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4. Editing

/ FORWARD (F1 & F2) pads.  The lower the Threshold, the more
sensitive the pad (& more likely to false trigger).

(To REINITIALIZE your malletKAT PRO Pad sensitivity Thresholds

back to safe settings, simply hold the EDIT footswitch and the
Sustain 2 footswitch both down, and while they are depressed
hold down both the “Backward” and Forward” small Function Pads
(F1&F2).  Your malletKAT PRO will read the present idle levels of
your Pads and put your Thresholds at safe settings for you.)

(To increment all of your Thresholds, press the “Forward” function pad

(F1) while both the Edit and Sustain 2 footswitches are depressed.

  To decrement your Thresholds press the “Backward” function pad (F2)

while both the Edit and Sustain 2 footswitches are depressed.)  

PROGRAM CHANGE RECEIVE CHANNEL 

 (screen “06”)

The malletKAT PRO may be set to accept or ignore Program Changes at

this screen using the INCREMENT/DECREMENT pads.  You may
set the malletKAT PRO to accept all Program Changes, ignore all
Program Changes, or accept only Program Changes transmitted on a
particular Channel.

PAD TRAINING 

 (screen “07”)

The dynamic response of the pads may be set at this screen by `Training’

the pads.  If you would like to Train the pads, strike any pad one
more time.  You may release the Edit footswitch.  The malletKAT
PRO will sound a continuous beep.  You should respond by hitting a
pad as lightly as you would in normal playing (not the lightest hit
possible).  The malletKAT PRO will again sound a continuous beep.
You should now respond by hitting a pad as hard as you would in
normal playing

 (not a massive sledgehammer stroke).  The pads are

now trained for your personal playing dynamics and the
malletKAT PRO will return to PLAY mode.

FOOT CONTROLLER 1 TRAINING  

(screen “08”)

The response of FootController 1 may be set at this screen by `Training’

the FootController.  If you would like to Train the FootController,
strike any pad one more time and release the Edit footswitch.  The
malletKAT PRO will sound a continuous beep.  You should respond
by pressing the FootControl pedal to the floor and then hitting a
pad.  The malletKAT PRO will again sound a continuous beep.  You
should now release the FootControl pedal and hit a pad again.  The
FootController is now trained and the malletKAT PRO will return
to PLAY mode.

FOOT CONTROLLER 2 TRAINING  

(screen “09”)

The response of FootController 2 may be set at this screen by `Training’

the FootController.  If you would like to Train the FootController,
strike any pad one more time and release the Edit footswitch.  The
malletKAT PRO will sound a continuous beep.  You should respond
by pressing the FootControl pedal to the floor and then hitting a
pad.  The malletKAT PRO will again sound a continuous beep.  You
should now release the FootControl pedal and hit a pad again.  The
FootController is now trained and the malletKAT PRO will return
to PLAY mode.

27

Summary of Contents for malletKAT PRO With Sounds

Page 1: ...r Sounds Play Mode Display 4 EDITING 12 34 General Editing Concepts How to Edit Editing Tips Editing Pad Layout Editing Pad Descriptions Accessing Setup Auxiliary Settings Accessing Global Auxiliary Settings Listing of Internal Sound Programs 5 BASIC USER SETUPS 35 39 Making Sure You re Set Up Right Get the Pads to Play the Sounds You Want Get the Pads to Play with the Velocity Response You Want G...

Page 2: ...n MIDI Note Off Program Change System Exclusive Dumps So What s the Big Deal All You Really Need to Know to Get Going With MIDI MIDI For Percussion MIDI Delay 8 APPENDIX 49 64 A Trouble Shooting Help What if it isn t working B Glossary of Terms C Setup Templates D MIDI Implementation Chart E System Exclusive Documentation F Velocity Curve Documentation G Instructions for Inserting New Software H W...

Page 3: ...d a Dampening Mode The editing has been changed to be very quick and intuitive All of the functions you use regularly have been made quickly accessible without a lot of screen advancing Now the internal sound card gives you the ability to be self contained With headphones for practicing and stereo line outs to the band s board getting around with your mallet instrument has a new level of convenien...

Page 4: ...d on a variety of KAT drum stands and stand parts The DKB mounts to the bottom of the malletKAT PRO with 4 1 2 x 10 32 screws Consult our latest KATalog or your dealer Where and how you mount your malletKAT PRO is largely a matter of personal taste CASES A special malletKAT PRO case is available from KAT The life of your instrument will reflect the care that you give it OPTIONAL ACCESSORIES and OT...

Page 5: ...wo footswitch inputs allow you to sustain sounds and control the special Hang Mode The MIDI IN jack allows you to retrieve saved Setups that you previously saved to a DataDisk or other storage device The MIDI IN jack also allows you to merge information from another controller or sequencer through to the MIDI OUTs Also the MIDI IN jack allows you to access the internal sounds from an external cont...

Page 6: ...ome of the 128 Factory Setups From the factory the User Setups are set in a General MIDI format where the sounds are arranged to conform to the General MIDI specification The Factory Setups do not conform to the General MIDI standard we decided to make the best Setups we could using the best of the internal sounds So instead of getting only 1 Vibraphone and getting a helicopter and gun shots requi...

Page 7: ...the back The overall volume is also affected by the Volume setting in the Setup for each Controller and by the position of the expression pedals see p 38 Once you have the power connected headphones plugged in and the volume adjusted you can start playing BREATH CONTROL INPUT front The Breath Control input accepts a signal from the Yamaha BC2 Breath Controller This allows you to do Pitchbend Modul...

Page 8: ... p 30 MIDI IN back The malletKAT PRO has a MIDI IN jack to receive MIDI information from another controller a sequencer or a computer The malletKAT PRO can merge and or filter this information and send it to the MIDI OUT jacks See p 31 for selecting how Program Changes received at your MIDI IN jack affect the sounds on your internal sound source MIDI OUT back The malletKAT PRO has two MIDI OUT jac...

Page 9: ... the sound source to receive MIDI data on Channel 1 Plug headphones into your sound source or connect the audio out of your sound source to an amplifier and speakers or to the Audio In on your malletKAT PRO With Sounds Play MAKING OTHER SOUNDS To make other sounds you will select other Setups on your malletKAT PRO With Sounds This will automatically select other Programs in your sound source there...

Page 10: ...her Factory or User Setups are selected The three digit following the F or U tells which Setup your malletKAT PRO With Sounds is currently using see p 13 The next entry shows which Layer Mode is currently selected The Layer Mode defines how the two independent controllers are currently being utilized The possible Layer Modes are HANG SPLIT or DOUBLE In Split the keyboard is split into a right and ...

Page 11: ...olyphonically Select monophonic for lead lines and horn parts polyphonic for keyboard and strings see p 20 or p 37 On the 3rd line first is indicated which Interface Mode is selected for this Controller INT for Internal Sounds Only EXT for External MIDI Only and BTH for Both Internal and External see p 25 Line 3 closes out with the Program Name currently selected for that Controller If EXT was sel...

Page 12: ...etKAT keyboard all play in one voice select HANG MODE and then Controller 1 will be over the entire keyboard So Controller 1 will generally be the settings you will want to change when you are editing GENERAL EDITING CONCEPTS The malletKAT PRO With Sounds has no buttons or knobs for changing settings other than the Volume buttons All changes in the malletKAT PRO s settings are done with the Playin...

Page 13: ...the Factory User selection to User 5 Release the EDIT footswitch The Screen will return to the PLAY MODE screen note that the display now has a U at the beginning of the first line This indicates you are now in User Setups Any changes you make to the User Setups will be instantly saved in Permanent Memory unless you have Permanent Memory Protected see p 26 Once you start making changes to settings...

Page 14: ... Octave the E of the highest octave of your 3 octave malletKAT PRO Setup 001 Edit Controller1 Octave 07 0 14 001 128 1 or 2 4 Hit Decrement the C of the highest octave of your 3 octave malletKAT PRO Setup 001 Edit Controller1 Octave 06 0 14 001 128 1 or 2 5 Release the EDIT footswitch The Screen will return to the PLAY MODE screen note that the notes played by Controller 1 on your malletKAT PRO ke...

Page 15: ...01 3 Hit 4 the G of the left hand octave of your 3 octave malletKAT PRO 001 128 1 or 2 001 128 Setup 001 Edit Controller1 Setup Number 004 4 Hit 7 the D of the middle octave of your 3 octave malletKAT PRO 001 128 1 or 2 001 128 Setup 001 Edit Controller1 Setup Number 047 5 Release the EDIT footswitch The Screen will return to the PLAY MODE screen note that Setup 47 is now selected NOTE Several set...

Page 16: ...ve EDIT MODE and return to PLAY MODE EXAMPLE 4 We have added the ability to HEAR the SOUND your pads will make in PLAY MODE while you are editing Simply strike the function pad you selected again while editing 1 Depress EDIT footswitch Enter EDIT MODE 2 Hit Program Program function selected 3 Hit Program again HEAR the SOUND that pad would make in PLAY MODE and cause changes to cause HEAR SOUND 4 ...

Page 17: ...h the Setup already close to your liking This is especially true since you can even change the Defaults for each setting to whatever your preferences are The Default values for Setup settings themselves may be changed at any time To do this the Default pad must be the first pad hit after the Edit footswitch is depressed From this point on as long as the Edit footswitch is held down the values that...

Page 18: ... loaded into it The Default for Program Change is always the of the Setup you are in Therefore you are unable to change the Default for Program Change The Default for Gate Time for Controller 2 in Hang Mode is always Infinite The Default Gate Time for Controller 1 and for Controller 2 in Split and Double Layer is user definable If you change one of your Defaults for a particular setting and want t...

Page 19: ... Gate Octave MinVel MaxVel VCurv Volume Prog Highest Octave 6 7 8 9 0 Hang Split Layer Mono Poly Transpose Channel Layer Mode Middle Octave 1 2 3 4 5 AllNotesOff Global Setup Factory Normal Dampening Aftertouch Aux Aux User Pressure Mode Lowest Octave EDITING PAD DESCRIPTIONS 19 ...

Page 20: ...y Octave 0 to 14 The pitch range of the Controller Gate Time 15mS 6 500 seconds The amount of time the malletKAT PRO With Sounds holds down or sustains notes for you SETUP 1 128 An entire collection of settings that defines one state of the malletKAT PRO With Sounds Channel 1 16 Setting for a Controller to select specific sound sources or instruments in multi timbral sound sources Whever the Chann...

Page 21: ... have a note stuck on in your sound source hit this It s like a panic button The first time you hit the All Notes Off pad a quick series of All Notes Off commands are sent to all 16 Channels If this doesn t stop the notes hit the All Notes Off pad again and a huge burst of individual Note Off commands to all notes on all 16 Channels are sent to ensure that the notes will stop playing Editing Funct...

Page 22: ...n the EDIT footswitch strike the SETUP AUXILIARY pad then strike the SETUP AUXILIARY pad again This will automatically place you at the last Setup Auxiliary screen you previously had viewed Of course you can then use the small BACKWARD and FORWARD pads to get at other Setup Auxiliary screens SUSTAIN 1 FOOTSWITCH FUNCTION screen 01 The function of Sustain 1 footswitch may be selected to sustain Con...

Page 23: ...tch causes one of them to be turned off by the malletKAT PRO 1 Note polyphony is different than Monophonic in which only one sound of any pitch plays at one time FOOT CONTROLLER 1 ASSIGNMENT screen 07 FootController 1 may be assigned to any one of the following functions volume modulation modulation with sustain portamento time portamento time with sustain tremolo depth tremolo depth with sustain ...

Page 24: ...full depression of the FootController 2 pedal produces the full effect you want FOOT CONTROLLER 2 CURVE screen 15 The response Curve for FootController 2 may be selected from any of the curves available in the malletKAT PRO Curve 8 was made specially to be used as the Curve for FootControl The reverse curves 3 and 5 will provide surprising but sometimes useful results FOOT CONTROLLER 2 CHANNEL scr...

Page 25: ... simply select this screen and then Increment through the 48 combinations of these settings In each Setup the Reverb settings may be specified once this setting will apply to both Controller 1 and Controller 2 in this Setup INTERFACE MODE screen 23 In each Setup both Controller 1 and Controller 2 can be routed to 1 EXTERNAL MIDI ONLY 2 the INTERNAL sound source ONLY 3 BOTH EXTERNAL MIDI and the IN...

Page 26: ...the GLOBAL AUXILIARY pad again This will automatically place you at the last Global Auxiliary screen you previously had viewed Of course you can then use the small BACKWARD and FORWARD pads to get at other Global Auxiliary screens PERMANENT MEMORY PROTECT MODE screen 01 The permanent memory that stores your Setups Training settings and other Global settings of the malletKAT PRO may be protected fr...

Page 27: ...pond by hitting a pad as lightly as you would in normal playing not the lightest hit possible The malletKAT PRO will again sound a continuous beep You should now respond by hitting a pad as hard as you would in normal playing not a massive sledgehammer stroke The pads are now trained for your personal playing dynamics and the malletKAT PRO will return to PLAY mode FOOT CONTROLLER 1 TRAINING screen...

Page 28: ...ve more than one malletKAT PRO If not leave it set to Universal ID Data dump information that is meant for a malletKAT PRO with a different ID than assigned at this screen will not be accepted by the malletKAT PRO except if set at Universal ID which accepts all DEBOUNCE COUNT screen 14 The time that the malletKAT PRO spends debouncing the pads is selected at this screen The number is selected usin...

Page 29: ... to be displayed is selected at this screen using the INCREMENT DECREMENT pads The MIDI Scope is highly technical and should be ignored by 99 of you Let s go through an example of using the MIDI Scope 1 Go to Global Auxiliary screen 2 and select MIDI Merge OFF Release the Edit footswitch 2 Connect a MIDI cable from one of the malletKAT PRO MIDI OUTs to the malletKAT PRO MIDI IN 3 Go to Global Auxi...

Page 30: ...KUP through your Setups The choices are CONTROLLER use settings definable in each Setup see Setup Auxiliary settings p 23 SETUP ADVANCE or SETUP BACKUP If Setup Advance or Backup has been selected either a footpedal or a footswitch will work in moving you through your Setups FOOT CONTROL 2 OPTIONAL GLOBAL SETUP SELECT screen 20 Same as for FootControl 1 as described above Typically if you are not ...

Page 31: ...afts causing double triggers and somewhat bouncy readings To give you the ability to tweak this the Aftertouch Mask Count allows you to specify a time window within which the malletKAT PRO will look for an Aftertouch gesture This count is the time within which the malletKAT will regard a restrike or pressure on a previously hit pad as Aftertouch instead of seeing it as a soft hit Basically the big...

Page 32: ...rch Organ 1 63 Synth Brass 1 106 Banjo 21 Reed Organ 64 Synth Brass 2 107 Shamisen 22 Accordian 65 Soprano Sax 108 Koto 23 Harmonica 66 Alto Sax 109 Kalimba 24 Bandneon 67 Tenor Sax 110 Bag Pipe 25 Nylon String Guitar 68 Baritone Sax 111 Fiddle 26 Steel String Guitar 69 Oboe 112 Shannai 27 Jazz Guitar 70 English Horn 113 Tinkle Bell 28 Clean Guitar 71 Bassoon 114 Agogo 29 Muted Guitar 72 Clarinet ...

Page 33: ...sichord 3 190 Elec Guitar 1 233 Marimba 148 Clavichord 1 191 Elec Guitar 2 234 Koto 149 Clavichord 2 192 Sitar 235 Sho 150 Clavichord 3 193 Acoustic Bass 1 236 Shakuhachi 151 Celesta 1 194 Acoustic Bass 2 237 Whistle 1 152 Celesta 2 195 Elec Bass 1 238 Whistle 2 153 Synth Brass 1 196 Elec Bass 2 239 Bottle Blow 154 Synth Brass 2 197 Slap Bass 1 240 Breath Pipe 155 Synth Brass 3 198 Slap Bass 2 241...

Page 34: ...Steel Drums 363 Piano 278 Strings 1 Fast 321 Pitched Perscussion 364 no sound 279 Fast Strings 2 322 Accordian 365 no sound 280 Strings 2 Slow 323 Harmonica 366 no sound 281 Panning Slow Strings 324 Synth Pad 367 no sound 282 Orchestra 325 Glass Chiff 368 no sound 283 Slow Attack Orchestra 326 Synth Leads 1 369 no sound 284 Flute 327 Square Wave Lead 370 no sound 285 Mellow Flute 328 Synth Leads 2...

Page 35: ...ill want to start tweaking your User Setups to the way you want them In each of the Basic Setups select Hang Mode as your LAYER MODE this will put Controller 1 across your entire keyboard Hang Mode also does something else interesting that we ll discuss in the next chapter Advanced User Setups The first thing you will want is to get the sounds you want The Program setting does that Program is a va...

Page 36: ...onds 15 milliseconds to 6 325 seconds After the malletKAT PRO sends a Note On command the malletKAT PRO will wait this length of time before sending a Note Off command This is an important setting especially for string or horn sounds with a gradual buildup Different Gate Times will give you different lengths of time for the sustain of the Notes Note that for very short times the resolution is in 5...

Page 37: ...oice in the Auxiliary Setup settings of selecting 1 or 2 note polyphony per pad When you roll on a pad the sound will be more pleasing if those repeated sounds overlap However as of this writing none of the present sound sources seem to respond well to this When sound sources advance to the point of handling same note polyphony properly your malletKAT PRO will be ready In the mean time the best se...

Page 38: ...wo will provide some effect for spice like pitch bend or modulation to the same Channel You may set the FootController 1 to track the Channel of Keyboard Controller 1 or to any specific Channel from 1 16 Likewise FootController 2 can be set to track Controller 2 or Channels 1 16 In Advanced Setups where you are using more than one Controller you may choose to have one FootController control the Vo...

Page 39: ...ne of the following Program s for one of the Controllers the entire keyboard will consist of drum sounds If you move the octave around you will get at different collections of those sounds on different places on the keyboard Program Changes on Channel 10 work a little differently also The following map explains which Programs give which drum sets Note that the same drum set is selected by several ...

Page 40: ...play a chord on your malletKAT PRO while the Sustain 2 footswitch is depressed the sound you play will be controlled by Controller 2 Release the Sustain 2 footswitch The chord from Controller 2 keeps sustaining Now play some notes on the malletKAT PRO keyboard while the Sustain 2 footswitch is not depressed These notes will play the sounds determined by the settings on Controller 1 while the chord...

Page 41: ...ons that work for you Since the two sustain footswitches can be assigned to each of the two Controllers separately you can keep one of the two sounds short while sustaining the other for useful effects Or you can choose to assign just one of the Sustain footswitches to assign Both Controller 1 and Controller 2 Double Mode can be useful even if you are using only one sound If you put the same setti...

Page 42: ...o small any slight pressure of resting your mallets on a pad after you have played a note on it may cause unwanted dampening effects If the Dampen Mode Count is too small any slight bouncing of the mallets as you play may cause unwanted dampening effects The best approach to tweaking these settings is to start with the Default settings If dampening works well for your style of playing have fun If ...

Page 43: ...er a number between 1 and 384 and have the malletKAT PRO With Sounds assemble the current actual Bank and Program less than 128 to send to the internal sound source However when using External sound sources you will need to understand and start using Banks First a little background When MIDI was originally created only 128 different Programs could be selected through MIDI Back then that was plenty...

Page 44: ...ation starts being sent out as the note is sustaining When you fully release the pedal SUSTAIN OFF is sent This frees you up so that you don t have to ride both the FootControl pedal and the Sustain footswitch at the same time to get Pitchbend with Sustain Try the Breath Control on Modulation or Pitchbend Now try it on Pitchbend with Sustain Like the example above this frees up your feet and allow...

Page 45: ...ve cable to make the connection One pair of wires in the cable will do The signals are opto coupled Current flowing through the MIDI cable turns on a tiny light inside a chip inside the receiving instrument which ends up producing the electrical signal that the receiving instrument uses Wow Cool huh That means that there is no ground connection between the MIDI connected instruments This eliminate...

Page 46: ...laying style COMMANDS A MIDI Note On Command tells a specific Sound Source to play a specific Sound at a specific volume It turns a Sound on It contains which Channel which sound source to play which Note pitch to play and which Velocity loudness to play A MIDI Note Off Command tells a specific Sound Source to stop playing a specific Sound It turns a Sound off It contains which Channel which sound...

Page 47: ...RO If you are trying to do something and get stuck pick up that mysterious phone and give us a call we ll be glad to help you ALL YOU REALLY NEED TO KNOW TO GET GOING WITH MIDI 1 Match the Channel your malletKAT PRO is sending on with the Channel your sound source is set to receive on 2 Select the Program Change values on your malletKAT PRO to match the sounds or patch you want your sound source t...

Page 48: ...y are the ones worth owning So if you want to avoid MIDI Delay you must avoid Sound Source Delay Call us and we ll tell you how the various Sound Sources rate Your internal sound source has a 3 5 mS delay Interestingly enough there is also Sound Travel Delay It actually takes sound a noticeable time to travel through the air Hence echoes Hence you see lighting then hear thunder seconds later Speci...

Page 49: ...ing set to too low a value see p 38 or to the FootControl pedal settings being incorrect see p 23 the FootControl pedal not being properly trained or the FootControl pedal simply being pushed to off Try REINITIALIZING your malletKAT PRO See p 50 Call KAT Customer Service 413 594 7466 Determine your Software Version and Serial Number before calling The power up display will tell you which software ...

Page 50: ... Forward small Function Pads Your malletKAT PRO will read the present idle levels of your Pads and put your Thresholds at safe settings for you You may also increment or decrement your Pad Thresholds globally To increment all of your Thresholds press the Forward function pad while both the Edit and Sustain 2 footswitches are depressed To decrement all of your Thresholds press the Backward function...

Page 51: ...for a given setting Dynamics A measure of how hard or softly you are playing with your mallets Editing The act of changing the settings in a device Factory Setups In the malletKAT PRO With Sounds there are 128 Factory Setups that are always present in your instrument These are Setups that we at KAT generated to showcase the best internal sounds and use a variety of the malletKAT s features Gate Ti...

Page 52: ...ge A MIDI command which instructs the receiving instrument to change to a new group of settings For Sound Sources this generally means selecting a new sound Response What Velocity the malletKAT PRO sends out related to your playing Dynamics A natural response is that the Velocity hence the loudness gets bigger as your dynamics increase Screen A display window on the malletKAT PRO usually with info...

Page 53: ...Overlap ________ Aftertouch Type _____________ Aftertouch Type ____________ Polyphonic Count ____________ Polyphonic Count ___________ Bank ___________________ Bank _________________ Transpose Amount ___________ Transpose Amount __________ POLYPHONY Mono Poly POLYPHONY Mono Poly Foot Control 1 used for ________________ Channel______ Min Effect_____ Max Effect_____ Curve_____ Foot Control 2 used fo...

Page 54: ...d breath control Pitch Bender FootControl or Breath O Control Change O O Sends all 128 Continuous Controller commands by foot or breath Program Change 0 127 0 127 And to 128 Banks System Exclusive O O Dump All Setups Global All Mem 1Setup System Song Pos x x Song Sel x x Common Tune x x System Clock x x Real Time Commands x x Aux Local On Off x x All Notes Off O O Messages Active Sense x x Reset x...

Page 55: ... of dump Followed by 0F7H End of Sys Exc The 9 bytes of the header are defined below HEADER byte 1 0F0H Start of System Exclusive Status Byte byte 2 00H byte 3 00H byte 4 15H 00H 00H 15H is KAT s Company ID byte 5 64H Instrument type ID for the malletKAT PRO byte 6 XX Dump Type byte 7 XX Individual Instrument ID byte 8 XX Software Version byte 9 XX Aux Type Kit if Type is Kit DATA The DATA is spli...

Page 56: ... The malletKAT PRO uses the Minimum Velocity Maximum Velocity and Velocity Curve settings to do this correlation The actual formula used is MIDI Velocity Minimum Velocity VelCurve 127 x Maximum Velocity Minimum Velocity This result is then compared to the Maximum Velocity setting to insure that even if you put in backwards values for Minimum and Maximum Velocity that the final result will always b...

Page 57: ...22 22 23 23 24 24 Steps 49 56 25 25 26 26 27 27 28 28 Steps 57 64 29 29 30 30 31 31 32 32 Steps 65 72 33 33 34 34 35 35 36 40 Steps 73 80 44 48 52 56 60 65 70 75 Steps 81 88 80 85 90 95 100 110 120 127 Steps 89 96 127 127 127 127 127 127 127 127 Steps 97 104 127 127 127 127 127 127 127 127 Steps 105 112 127 127 127 127 127 127 127 127 Steps 113 120 127 127 127 127 127 127 127 127 Steps 121 128 127...

Page 58: ... 127 127 Steps 33 40 127 127 127 127 127 127 127 127 Steps 41 48 127 127 127 127 127 127 127 127 Steps 49 56 0 0 0 0 0 0 0 0 Steps 57 64 0 0 0 0 0 0 0 0 Steps 65 72 0 0 0 0 0 0 0 0 Steps 73 80 0 0 0 0 0 0 0 0 Steps 81 88 0 0 0 0 0 0 0 0 Steps 89 96 0 0 0 0 0 0 0 0 Steps 97 104 0 0 0 0 0 0 0 0 Steps 105 112 0 0 0 0 0 0 0 0 Steps 113 120 0 0 0 0 0 0 0 0 Steps 121 128 0 0 0 0 0 0 0 0 Velocity Curve 6...

Page 59: ... 112 127 127 127 127 127 127 127 127 Steps 113 120 127 127 127 127 127 127 127 127 Steps 121 128 127 127 127 127 127 127 127 127 Velocity Curve 8 Steps 1 8 1 1 1 1 2 2 2 3 Steps 9 16 3 3 4 4 4 5 5 5 Steps 17 24 6 6 6 7 7 7 8 8 Steps 25 32 8 9 9 10 10 11 11 12 Steps 33 40 12 13 13 14 14 14 15 15 Steps 41 48 16 16 16 17 17 18 18 18 Steps 49 56 19 19 19 20 20 20 21 21 Steps 57 64 21 22 22 22 23 23 23...

Page 60: ...8 Appendix 60 ...

Page 61: ... you pry a LOT on one end you will excessively bend the small legs on the other end as the chip pivots on them Don t be scared just pry a little more on each side alternately until the chip is out Take your time don t be in a hurry Make sure you insert the small screwdriver between the chip and the socket before you start to pry each time Instead of between the socket and the circuit board 6 After...

Page 62: ...and Maintenance The malletKAT PRO is an electronic musical instrument that was designed to take a pounding from a set of mallets not from rolling down the stairs Simply use good judgment and your malletKAT PRO will provide you with years of enjoyment Don t pour or spill liquids on your malletKAT PRO Don t leave in a very hot car for extended periods of time Don t leave in overly damp areas for ext...

Page 63: ... our Customer Service staff and ask for an RA number This is a Return Authorization number You must then clearly mark this RA number on the outside of the box you send back to KAT When you call in your RA our staff will ask you for information like your name address phone number serial number purchase date and a description of the problem All of this information is put on an RA form that will be u...

Page 64: ...th Control you should first adjust the two trimpots in the headset to match the following diagram then train it First match these settings 502 502 GAIN OFFSET Output Cable Breath Tube Now go to p 28 for details on training your BC 2 BreathController for optimum response 64 ...

Page 65: ...Notes 65 ...

Page 66: ...Notes 66 ...

Page 67: ...ening see Pressure 29 30 35 38 45 48 51 Software Version 49 50 DataDump see SystemExclusive Delay 48 52 Sounds Internal List 32 34 Decrement 14 21 22 39 IN 26 29 31 45 52 56 Stands 3 Defaults 16 19 21 40 51 Merge 8 26 29 30 31 48 52 Sustain 4 5 9 10 21 23 36 37 Delay see MIDI Note 45 48 40 44 Display Viewing Angle 28 OUT 26 45 50 52 55 System Exclusive Double see Layer Program Change 9 11 18 20 Du...

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