are per Voice, and are per-note functions; Sources with a
PGM prefix, later in the list, are per Program, or are 'global'
and will effect all voices at once in the same way. At the
end of the list are Clock and Gate Sources. The clocks should
be self-explanatory in name; they can be used to fire or
reset modules which accomodate such (Envelopes, Seq/Arp,
S/H, LFOs, etc.) The Envelope stage names at the end of the
list are Gates that go high when the indicated stage is reached
during the associated Envelope's cycle. You can start the
Sequencer when Envelope 2 reaches Release 2, for example,
or start the S/H running upon reaching the Sustain of Env 3.
The End stage is provided to allow cascading Envelopes
or to fire modules when an Envelope reaches zero at the
end of its cycle.
-Offsets in the Mod pages: allow you to 'move' the center of
a modulator. If you are using the keyboard to play a self-
oscillating Filter 2, you'll find that at minimum Fc that it's
not low enough. Use the Offset on the Keytracking to allow
reaching the bass region. Etc.
-Trigger Pages: Modules with a Trigger Page (LFOs, S/H,
Envelopes, Seq/Arp, etc.) can either be caused to advance
a single increment, begin running, or reset (LFO Phase)
whenever the selected Source (any Source, whether it's a
Clock or not) passes the value you set as the threshold
Level, which is also conditioned by the Type function.
See the end of this document for details application info
on Triggering the LFOs, S/H, and Envelopes.
Front-Panel Modules
Keyboard Modules
-Unison X allows layering of voices in single voice increments up
to the full 16. Unison Detune is similar to the MKS80 feature
in allowing you to spread the layered voices out from zero in
a bipolar fashion.
-Portamento goes up to 30 seconds on the pot to allow for resolution
in the most-oft used range, but it can be modulated to go up to 130
seconds using an Offset, etc.
-Four Portamento types are available by pressing soft button 2.
Chord is inactive and the second parameter, Offset, is only
available when selecting Offset on the first parameter.
-Each Oscillator in a voice can be removed from keytracking
using Soft Pot 4 on the Oscillator Tune page. Microtonal scales
can then be created by using Vox Key Number as a Mod Source
with a Level of less than 100.
LFOs
-The LFOs and S/H clock will max out at lower than audio
