DMX traits in depth.
2. To control your fixture in DMX mode, follow the set-up procedures
on pages 6 - 9 as well as the set-up specifications that are included
with your DMX controller.
3. Use the DMX controller’s faders to control the various DMX fixture
traits.
4. This will allow you to create your own programs.
5. When using a DMX controller and setting up for DMX operation
follow the DMX addressing procedure in your controller’s manual.
All fixtures must follow a specific DMX addressing protocol for
proper operation in DMX mode.
6. For help operating in DMX operation consult the manual included
with your DMX controller.
7. For longer cable runs (more than a 100 feet) use a terminator on
the last fixture.
Orbitron™
Operation
©American DJ® - www.americandj.com - Orbitron™ Instruction Manual Page 16
©American DJ® - www.americandj.com - Orbitron™ Instruction Manual Page 15
ing the knob in the counter-clockwise direction will decrease the
fi xture’s sensitivity to sound.
5. The optional MINI/C Blackout Controller may be used with this
function for blackout.
Note: Master-Slave operation require sound to activate! The units will
blackout in this mode to conserve bulb life when there is no sound
present.
Universal DMX Control:
This function allows you to use a univer-
sal DMX 512 controller such as the American DJ
®
DMX Operator™ or
Show Designer.™ to control head movement, and rotation. Operating
through a DMX controller allows you the freedom to create unique
and customized programs tailored to your specific individual needs.
1. The Orbitron™ uses four DMX channels. Channel one controls
pan, channel controls tilt, channel three controls the head rota-
tion, channel four control the lamp. Page 20 details the different
Orbitron™
Operation
Master/Slave Settings
F 0 1
F 0 2
0 0 1
0 0 6
0 0 6
Master
Slave 1
Slave 2
Slave 3
Small Pattern On Sound Active
Big Pattern On Sound Active
Address 01
Address 06
Address 06
