-Note that this control path is not capable of being calibrated
by the microprocessor and that there will be audible variance
between voices when using it. Optimization can be done by
using an input voltage that swings between zero and five volts
DC, using a single Voice in Mono mode Program.
Ribbon Controller
-“Ribbon Value” (mod matrix source) covers the entire range of the
ribbon and goes from 0->100 across its range.
Since the ribbon is scanned from both sides simultaneously, you can
do 'hammer-ons', and introduce new values by playing it with two
fingers etc.
-“Ribbon Right” and “Ribbon Left” are used to output the
different scanned ranges on the ribbon (bottom and top values).
Setting up LFO, S/H, and Envelope Triggers:
LFO:
-The LFO's Clock (Rate knob) will start upon each keystroke if
VOXTRG: ON VOX.
-Turn FREERUN: -ON- and the LFO will be cycling upon each note but
the phase will be free-running.
-If VOXTRG: ON TRIG and TRIG: ON and Freerun: OFF, then the Clock
will start upon the first received Trigger from the Mod.
-Add Freerun and the LFO will start clocking but it's phase will be
self-determined.
-Note: Any Triggers received after the Clock starts, when the LFO is –
not- in Freerun, will reset the LFO's phase to the position
determined by the Phase parameter.
-To have an LFO in Freerun and always have it modulating--Trig: Off,
VOXTRG: ON VOX, FREERUN: -ON-.
-To start the LFO clocking upon a Trigger--Trig: On, VOXTRG: ON TRG,
FREERUN: -ON- or -OFF-.
-To start the LFO upon each keystrike beginning at the same phase
point: Trig: Off, VOXTRG: ON VOX, FREERUN: -OFF-.
SAMPLE AND HOLD:
-As with the LFO, a Trigger can either start the Clock (Rate knob) and
subsequent Triggers reset it's cycle, or have the Clock off and use
Trig to initiate single samplings of the S/H Input Source.
-To have the S/H Clock start upon each keystrike--Trig: Off, TRGSMP:
Off, VOXTRG: -ON-.
-To have the S/H Clock start upon a Trigger and reset it's Clock cycle
