manualshive.com logo in svg

ARRI ARRIFLEX D-21 HD, Instruction Manual, Page: 120 / 148

Share
Download
ARRI ARRIFLEX D-21 HD Instruction Manual Download Page 120

D

iv

e

rg

e

n

t T

e

c

h

n

ic

a

l D

a

ta

120

Technical Data ‑ ARRIFLEX D‑21

14.1. 

 

Output interface

  2x dual link HD-SDI 

 

Frame rate

  1 - 60 fps in HD Mode HD422 (16:9) 

1 - 30 fps in HD Mode HD444 & Data Mode (16:9) 
1 - 25 fps in HD Mode Mscope™ &Data Mode (4:3) 
Frame rates other than the standard frame rates of 
23.976, 24, 25, 29.97, 30, 48, 50, 59.94 and 60PsF 
can be achieved with a recorder that interprets the VariFrame Flag. 
All speeds crystal and can be set with 0.001 fps precision. 
Does not run in reverse.

 

Aperture

  23.760 x 13.365 mm/0.9354” x 0.5262” in HD Mode 

23.760 x 17.820 mm/0.9354” x 0.7016”  max. in Data Mode & Mscope™

  

Signal output

 

HD Mode – HD‑SDI (SMPTE 292M):

 

- 1920 x 1080 4:2:2 YCbCr 10 bit @ 23.976, 24, 25, 29.97, 30PsF

 

 

HD Mode – dual link HD‑SDI (SMPTE 372M):

 

- 1920 x 1080 4:2:2 YCbCr 10 bit @ 48, 50, 59.94, 60PsF 
- 1920 x 1080 4:4:4 RGB/YCbCr 10 bit @ 23.976, 24, 25, 29.97, 30PsF

 

 

Mscope™ – dual link HD‑SDI (SMPTE 372M): 

- 1920 x 1080 4:2:2 YCbCr 10 bit @ 23.967, 24, 25PsF

 

 

Data Mode – ARRIRAW T‑Link 

(ARRIRAW transmission protocol 

mapped in RGBA HD-SDI stream according to SMPTE 372M): 
- 2880 x 2160 RAW 12 bit Bayer data @ 23.976, 24, 25p 
- 2880 x 1620 RAW 12 bit Bayer data @ 29.97, 30p

 

Recording

  Data Mode requires ARRIRAW T-Link certified or compatible recording devices

 

Weight

  Body only:  

9.3 kg/20.5 lbs 

Body and viewfinder:  11.6 kg/25.5 lbs

Summary of Contents for ARRIFLEX D-21 HD

Page 1: ...EPRODUCTION TRANSMISSION TRANSCRIPTION STORAGE IN A DATA RETRIEVAL SYSTEM OR TRANSLATED INTO ANY LANGUAGE IN ANY FORM BY ANY MEANS WITHOUT THE PRIOR WRITTEN CONSENT OF ARRI IF YOU ARE DOWNLOADING FILES FROM OUR WEB PAGES FOR YOUR PERSONAL USE MAKE SURE TO CHECK FOR UPDATED VERSIONS ARRI CANNOT TAKE ANY LIABILITY WHATSOEVER FOR DOWNLOADED FILES AS TECHNICAL DATA ARE SUBJECT TO CHANGE WITHOUT NOTICE...

Page 2: ...Eyepiece lock LOCK switch NORM PS CCU switch PROG button MODE button Eyepiece focus adjustment Accessory mounting rosette Eyecup SEL button SET button PHASE button RUN button Operation control LED ...

Page 3: ...Image rotation release PL mount Ground glass Main camera switch Image rotation knob Tape hook Viewfinder arm friction adjustment Viewfinder arm Viewfinder extension lock ...

Page 4: ...election and status LED RS socket remote RUN 24 V 24 V accessory overload LED Accessory mounting rosette CLM 2 lens motor connectors Lens control system LCS bus socket Lens data display LDD socket Accessory ACC socket Camera control unit CCU socket Lens motor direction switches ...

Page 5: ...link A B Power supply BAT socket S Video Y C SD output Composite video SD output 3 8 16 mounting holes camera base Camera control unit CCU socket Accessory ACC socket 11 pin accessory socket 12 V and overload LED Lens control system LCS bus socket I O connectors service Grip system Tape hook Spirit level Viewfinder swivel release ...

Page 6: ...dentification 16 Scope 17 3 Power Supply 18 3 1 Mains Unit NG 12 26 R 18 3 2 Battery VCLX 2 19 3 3 Charger for VCLX 2 19 3 4 Main Camera Switch 20 3 5 Accessory Power Supply 21 12 V Accessories 21 24 V Accessories 22 Overload Display 22 4 Installation of the Camera 23 4 1 Minimum equipment needed for operation 23 4 2 Packing Storage and Transport 23 Condensation 23 4 3 Tripod and Remote Heads 24 4...

Page 7: ... Lenses 29 Lens Mount 29 Changing Lenses 30 5 2 Viewfinder System 31 Eyepiece 32 Viewfinder Arm 33 Image Orientation 34 Removing the Viewfinder System 35 Universal Finder Arm 36 5 3 Ground Glasses 37 Exchanging the Ground Glass 37 5 4 ARRIGLOW 38 Exchanging the ARRIGLOW Mask 38 6 Camera Output Configuration 40 6 1 Output Interfaces 40 6 2 Video Menu 40 Using the Video Menu 41 Status Indications 41...

Page 8: ... Characteristics 54 SD Mode 59 Diagnostics 61 6 4 OSD Tools 64 7 Signal Connections 65 7 1 Signal Wiring Instructions 65 HD422 Setup Standard Mode 66 HD422 High Speed Setup Standard Mode 67 HD444 Setup Standard Mode 68 Mscope HD422 Setup Standard Mode 69 Data Mode ARRIRAW Setup Advanced Mode 70 8 Camera Operation 71 8 1 Running and Stopping the Camera 71 8 2 Camera Display Modes 72 Overview of Dis...

Page 9: ...Signal Mode 4 83 Enabling Disabling the Mirror Shutter Mode 4 84 Setting the Mirror Shutter Angle Mode 5 85 9 Recording 86 9 1 Recording Format Setup 86 9 2 Starting and Stopping the Recording 86 Recording Devices with Variable Frame Rate VariFrame Support 87 Recording Devices without Variable Frame Rate VariFrame Support 87 10 Functional Expansion Module FEM 2 88 10 1 Lens Data System 89 10 2 Wir...

Page 10: ...ter IPA 1 101 11 5 Low Mode Support 102 11 6 Remote Run Switch RS 4 104 11 7 RS Socket Distributor 24 V Plug on Module 105 11 8 Shoulder Set S 5 106 11 9 Fiber Link Unit FLU 1 107 Fiber Link Remote FLR 1 107 11 10 Wireless Remote Control WRC 2 110 11 11 Work Light 111 11 12 General Note 111 12 Camera Care 112 12 1 General Information 112 12 2 Imager Check 112 Imager Surface 112 Condensation 115 Pi...

Page 11: ...Technical Data ARRIFLEX D 21 HD 121 14 Appendix 122 14 1 Troubleshooting 122 14 2 Glossary 128 Clipping 128 Color Signals and Chroma Sub Sampling 128 Data Mode 130 Dead Defective Pixels 132 HD Mode 132 Mscope 133 Pixel Failure 134 Scanning Methods p i PsF 134 15 Index 138 16 ARRI Group Addresses 146 ...

Page 12: ...structions Read and understand all safety and operating instructions before you operate or install the system Retain all safety and operating instructions for future reference Heed all warnings on the system and in the safety and operating instructions before you operate or install the system Follow all installations and operating instructions Do not use accessories or attachments that are not rec...

Page 13: ...Never run the camera without a lens or a protective cap in the lens mount receptacle Remove the all cable connections before transport or servicing Changing camera lenses should be done in a dry and dust free environment If this is not possible take extra care that no dust enters the camera while the lens is off Before removing the lens always make sure to stop the mirror shutter This not only pre...

Page 14: ...ystem or other objects Disclaimer 2 2 Before using the products described in this manual be sure to read and understand all respective instructions The ARRIFLEX D 21 D 21 HD is only available for commercial customers The customer grants by utilization that the ARRIFLEX D 21 D 21 HD or other components of the system are deployed for commercial use Otherwise the customer has the obligation to contac...

Page 15: ...r its subsidiaries expressly exclude any liability warranty demand or other obligation for any claim representation or cause or action or whatsoever express or implied whether in contract or tort including negligence or incorporated in terms and conditions whether by statue law or otherwise In no event shall ARRI or its subsidiaries be liable for or have a remedy for recovery of any special direct...

Page 16: ... single Super 35 sized CMOS sensor exhibits the same cinematic depth of field as 35 mm film The industry standard PL lens mount accepts the same vast variety of prime zoom and specialty film lenses used on 35 mm film cameras Since both cameras are the only digital high end cameras with a 4 3 aspect ratio sensor they easily accommodate all image formats including anamorphic 2 40 1 The anamorphic im...

Page 17: ...6 CRC 2be9f Color management version R2 20 E cover software version 2 03 E cover firmware version 1 09 Different software versions can result in different behavior Note Unless noted otherwise corresponding sections will be marked with a footnote all instructions and descriptions stated in this manual apply to both the ARRIFLEX D 21 and the ARRIFLEX D 21 HD ...

Page 18: ... studio and when using electronic accessories with high power consumption First check that the correct mains voltage is set on the mains unit Ensure that the camera power is turned off Set the voltage switch on the mains unit to 26 V Plug the battery cable KC 20S or the spiral battery cable KC 29S into the power supply socket on the camera and into the 26 V socket on the mains unit Note The NG 12 ...

Page 19: ...ge is not sufficient for camera operation the bat symbol will show in the camera display Once the bat symbol starts flashing the signal output is about to terminate 4 3 Charger for VCLX 2 Charge the VCLX 2 battery only with this charger First check whether the correct mains voltage is set on the charger Connect the charger to the mains supply Plug the charger cable into the battery socket LED Indi...

Page 20: ...aging status LEDs on the rear of the camera image light up red and the camera display shows the busy indicator When the camera is ready for operation the operation control LED turns off and the imaging status LEDs light up green Do not operate the camera before all three imaging status LEDs light up green Using any of the camera s buttons before it is ready for operation may cause faulty behavior ...

Page 21: ...e When the camera is powered from mains and a 12 V onboard monitor is powered from the camera running a video connection between this monitor and another device that is also powered from mains is likely to cause a ground loop The Isolating Power Adaptor IPA 1 see chapter 12 Accessories provides a 12 V isolated output from the camera to avoid ground loops Note The 11 pin accessory socket can only b...

Page 22: ... In this case the maximum allowable continuous current is 2 A Ensure that the accessories to be used are suited for the available voltage Overload Display If the current drawn at the accessory sockets exceeds the allowable maximum a self resetting safety circuit interrupts the power supply and a red warning LED lights up image If this happens turn the camera off unplug all accessories from the cam...

Page 23: ... attached e g during transport or shooting breaks When the ARRIFLEX D 21 is transported or stored cables have to be unplugged from the camera Note It is recommended that when shipping the ARRIFLEX D 21 the ground glass is removed from the camera and placed separately in the appropriate box Condensation When moving the camera from a cool to a warm location or when the camera is used in a damp clima...

Page 24: ...nd cranes In applications where the camera mount is subject to high forces e g car or helicopter mounts the camera must be additionally secured with retaining cords All fastening screws must be tightened firmly with an appropriate screwdriver not with the commonly used coin Camera Weight lbs kg ARRIFLEX D 21 incl finder eyepiece bridge plate set handle 25 0 11 4 ARRIFLEX D 21 camera body 19 0 8 6 ...

Page 25: ...unting of accessories BP 8 is designed for 19 mm support rods BP 9 is designed for 15 mm support rods The bridge plate sets consist of the base plate bridge plate and a pair of 440 mm support rods 19 mm support rods with lengths of 165 185 240 340 and 440 mm or 15 mm diameter support rods with lengths of 340 and 440 mm are available separately as options Note The bridge plate has to be adjusted to...

Page 26: ...bly The camera s position can then be fixed with the clamping lever image Slide the support rods into the guides and clamp Equip the camera with the required accessories to determine the center of gravity Loosen the clamping lever and by sliding the camera on the base plate find the optimal balance position Then retighten the clamping lever Removing the Camera from the Tripod Before removing the c...

Page 27: ... support rods from the front Fit the appropriate support ring image loosely onto the lens Do not tighten Then slide the lens into the lens mount receptacle and lock It is essential that you take the weight of the lens mount until the lens support column of the support ring can rest on the lens support Move the LS 9 10 lens support so it is located under the support column of the lens support ring ...

Page 28: ...into the grip system Pull tight to enable the safety mechanism which prevents loosening Version with registering pins Place the hand grip on the grip system so the registering pins are inserted into the provided holes Using a 5 mm Allen key tighten the hand grip to the grip system with the 3 8 threaded bolt Removing the Grip System In order to minimize camera height the entire grip system can be r...

Page 29: ... Lens Data System contacts image for direct communication with LDS lenses The Lens Data System collects essential lens and camera information for display on a dedicated remote display and enables iris compensated speed ramps in conjunction with a Wireless Remote Control These features are also available for non LDS lenses where focus iris and zoom information is calibrated through the lens motor C...

Page 30: ...nt receptacle without catching it at the edges One of the four slots on the lens mount must fit over the index pin image Press the lens flat onto the lens mount receptacle and pull the bayonet ring clockwise to tighten Always perform a dust check after changing lenses to make sure no dust has settled on the sensor cover glass Note When no lens is attached to the camera for an extended period of ti...

Page 31: ...lines ARRIGLOW The viewfinder image stays upright and correct left to right when the viewfinder is swiveled within the main axis image Warning signals BAT ASY are reflected into the viewfinder Note When the camera is turned on the mirror shutter stays in the position it was set to before the camera was turned off If no image can be seen through the viewfinder briefly press the PHASE button twice t...

Page 32: ...ttaching the Eyepiece With the knurled ring in OPEN position place the eyepiece on the viewfinder Turn the knurled ring towards the LOCK position Check that the eyepiece is correctly seated Diopter Compensation The diopter compensation is fitted with a scale of 1 to 12 Position 6 is normal focus To adjust turn the ring right left until the ground glass markings are in focus Turning the Eyepiece Th...

Page 33: ...en screw image To adjust the viewfinder arm release the locking mechanism by pressing the swivel release image Turn the viewfinder arm to the desired position Extending the Viewfinder Arm The viewfinder arm can be extended continuously by approx 50 mm 2 inches Turn the extension lock image towards the LOOSE position Pull the viewfinder arm out to the desired length Retighten the knurled ring Allen...

Page 34: ...position Reactivating Image Orientation Turn the adjustment knob image until this locks in position Do not press the locking key Note The automatic image orientation mechanism locks in two positions 180 apart Pivoting the Contrast Filter To achieve a temporary subjective reduction of viewfinder contrast a contrast filter ND 6 can be pivoted into the optical beam path by means of a lever image The ...

Page 35: ... off the camera Removing the viewfinder system exposes optical surfaces on both camera and viewfinder Do not touch the cover glasses Never operate the camera with an open viewfinder interface If the camera shall be used without viewfinder system the viewfinder interface has to be protected using the viewfinder cover plate image from the D 21 low mode support K2 70004 0 or low mode short set K2 700...

Page 36: ...rphically squeezed image or for use with a spherical lens The universal finder arm can be fitted in place of the standard viewfinder arm by a service center or in a rental house To switch the viewfinder image to spherical or de squeezed anamorphic viewing turn the switching knob image The knob does not need to be unlocked All other functions are identical to those of the standard spherical finder ...

Page 37: ...he main power switch and disconnect it from the power supply Remove the lens or the protective cap Do not touch the mirror surface Do not touch the sensor cover glass surface Using the special forceps Hirschmann clamp from the camera s toolkit pull the ground glass out of the holder by its tongue image Check that the ground glass to be inserted as well as the ground glass frame is completely clean...

Page 38: ...ess To adjust the brightness of the illuminated format markings turn the adjustment knob image To turn off the ARRIGLOW turn the adjustment knob counter clockwise as far as it will go Exchanging the ARRIGLOW Mask Each of the ground glasses available for the D 21 should be used together with a matching glow mask For a list of available formats please check the D 21 price list To exchange the glow m...

Page 39: ...s the glow mask frame is completely clean Carefully push the glow mask into the holder with the slanted edge facing towards the rear end of the viewfinder system image without tilting it in the holder s guides Make sure the glow mask is inserted completely Close and lock the glow mask door by gently turning the locking screw 90 clockwise Attach the viewfinder system Turn on the ARRIGLOW and check ...

Page 40: ...eo menu is shown as an on screen display on all SD video outputs Note Configuration of the camera outputs requires an SD monitor to be connected to one of the composite video outputs or the S Video output Note Additional functions including mirror shutter angle and programmable frame rates are controlled using the camera display located at the front left side of the camera image See chapter 9 Came...

Page 41: ...readout operates at full sensor aperture with 1 33 1 4 3 aspect ratio up to a standard frame rate of 25 fps For frame rates of 29 97 or higher readout operates at a reduced height with 1 78 1 16 9 aspect ratio while retaining the full sensor aperture width The camera image in the SD video output therefore shows a 4 3 image up to 25 fps and a 16 9 letterbox display for 29 97 fps and above Note The ...

Page 42: ...ngs that are automatically set in Standard Mode and enables the options for Data Mode ARRIRAW output 2 and the use of log output characteristics for HD Mode Note Faulty configuration in Advanced Mode can affect image quality of the camera output 2 Data Mode output not available on the D 21 HD User Mode Standard White Balance 3200 K Framerate 25PsF HD SDI Mode HD422 Output Range Normal Range Contra...

Page 43: ... to select the first number Briefly press the video menu button to enter this number Access select and enter the remaining digits zeros can be skipped Confirm switching to Advanced Mode using OK Note If the wrong code is entered user mode switching is cancelled Note When switching from advanced to Standard Mode custom settings made in Advanced Mode will be reset to Standard Mode defaults HD SDI 2 ...

Page 44: ...0 K or a previously saved automatic or manual white balance setting WB 1 3 Automatic White Balance To perform an automatic white balance If the camera is not running briefly press the RUN button Point the camera at a homogeneously lit neutral grey surface Using a waveform monitor or the RGB or LUM Histogram see OSD Tools adjust iris or lighting so the output video level lies within 40 to 70 Enter ...

Page 45: ...balance setting is automatically applied Note If the camera is not running the OSD will show Image not available Note If it is not possible to calculate a color temperature from the processed white balance values the menu will show CCT out of range These values can be saved used and will not produce out of gamut errors but no color temperature can be given Note Automatic white balance settings sho...

Page 46: ...value for the blue channel gain Use Save Settings Select and confirm a slot WB 1 3 to save the manual white balance setting When saved the white balance setting is automatically applied Note The initial values for R G and B are based on the previously used white balance setting Note Manual white balance settings should be checked with a waveform monitor in RGB waveform parade mode or vector scope ...

Page 47: ...d system frame rate as described above then set a custom speed using electronic accessories or the PS Mode as described in chapter 9 Camera Operation 3 ARRIFLEX D 21 HD can be set to run at standard frame rates of 23 976 24 25 29 97 and 30 fps 4 ARRIFLEX D 21 HD is limited to programmed variable speeds between 1 and 30 fps Note The range of standard frame rates available for selection depends on t...

Page 48: ...put HD SDI 2 and or SD To select the output board to be configured Enter Output Board image Select and confirm ALL 1 2 SD HD SDI 1 HD SDI 2 or SD Note Using ALL 1 2 SD assigns the subsequent settings made for HD SDI mode output range color matrix and contrast characteristic to all output boards and as far as applicable to the SD output Note Using a frame rate of 30PsF or higher disables the HD SDI...

Page 49: ...mple image shows the setup for output board HD SDI 1 HD SDI 2 is set to a different HD SDI mode and output range Both settings do not apply for the SD output The settings for color matrix and contrast characteristics are the same for all outputs Symbol Meaning 1 Setting applies to HD SDI 1 2 Setting applies to HD SDI 2 S Setting applies to SD output Setting does not apply to HD SDI 1 HD SDI 2 or S...

Page 50: ...efore re apply this setting Note Selecting ARRIRAW here switches to Data Mode which disables the options for output range color matrix and contrast characteristic as these adjustments are not applied for this output mode Note When using ARRIRAW for recording and HD output for preview it is recommended to set HD SDI 1 to an HD Mode HD444 HD422 or Mscope and HD SDI 2 to ARRIRAW output 6 ARRIFLEX D 2...

Page 51: ... normal extended normal extended normal extended Standard frame rates 23 976 24 25 29 97 30 23 976 24 25 29 97 30 23 976 24 25 29 97 30 48 50 59 94 60 23 976 24 25 Available fps range 1 25 1 30 1 30 1 30 1 60 1 25 Note Data Mode ARRIRAW requires an ARRIRAW T Link certified recorder or a system capable of recording uncompressed SMPTE 372M compliant RGBA HD SDI signals For more information see chapt...

Page 52: ... Board ALL 1 2 SD will change the output range for both HD SDI output boards simultaneously If one output board shall provide Normal Range and the other one Extended Range the output range must be configured using Output Board HD SDI 1 and 2 individually Note Output range is automatically set to Normal Range in Standard Mode Note Using ARRIRAW as HD SDI mode for an output disables this parameter N...

Page 53: ...on film densities to provide a color rendition that closely matches negative stock and is recommended in combination with the logarithmic characteristics setups see next page To set the color matrix for the selected output board Enter Color Matrix image Select and confirm a color matrix from the list Note The camera does not offer optimized color matrix settings for automatic or manual white balan...

Page 54: ...istics The ARRIFLEX D 21 offers two types of characteristic curves Exposure Index EI characteristic curves intended for immediate HD output Log Characteristic curves intended for use in DI or Filmstream oriented workflows To set the contrast characteristic curve for the selected output board Enter Contrast Char image Select and confirm one of the contrast characteristics from the list Note Log C a...

Page 55: ...es is different from the traditional film exposure paradigm Film stock of different sensitivity maintains its overall dynamic range distribution Changing EI characteristic curves influences the dynamic range distribution A higher EI value allows the sensor to be exposed with less light As a result the sensor delivers less range below middle grey but an increased range for capturing highlights imag...

Page 56: ...tio of about 60 above and 40 below at EI 800 and about 40 above and 60 below at EI 100 Note The contrast characteristics shown here are for illustration only and may differ from the actual curves supplied with the color management software version installed in your camera Recommended EI Setup HD SDI Mode HD422 or HD444 Output Range according to HD SDI mode Color Matrix according to white balance 0...

Page 57: ...tonal balance of the signal has to be adjusted using LUTs or through color correction Recommended Log C Setup HD SDI Mode HD444 up to 30PsF Output Range Extended Range Color Matrix LOG Note When using Log C the correct lens aperture should be determined using an exposure meter On a waveform display a correctly exposed image is offset in the blacks and does not reach the maximum signal level due to...

Page 58: ... Log C the correct lens aperture should be determined using an exposure meter On a waveform display the mid tones of a correctly exposed image will be offset and highlights will not reach the maximum signal level due to the given specifications Note To correctly preview the material on an HD monitor a Filmstream lin conversion LUT optionally also adjusting the EI has to be applied on the signal As...

Page 59: ...tput Zebra image Use High and or Low Zebra to activate or deactivate the function Use High and or Low Zebra Level to enter the threshold video levels Use High and or Low Zebra Color to change the zebra pattern color Use Exit to quit the output zebra setup Note High and low zebra operate independently and remain active above the set thresholds It is not possible to set the zebra to be active only b...

Page 60: ...nter crop 4 3 frame within the 16 9 image To select an aspect ratio for the format marking Enter SD Mode Format Marking image Select and confirm an aspect ratio from the list Use Exit to quit the format marking setup To setup and store a custom format marking Enter SD Mode Format Marking Enter Edit Format Adjust the left border of the format marking and confirm Repeat adjustment for right upper an...

Page 61: ...nt CM Status 3 image displays internal temperature and voltage readings The Diagnostics menus should always be exited before a recording is started Camera Status RUN Shutter Mode ROTATING Shutter Pos ROTATING Shutter Angle 180 00 Image Size 2880x2160 Framerate 25 000 fps CDS ON Mode HD SDI 1 HD422 Mode HD SDI 2 HD422 Next Exit Status 1 ECU OK SENSOR OK ADGOC0 OK ADGOC1 OK ADGOC2 OK ADGOC3 OK PIM1 ...

Page 62: ...rature at nominal level Off Slight sensor temperature deviation from nominal level Turn camera off and wait 5 minutes before turning it back on Make sure that air can flow through the ventilation shafts at the back of the camera body Red Sensor temperature deviation from nominal level above acceptable limit Possible malfunction of internal cooling system Turn camera off and wait 5 minutes before t...

Page 63: ...dard reset Enter Diagnostics Standard Reset Confirm the standard reset by entering Yes or cancel by entering No When the power LED on the camera backside starts blinking red restart the camera using the main power switch to complete the standard reset The camera will return to the user mode it was set to when the standard reset was performed After a standard reset the camera will default to these ...

Page 64: ...inder output zebra an RGB histogram separate R G B and LUMINANCE histograms To access the OSD Tools Exit the video menu if it is displayed Rotate the menu button to step through the tools Note The viewfinder output zebra is setup using the video menu See section SD Mode Note The histogram always refers to the settings of the SD output 1 78 1 Viewfinder Zebra RGB Histogram ...

Page 65: ...nor defects 8 1 Signal Wiring Instructions The following examples show signal wiring instructions for different camera configurations as explained in the previous chapter All setups requiring a single HD SDI output board can be combined using Advanced Mode setup i e HD422 up to 30 fps HD444 Mscope and ARRIRAW 9 Note It is generally recommended to verify correct signal recording All examples includ...

Page 66: ...ntrol monitor input HD SDI IN A or B Note When set to HD422 the camera output boards transmit the same signal on link A and B Using link A is recommended Note Standard Mode setup assigns the same settings to all HD SDI output boards Individual configuration of the output boards requires Advanced Mode setup B A Control Monitor HD SDI IN MONITOR HD SDI OUT B A Recording System B A HD SDI 2 B A HD SD...

Page 67: ...other frame Note Recording HD422 output above 30PsF using a dual link connection is not supported by all recording systems Depending on the recording system live monitoring of these signals may not be possible or restricted to output of every other frame For more information on HD422 dual link output and recording system requirements see chapter 15 Appendix Note Please refer to the recording syste...

Page 68: ...ards set to HD444 require link A and B for signal output Always use link A and B from the same output board Note Standard Mode setup assigns the same settings to all HD SDI output boards Individual configuration of the output boards requires Advanced Mode setup Note If the control monitor supports 4 4 4 signals recording outputs HD SDI OUT A and B can also be connected to the control monitor input...

Page 69: ...ings to all HD SDI output boards Individual configuration of the output boards requires Advanced Mode setup Note Mscope is intended for use with anamorphic lenses The full sensor area with a 4 3 aspect ratio is output as a 1920 x 1440 image using a dual link connection Each link contains 1920 x 720 lines of the frame A display connected to one camera link or the recorder s monitor OUT will display...

Page 70: ... Mode The second HD SDI output board can be set to all other modes using up to 30PsF Note ARRIRAW Data Mode output can be recorded using ARRIRAW T Link certified recorders or systems supporting RGBA HD SDI streams according to SMPTE 372M Recorders without ARRIRAW T Link certificate may offer limited or no preview output Please refer to the recording system s user manual for information and instruc...

Page 71: ...a backside image light up green Using any of the camera s buttons before it is ready for operation may cause faulty behavior When the camera is in standby it outputs a black image or a still frame To start or stop the camera Briefly press the RUN button The operation control LED glows red when the mirror shutter starts or stops spinning Once the set frame rate has been reached the operation contro...

Page 72: ...formation on checking the imager can be found in chapter 13 Camera Care 9 2 Camera Display Modes The camera display at the front left side of the camera image is used to display adjust parameters connected with the imager s exposure Access to these parameters is provided through different display modes To change between modes Briefly press the MODE button image In each mode the corresponding opera...

Page 73: ... rate if a program is active Change programmed frame rate Mode 3 Total take frame counter Power supply voltage V Toggle 1st display line for mode 1 and mode 3 set low battery warning level Lobat Mode 4 6 Async signal enabled or disabled _ at camera run stop and volume of the acoustic warning signal Rotating shutter enabled or disabled _ Async signal enable disable volume or warning signal rotating...

Page 74: ...nected but no sync frequency is available PROG continuous The stored program is activated and can be started while the camera is running by pressing the PROG button blinking The activated program cannot be run with the set values Out of range fps or shutter or battery voltage too low blinking The symbol blinks and the operation control LED glows red The electronic shutter adjustment is defective _...

Page 75: ...tentional operation of SEL SET PROG and the Video Menu button Note If SEL SET or PROG is pressed while the camera is locked the display will show OFF Note that the LOCK switch also disables the video menu functions on the back of the camera Locking the camera display has no influence on the phase function the NORM PS CCU switch and on electronic accessories Shutter Angle Measurement Holding the PH...

Page 76: ...video menu see chapter 7 Camera Configuration Next set a programmed frame rate using the camera display see below or an electronic accessory or program a ramp using an electronic accessory 1 ARRIFLEX D 21 HD can be set to run at standard frame rates of 23 976 24 25 29 97 and 30 fps 2 ARRIFLEX D 21 HD is limited to programmed variable speeds between 1 and 30 fps Note The maximum frame rate selectab...

Page 77: ... button repeatedly until the desired value is reached Repeat this procedure until all digits are set to the desired values A final confirmation of the set frame rate is not necessary Note An internal buffer battery ensures that the programmed frame rate is stored even if the camera is not switched on at the main switch This battery has a lifetime of approx 10 years If the programmed frame rate is ...

Page 78: ...run Switching to PS CCU while the camera is running causes the RUN LED to turn off The camera will not change its running speed Note Changing the frame rate with the NORM PS switch while the camera is running creates a basic speed ramp This operation does not allow automated exposure compensation Fine Tuning the Programmed Frame Rate PS Mode Note See General Procedure for Changing Frame Rates Fine...

Page 79: ...g the Frame Rate while the Camera is Running Note With the camera set to PS CCU using a programmed speed or ramp that exceeds the standard frame rate video menu does not work The electronic accessory will show a corresponding message More information on operation of electronic accessories can be found in the respective manuals Shifting Phase To capture quartz synchronized monitors hold the PHASE b...

Page 80: ...erefore cannot be used as shot metadata Two different frame counter types are shown on the camera display in mode 3 and optionally mode 1 image The total amount of exposed frames The take length amount of frames used in an individual take Note A t in the first digit of the upper display line indicates the display of take length frames ...

Page 81: ...nter Configuration Mode 3 To exchange the frame counter type displayed in modes 1 and 3 Change from mode 1 to mode 3 by pressing the MODE button twice Press the SEL button the first digit in the upper display line blinks Within three seconds press the SET button The currently set counting value of mode 3 is displayed The corresponding counting value optionally shown in mode 1 is automatically alte...

Page 82: ...tton twice Press SEL twice to change to the voltage level setting Press the SET button repeatedly until the desired value is reached values below 20 V cannot be set Repeat this procedure until all digits are set to the desired values A final confirmation is not necessary Note For NiCd batteries the voltage level should be set to approximately 22 23 V For Li ion batteries a higher value of approxim...

Page 83: ...our settings shown in the table below Note Mode 4 actually is Mode 6 based on the ARRI camera display reference structure Electronic accessories therefore identify it as Mode 6 Display Warning signal on start Warning signal on stop LS _ _ off off LS _ on off LS _ off on LS on on Setting the Volume of the Warning Signal Change from mode 1 to mode 4 by pressing the MODE button three times Press the ...

Page 84: ...er readout Note At speeds above 29 97 fps the sensor readout switches from 2880 x 2160 to 2880 x 1620 As a readout of less pixels takes less time this switch causes a step in the corresponding shutter angle as can be seen in the table to the right Note When the mirror shutter is enabled it controls the sensor s exposure while the electronic shutter is synchronized for readout in the dark phase Whe...

Page 85: ...he range of 11 2 180 The procedure is described in the respective instruction manual Note Mode 5 actually is Mode 7 based on the ARRI camera display reference structure Electronic accessories therefore identify it as Mode 7 Filming with HMI Light When shooting scenes with non electronic ballast HMI or fluorescent lighting the pulsing light intensity depends on the supply frequency To achieve const...

Page 86: ...puts two 1080PsF i 4 2 2 YCbCr signals via dual link HD SDI according to SMPTE 372M ARRIRAW outputs a 2880x2160 or 2880x1620p RAW 12 bit stream mapped into a 4 4 4 4 RGBA signal via dual link HD SDI according to SMPTE 372M ARRIRAW T Link Note Please refer to the recording system s user manual for instructions on the recording format setup Note Also see chapters 7 Camera Output Configuration 8 Sign...

Page 87: ...al Connections and 15 Appendix To display a live camera image on the set monitors without recording the signal Take the recording device out of record standby mode Put the recording device into EE mode if this does not happen automatically Note Please refer to the recording system s user manual for detailed instructions Recording Devices without Variable Frame Rate VariFrame Support Run the camera...

Page 88: ... interfaces for CLM 1 motors WHA 2 WHA 3 and ZMU 3 LDD Lens Data Display interface ACC interface for ESU 1 CCU interface RS 232 for UTM 1 and optional direct WRC 2 connection URM port for optional URM 3 to enable wireless lens and camera control LDD socket Lens motor status LED CLM 2 direction switch LCS bus sockets ACC socket CCU socket Battery compartment URM port Channel selection switch Radio ...

Page 89: ...figuration Together with external distance measuring devices UMT 1 or Cine Tape Measure it also allows focus tracking The LDS is compatible with all lenses equipped with ARRI LDS contacts and lenses using compatible protocols The LDS status is indicated by the LDS status LED image Lens data displays are connected to the LDD socket image on top of the FEM 2 module To connect an LDD use LDD cable K4...

Page 90: ...s wireless communication of positioning information for lenses and remote control of camera functions Switch off the camera and disconnect all cables from the camera and FEM 2 before installing the URM 3 The installation of the URM 3 has to be carried out on a static free workstation Using a 2 5 mm Allen key loosen the two screws of the URM port cover Remove the two screws from the holes in the co...

Page 91: ...even and the other to an odd channel Regional radio guidelines must be observed Do not use RF channels that are not permitted in your country Channel Frequency Use 0 2444 2472 MHz Europe except France and Spain To be used in the USA Canada Mexico New Zealand 1 2406 2345 MHz Europe except France and Spain To be used in the USA Canada Mexico New Zealand 2 2444 2472 MHz Europe except Spain 3 2406 234...

Page 92: ...LED Status Off Wireless remote control deactivated channel 9 or camera deactivated or camera without power Red green alternating Radio modem initialization in progress Do not activate wireless main until ready Green blinking Wireless remote control is ready Activate wireless main unit Green Wireless remote control OK Red Channel selection has been changed while system was active Turn the camera of...

Page 93: ... a CLM 1 motor is set to the function zoom focus or iris and is connected to the FEM 2 the corresponding CLM 2 connection is deactivated Each CLM 2 motor connection has a status LED and a direction switch image CLM 2 Status Indications The status for each CLM 2 motor is displayed by its own status LED see table Note More information on LCS and WRS setups can be found in the FEM 2 instruction manua...

Page 94: ...ntrol unit can be used to control the ARRIFLEX D 21 while more than one WMU 3 can be used in parallel to control lens functions Note More information on LCS and WRS setups can be found in the FEM 2 instruction manual Note For details on how to use the WRC 2 please see the instruction manual supplied with this unit The image to the right shows a wired remote control setup with the WRC 2 connected d...

Page 95: ...ust not be used Incompatible accessories or accessories not approved by ARRI could damage the FEM 2 the camera or the accessory itself ARRIFLEX D 21 FEM 2 Compatibility List The following devices are compatible to the ARRIFLEX D 21 HD including the FEM 2 module CLM 1 K2 41378 0 CLM 2 K2 52036 0 EXD 1 K2 55013 0 LDD Classic K2 54012 0 LDD FP K2 54163 0 URM 3 K2 52262 0 WHA 2 K2 54079 0 WHA 3 K2 522...

Page 96: ...41398 0 LC C Run Cable K2 41399 0 11 6 Replacing the FEM 2 The FEM 2 is part of the ARRIFLEX D 21 D 21 HD and 435 Xtreme and available as an optional expansion for the ARRIFLEX 435 Advanced If the FEM 2 module is interchanged between cameras always make sure that the software and firmware requirements listed above are met Switch off the camera and disconnect all cables from the camera and FEM 2 be...

Page 97: ... cover image Pull at the back end of the FEM 2 to remove it from the camera Attaching the FEM 2 Insert both pins on the front of the FEM 2 into the guides on the camera body image Press the back end of the FEM 2 on the camera to connect the FEM 2 to the camera interface Secure the FEM 2 with its fastening screw Fastening screw Guides ...

Page 98: ...A socket for synchronization to a pulsed signal see ESU 1 manual for specifications An input for an inductive pickup to allow synchronization to a computer or video monitor When connected the camera display shows ESU in the upper line The ESU 1 can be used for frame rates from 3 to 60 fps The frame rate is indicated on the camera display in Mode 2 The external synchronization unit also provides a ...

Page 99: ...eft side rosette on the back of the camera Tighten the articulated mounting support to the right side rosette Connect the 24 V power cable included in the Flash Mag Sony Fiber Adapter Cable Set K2 70410 0 to the 24 V RS socket of the camera and the power input on the FMA 1 Use one or both HDTV BNC cables included in the cable set to connect the camera HD SDI outputs to the FMA 1 HD SDI inputs To m...

Page 100: ...p on the eyepiece The connector housing can be rotated which allows easy mounting on all cameras in all positions Use cable KC 42 SP S to connect the heated eyecup to the RS socket Set the heating level with the toggle switch LO low heat output HI higher heat output OFF no heat output If the camera and accessories are powered by battery it is recommended to switch off the eyecup heating during ext...

Page 101: ...e accessory socket 11 pin Fischer of the camera E cover Screw down the mounting bolt of the power adapter Connect the video monitor to the video source camera SD or HD SDI output and to the upper socket of the power adapter Switch on the camera and the video monitor When 12 V isolated output is available the LED on the IPA lights up green If the LED does not light up make sure that the 12 V suppli...

Page 102: ...te for operation without viewfinder The finder cover plate offers a take up for an included set of two 19 mm diameter 80 mm support rods and two 15 mm diameter 145 mm support rods Low mode short set K2 70010 0 provides a sturdy camera handle with various mounting options for accessories Consists of a low mode handle two mounting supports and a short support plate for operation with the viewfinder ...

Page 103: ...ting support on the rosette below the ARRIGLOW module Using a 3 mm Allen key tighten both screws of the right side mounting support on the hand grip attachment point of the camera If the viewfinder has been taken off the viewfinder interface has to be protected with the finder cover plate In configuration with the long support plate the finder cover has to be attached at the front end of the suppo...

Page 104: ...ies 104 12 6 Remote Run Switch RS 4 The RS 4 has the same functions as the RUN button on the camera Attach the remote run switch with the spring clamp e g to the pan handle Plug the RS 4 plug into the RS socket ...

Page 105: ...lectronic side cover the antenna socket of the radio module will block access to one of the RS sockets of the 24 V plug on module The RS sockets supply the same voltage as the camera power supply Voltages over 32 V will be limited to 32 V Ensure that the accessories to be used are suitable for the available voltage The camera provides a total power output of 72 watts on the 24 V sockets At 24 V th...

Page 106: ... all other ARRIFLEX shoulder pads To attach the shoulder set to bridge plate BP 8 or BP 9 Screw the shoulder pad to the back of the shoulder set Slide the shoulder set from the rear into the dovetail guide of the bridge plate as far as it will go A latch pin will automatically keep the shoulder set in the correct position Clamp the shoulder set using the bridge plate clamping lever Plug the cable ...

Page 107: ...RPC 1 HDCAM SR field recorder 2 or other suitable HD recorders Fiber Link Remote FLR 1 The FLR 1 can be used to control the record and review function on a Sony field recorder via the fiber cable connection The remote has LEDs for tally green LED and recorder ready blue LED 1 ARRIFLEX D 21 HD can output up to 30 fps 2 Sony SRW 1 SRPC 1 additionally requires Sony Fiber Optic Adapter Board HKSR 101 ...

Page 108: ...t parameters as described in chapter 7 Camera Configuration On the recorder setup the corresponding input format and select the fiber interface input 3 Note Using the FLU 1 requires no additional setup on the camera side Check the instruction manual of the recorder in use for information on setting up the corresponding recording format using the fiber input 3 On the Sony SRW 1 SRPC 1 the optical i...

Page 109: ...cording Setting the recording switch to REC starts the recording The tally light will light up green when the recorder is running Setting the recording switch to PAUSE puts the recorder into record pause Pressing the blue REVW button will play back the last few seconds from the HDCAM SR tape and afterwards put the recorder into record pause again The ready LED lights up blue when the recorder is r...

Page 110: ...are based and therefore expandable the WRC 2 is the most flexible remote control unit ARRI has ever provided The WRC 2 enables the user to remotely control the camera speed the shutter angle of the mirror shutter and the aperture of the lens iris when used together with FEM 2 and a CLM 1 or CLM 2 motor providing a wide range of compensation options for constant exposure Note More information on va...

Page 111: ...adjusted with the mechanical aperture To attach the work light to the camera Attach the dovetail adapter to the hand grip using the screw Slide the work light into the dovetail guide and clamp Connect the plug to the RS socket General Note 12 12 Note For further information on the accessories please refer to the corresponding instruction manual ...

Page 112: ...tic free workstation 13 2 Imager Check A film camera exchanges its sensor i e the piece of film negative holding a frame after a single exposure The sensor of a digital camera is used for countless exposures and generally remains in its place unless it is damaged and replaced It is therefore recommended to perform an imager check prior to or at the end of each day of shooting to ensure the camera ...

Page 113: ... and check the sensor cover glass for dust Note Looking at the imager using a magnifying glass makes checking for dust easier Do not use a magnifying glass if sunlight is used for illumination as focused sunlight can cause permanent damage to the sensor Dust Check using the HD output Attach a lens and set the focus to infinity Put a diffuse white glass plate in front of the lens Point the camera t...

Page 114: ...absorb grease and leave streaks on the sensor surface NEVER USE METHANOL OR ACETONE TO CLEAN THE SENSOR SURFACE These chemicals will irrecoverably damage the sensor cover glass surface NEVER USE CANS WITH COMPRESSED AIR OR GAS TO BLOW OFF THE DUST Gas and fluid is very cold when it exits the container and can permanently damage the sensor s surface Note Using compressed air to blow dust off may al...

Page 115: ...ase the air drying cartridge has to be removed Pixel Failure ARRI Imaging Technology AIT inside the D 21 D 21 HD provides an automated Defect Pixel Correction DPC which instantly identifies a pixel failure and corrects it with information gathered from the surrounding pixels This correction is not visible as the number of dead defective pixels typically accounts for a very small fraction of the to...

Page 116: ...d waveform monitor or the OSD RGB Histogram If no dark pixels or spots with a green color cast appear the camera is ready for shooting If defective or dead pixels do appear the camera s defective dead pixel map has to be updated Note When checking for cluster pixel failures it is recommended to use a display providing a pixel to pixel output When the full 4 3 sensor aperture is used short sequence...

Page 117: ...rst lift the field lens upwards by its tongue then pull it out of its holder Clean the field lens with a dry lint free cloth Check that ground glass and field lens to be inserted are completely clean Using the special forceps push the field lens into the holder as far as it will go The red marker point must be on the left looking into the camera lens compartment A ball catch fixes the field lens i...

Page 118: ...ound glass spherical or universal adjustable to spherical or anamorphic viewfinder available Viewfinders are adjustable in two axes with automatic or manual image compensation laterally extendable for left eye operation and show illuminated frame lines ARRIGLOW adjustable in brightness Optional medium or long finder extender including magnifier Optional heated eyecup Video assist SD monitoring PAL...

Page 119: ...r 32 to 104 F Accessories Accepts the whole range of ARRI matte boxes 15 or 19 mm rods follow focus and ARRI electronic accessories Lens Control System LCS Lens Data System LDS Wireless Remote System WRS Wireless Remote Control WRC 2 Iris Control Unit for speed iris ramps ICU 1 Remote On Off Switch RS 4 External Synchronization Unit ESU 1 Specifically for ARRIFLEX D 21 D 21 HD Low mode support set...

Page 120: ... x 17 820 mm 0 9354 x 0 7016 max in Data Mode Mscope Signal output HD Mode HD SDI SMPTE 292M 1920 x 1080 4 2 2 YCbCr 10 bit 23 976 24 25 29 97 30PsF HD Mode dual link HD SDI SMPTE 372M 1920 x 1080 4 2 2 YCbCr 10 bit 48 50 59 94 60PsF 1920 x 1080 4 4 4 RGB YCbCr 10 bit 23 976 24 25 29 97 30PsF Mscope dual link HD SDI SMPTE 372M 1920 x 1080 4 2 2 YCbCr 10 bit 23 967 24 25PsF Data Mode ARRIRAW T Link...

Page 121: ...g All speeds crystal and can be set with 0 001 fps precision Does not run in reverse Aperture 23 760 x 13 365 mm 0 9354 x 0 5262 in HD Mode 23 760 x 17 820 mm 0 9354 x 0 7016 in Mscope Signal output HD Mode HD SDI SMPTE 292M 1920 x 1080 4 2 2 YCbCr 10 bit 23 976 24 25 29 97 30PsF HD Mode dual link HD SDI SMPTE 372M 1920 x 1080 4 4 4 RGB YCbCr 10 bit 23 976 24 25 29 97 30PsF Mscope dual link HD SDI...

Page 122: ...art run unstable in ambient temperatures below 0 C 32 F ARRI or its subsidiaries do not assume responsibility for damage if camera is operated outside specified operating temperature range Turn on camera at least an hour before shooting with ambient temperature not lower than 0 C 32 F Then take heated camera outside Cover camera with a blanket if necessary Diagnostics LED red One or more system ch...

Page 123: ...on in standby Mirror shutter angle set below 90 Shutter angle measurement using PHASE button only works for shutter angles above 90 Set mode 1 to permanently display shutter angle Speed ramp does not work RUN LED is off Maximum ramp speed exceeds standard frame rate set in video menu Adjust standard frame rate video menu to frame rate higher than or equal to programmed or maximum ramp speed Temper...

Page 124: ...lens is attached to camera for an extended time Ground glass alignment is off Ground glass shifted during transport Open lens compartment and check that ground glass is correctly inserted into ground glass holder Image is shifting when using a zoom lens PL Mount not set to Super 35 The D 21 PL Mount has to remain in Super 35 position 2 at all times Viewfinder image is all red No ARRIGLOW mask inse...

Page 125: ...ystem Change standard frame rate video menu to other setting and back again If the problem persists restart camera Wait until all status LEDs on back of camera turn green before running the camera Perform standard reset and restart camera If issue cannot be resolved take camera to ARRI service center Camera HD SDI output shows a raised noise level or is offset to the side or output freezes in high...

Page 126: ...ective cap when no lens is attached to camera If contamination cannot be removed on location opening the iris reduces the visibility of spots If cover glass has been damaged take camera to an ARRI service center for repair Defective dead pixel clusters in output image Temporal or permanent failure of sensor photocell cluster due to air transportation vibration mechanical shocks or after electrical...

Page 127: ...0 fps Inverted cable connection Make sure cables are correctly connected HD SDI 1 link A to recorder input A or 1 HD SDI 2 link A to recorder input B or 2 Problem with standard frame rate setting Repeat standard frame rate setting video menu Check that frame swap has been resolved by recording a short test sequence ...

Page 128: ...bCr signals require less bandwidth than RGB signals and thus are more common for economical reasons Chroma Sub Sampling The bandwidth required by component signals can be further reduced by chroma sub sampling The idea behind this technique utilizes human vision A reduction of color information has lesser influence on the impression of an image as long as full luminance information is available Fo...

Page 129: ...gnal is a part of all color channels an RGB signal is always 4 4 4 In a 4 2 2 signal each pixel contains full luminance information but only every other pixel per line also contains chrominance information An RGB signal has to be transformed into a color difference signal such as YCbCr before it can be subsampled YCbCr signals can be delivered as a signal using 4 2 2 sub sampling or as a 4 4 4 sig...

Page 130: ...components for each pixel they have to be interpolated from the surrounding pixels i e color reconstruction There are different methods for color reconstruction based on processing speed vs output quality Before the RGB image is ready for viewing the colors need to be transformed to the desired output color space e g for output on HD displays print on film or digital cinema projection and the tona...

Page 131: ...ge Both D 21 and D 21 HD are equipped with a 1 33 4 3 format sensor Data Mode on the D 21 allows output of this full sensor image at full sensor resolution extending the choice of available aspect ratios Shooting CinemaScope can be done not only using spherical flat lenses but also anamorphic scope lenses as the sensor can capture the whole image projected by anamorphic lenses Shooting 2 39 1 with...

Page 132: ...r does not provide VariFrame support even and odd frames may be recorded in the wrong order frame swapping This however is easily identified as juddering motion in playback and can be resolved in postproduction without a loss of image quality Recording systems supporting dual link input for 4 4 4 RGB HD signals do not necessarily support HD422 dual link input as this signal type makes different de...

Page 133: ...tem in use recombining both streams to the original 1920 x 1440 image may be available as an automated export option or may have to be done after ingest As the Mscope image has a de squeezed aspect ratio of 2 66 1 it provides some room for respositioning a shot before it is cropped on the sides to the desired output aspect ratio 2 40 1 2 39 1 2 35 1 With a deliverable aspect ratio of 2 40 1 the ou...

Page 134: ... Correction DPC which instantly identifies a pixel failure and corrects it with information gathered from the surrounding pixels If a whole cluster of adjacent pixels fails the DPC relies on a defective dead pixel map which can be updated on location by a trained D 21 service technician in an ARRI service center or at an ARRI rental facility Scanning Methods p i PsF Progressive Scan p After each e...

Page 135: ... image format 1080i interlaced HD with 1920x1080 resolution 25i interlaced material at 25 fps i e 50 fields sec 1080 25i as a combination of the above Some people prefer relating to fields per second rather than frames per second e g 50i or 60i As current cameras also offer progressive capture of 50 or 60 fps the declaration of fields per second can be rather confusing Progressive Segmented Frame ...

Page 136: ...but a finer gradation of the same dynamic range This mostly improves the quality of black level reproduction Normal range is commonly used for HD signals with 4 2 2 chroma sub sampling Extended range 4 2 2 HD signals are rather unusual 4 4 4 HD signals use either normal or extended range depending on the postproduction workflow The choice whether to use extended or normal range signals should not ...

Page 137: ...even while the actual frame rate at which it captures new images is lower Every time a new image is captured the output image is updated The difference between captured fps and link speed is filled up with duplicates of the last exposed frame These duplicates are tagged as invalid frames causing a recording system with VariFrame support to either not record these frames or skip them during playbac...

Page 138: ...ket distributor 105 wireless remote control WRC 2 110 work light 111 accessory power supply 21 22 accessory socket 21 22 88 105 ACC socket 88 acoustic warning 83 Advanced Mode 42 air drying cartridge 23 24 115 124 ALL 1 2 SD 48 anamorphic viewfinder AVF 1 36 aperture 120 121 ARRIGLOW 38 adjusting brightness 38 exchanging the format mask 38 ARRIRAW 50 51 70 86 125 130 ARRIRAW T Link 131 AVF 1 anamo...

Page 139: ...onnector 40 HD SDI connector 40 66 70 86 99 101 108 S Video connector 40 59 Y C connector 40 continous current 21 22 contrast characteristics 54 contrast filter 34 controlled lens motor CLM 2 29 88 93 95 D Data Mode 50 70 125 130 dead defective pixels 132 default settings 63 diagnostics 61 122 dimensions 119 diopter adjustment 32 display 72 battery information 80 frame counter 80 lock 75 Mode 1 73...

Page 140: ...ing while camera is running 78 fine tuning 78 link speed 137 programmed frame rate 47 77 ramping 79 setting and storing 47 76 shifting phase 79 standard frame rate 41 47 76 79 123 125 127 137 variable frame rate 47 77 79 87 137 friction eyepiece 32 viewfinder arm 33 fuses 18 122 G general description 16 glossary 128 ARRIRAW 130 ARRIRAW recording 131 ARRIRAW T Link 131 bayer pattern 130 chroma sub ...

Page 141: ...23 115 124 I image orientation automatic 34 manual 34 imager check 72 112 imaging status LED 20 incompatible accessories 96 index pin 30 installation 23 interlaced scan 135 IPA 1 21 101 isolating power adapter IPA 1 101 K KC 20S 18 KC 29S 18 19 23 L LCS bus socket 88 LDD socket 88 89 Lens Data System LDS 29 88 89 lenses 29 attaching 30 lens support LS 9 LS 10 27 remote control 93 support 27 lens m...

Page 142: ...s 40 120 121 Mscope 36 47 50 51 65 68 69 86 131 133 overview of available output formats 51 signal 120 121 video menu 40 output board 47 output range 52 136 output zebra 59 64 overload display 22 overview of display modes 73 overview of display symbols 74 P packing and transport 23 peak load current 22 PHASE button 20 75 79 113 123 shifting phase 79 phase shifting 79 pixel failure 115 134 PL Mount...

Page 143: ...se 79 shoulder pad 106 shoulder set S 5 106 shutter angle adjustment 85 shutter angle display 75 81 shutter angle for HMI light 85 shutter angle measurement 75 shutter off 84 signal connections 65 data mode ARRIRAW setup 70 HD22 high speed setup 66 HD422 setup 66 HD444 setup 68 Mscope setup 68 signal range 52 136 signal wiring instructions 65 sockets 118 11 pin 21 ACC 88 BAT 18 CCU 88 94 95 CLM 2 ...

Page 144: ...44 46 contrast characteristic 54 default settings 63 diagnostics 61 EI characteristics 55 EI setup 56 format marking setup 60 HD SDI mode 50 LOCK switch 41 75 122 log C setup 57 log F setup 58 OSD tools 41 44 59 64 116 output board 47 output range 52 output zebra 59 overview of available output formats 51 SD mode 59 SD video mode 60 setup information digits 49 standard frame rate 47 Standard Mode ...

Page 145: ...35 voltage range 18 W warning displays 31 warnings 31 warning signal 82 settings 82 switching on and off 83 volume 83 weight 120 121 white balance 44 46 wireless remote control WRC 2 110 wireless system 90 94 WL 3 111 work light 111 WRC 2 94 Y YCbCr 128 Z Zebra 59 64 ...

Page 146: ...nold Richter Cine Technik Headquarters Sales Service Türkenstraße 89 D 80799 Munich Germany Phone 49 0 89 3809 0 FAX 49 0 89 3809 1244 Email webmaster arri de ARRI Camera Rental Film Equipment Rental Türkenstraße 89 D 80799 Munich Germany Phone 49 0 89 3809 1240 FAX 49 0 89 3809 1798 Email mjahn arri de Great Britain ARRI GB Limited Sales Service 2 Highbridge Oxford Road Uxbridge Middlesex UB8 1LX...

Page 147: ...07 97 FAX 39 0 6 723 1541 E mail catalano arri it USA ARRI Inc Sales Service East Coast 617 Route 303 Blauvelt NY 10913 1123 USA Phone 1 914 353 1400 FAX 1 914 425 1250 Email arriflex arri com ARRI Inc Sales Service West Coast 600 North Victory Blvd Burbank CA 91502 1639 USA Phone 1 818 841 7070 FAX 1 818 848 4028 Email brussell arri com ARRI CSC Camera Service Center Film Equipment Rental NY 619 ...

Page 148: ...cal data subject to change without notice ARRI 2009 Available languages English Ident No K5 70403 0 ARNOLD RICHTER CINE TECHNIK Türkenstr 89 D 80799 München Phone 49 89 3809 0 Fax 49 89 3809 1244 www arri com ...

Reviews:

No comments