ARRI Amira, Quick Manual

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Appendix 41
S16 HD ProRes 422 LT
ProRes 422
ProRes 422 HQ
ProRes 4444
ProRes 4444 XQ 200
200
200
137
91
200
200
200
200
120
HD ProRes 422 LT
ProRes 422
ProRes 422 HQ
ProRes 4444
ProRes 4444 XQ
MPEG-2 HD 200
200
200
137
91
59.940
200
200
200
200
120
59.940
2K ProRes 422 LT
ProRes 422
ProRes 422 HQ
ProRes 4444
ProRes 4444 XQ 200
200
181
120
80
200
200
200
200
120
2.8K ARRIRAW 27 48
3.2K ProRes 422 LT
ProRes 422
ProRes 422 HQ
ProRes 4444
ProRes 4444 XQ 60
60
60
49
30 60
60
60
60
30
4K UHD ProRes 422 LT
ProRes 422
ProRes 422 HQ
ProRes 4444
ProRes 4444 XQ 60
60
51
34
22 60
60
60
60
30
Audio Data
External Interfaces 2x 3-pin XLR in (In B, C), 1x 5-pin XLR in (In A), 1x 3.5mm TRS out
Input Formats Mic level (optional phantom power)
Line level
AES3 EBU (32, 44.1, 48, 96 kHz)
Note: In B, C only
Recording Format (em-
bedded in video file)
Linear PCM, 24 bit 48 kHz
Number of Recording
Channels
4+1
Gain Adjustment 0 - +30 dB, independently per input
Line Input max. Level +8 / +24* dBu, correlating to 0 dBFS
*requires IOAU2 audio board
Limiter/Auto Level Fea-
tures
18 dB fixed gain (for AUTO level)
-6 dBFS threshold
3ms attack time for 63% effect
360ms release time for 63% effect
∞:1 ratio