs dn 1 foot FF 03 00 0...

Page 110: ...e is 1khz to 30khz in group b FF 03 00 01 BC C0 FF tone treble freq dn 1khz range is 1khz to 30khz in group b FF 03 00 01 BD C1 FF tone treble level up 1db range is 20db to 20db in group b FF 03 00 01...

Page 111: ...c II Movie FOR 2 0 MATERIAL FF 03 00 10 56 69 FF mode ProLogic II Movie THX FOR 2 0 MATERIAL FF 03 00 10 57 6A FF mode ProLogic II Matrix FOR 2 0 MATERIAL FF 03 00 10 58 6B FF mode ProLogic II Virtual...

Page 112: ...d Select record 18 FF 03 00 10 A1 B4 FF record Select record 19 FF 03 00 10 A2 B5 FF record Select record 20 FF 03 00 10 A3 B6 FF update record FF 03 00 10 A4 B7 FF RESERVED all below are reserved for...

Page 113: ...B OUT THEATER RCS B IN HALL R DB CLUB R DB TRE B K HZ CHURCH R 0 0 DB TRE B DB R MUTED TRE B DB NOISE SEQ TRE B 0 DB NOISE CENTER LS DB NOISE SUB LS DB BAS B HZ NOISE LEFT LS 0 0 DB BAS B DB NOISE RIG...

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