AJH Synth Gemini 2412 User Manual Download Page 8

SELF OSCILLATION MODE 

Using the GEMINI 2412 as a Sine Wave  Oscillator

Usually 12dB state variable filters such as those in the Gemini 2412, Oberheim SEM and other synthesisers do not go into 

self -scillation at high resonance settings, this is because of damping in the filter core itself which prevents this from 

happening. However, we have included some additional circuitry that can be connected into the filter using a PCB 

mounted jumper on the back of themodule. The effect of this circuitry is to overcome the internal damping and force the 

filter core into self oscillation, and it then behaves as a Sine Wave Voltage Controlled Oscillator (VCO)  that tracks 

1V/Octave over (approximately) a 4 octave range. 

See the “Adjustment and calibration” page for information on the location of the self oscillation jumpers.

There are a few points to note about self oscillation mode:

1) Because we have to force the circuitry into self oscillation  the resulting signal level is quite high - around 19V p/p 

rather than the usual 10V p/p that most Eurorack modules produce, this is not a  problem as long as it is feed into 

another module that has a level control - for example the AJHSynth MiniMod VCA - this has input level controls and 

simply turn these down to the point where the are of similar volume to other VCO’s etc and there will be no problem. If 

you feed it at full output into other Eurorack modules without attenuating the level then you may get some ugly clipping 

distortion. With this in mind, if using the GEMINI 2412 in CASCADE Mode with VCF 1 as a Sine wave oscillator and then 

feeding the output into VCF 2 then do keep the IN 2 LEVEL control turned down to 5 or lower to prevent overloading the 

input of  VCF 2.

(Cont.)  

1 V/Oct CV

SINE OUT

0

0

0

5

0

0

10

5

0

5

0

0

LP

LP

DUAL

VCF 2

0

Summary of Contents for Gemini 2412

Page 1: ...ix of VCF1 OUT 1 against VCF2 OUT 2 is controlled by the setting of the Audio Mix control with the output routed to the D OUT jack Dual Parallel INVERTED Mode this is the same as Dual mode however the...

Page 2: ...Cascade switch This connection is made using the internal switch on the IN 2 jack socket and is connected if no jack socket is connected but if a patch cable is insered into IN 2 then this connection...

Page 3: ...ance VCF 2 Frequency Vary 2 Control VCF 2 Mode Freq CV 2 Level INPUT 2 Level VCF 2 Output VCF 2 RES CV 1V Oct Input VCF 2 FCV IN VCF 2 Input VCF 2 LP Out VCF 2 BP Out VCF 2 HP Out 6 7 5 4 3 14 13 12 1...

Page 4: ...with this control setting so in this case it acts as a offset control 5 VCF MODE Switch This selects the filter type that is routed to the OUT jack 7 and to the central mixing bus 6 INPUT Level This i...

Page 5: ...rates from a VCO The accepted signal range is 5V to 5V Any voltages higher or lower than this will be capped to 5 or 5V Maximum permissible voltage to this input is 12V 13 BP Output This is the Band...

Page 6: ...cted in Dual Parallel or Cascade Series DUAL VCF 1 input is normalised to VCF 2 input so that the same signal is presented to both filters and the AUDIO MIX control 15 cross fades between the outputs...

Page 7: ...re the two VCF s are mixed together This is the only output that combines the mix of VCF 1 and VCF 2 so to use the DUAL CASCADED and DUAL INVERTED modes this jack must be used as the output All of the...

Page 8: ...f oscillation jumpers There are a few points to note about self oscillation mode 1 Because we have to force the circuitry into self oscillation the resulting signal level is quite high around 19V p p...

Page 9: ...ale buffer can be a useful addition if the self oscillation mode is used often and accurate 1V Octave scaling is required it allows scaling to be adjusted from the front panel without having to remove...

Page 10: ...of the Envelope CV so it will close down rather than open up the filter cutoff point The bass voice is fed to Gemini VCF 2 from the lower VCO This time on the Gemini we are using the OUT 2 jack and th...

Page 11: ...F 1 and VCF 2 are set to Band Pass and have quite a large amount of resonance added we get some classic vowel sounds and sweeping between the filters gives interesting tonal variation Try different se...

Page 12: ...D FCV Mix control at mid point so that the D FVC control signal is being sent equally to VCF 1 and VCF 2 We have also included a variant on this patch lower picture which shows the inverse output from...

Page 13: ...lockwise from zero to 10 fades between single 12dB LP configuration VCF 1 only and 24dB configuration VCF 1 and VCF 2 cascaded in series You will not that the 24dB setting sounds duller and less brigh...

Page 14: ...ired panning range We have also shown a dual envelope generator to control the cutoff of each filter individually obviously this is optional and and is shown as one of many modulation possibilities Pl...

Page 15: ...lly a Linear or Hybrid suppy Also there are a few Eurorack modules which are badly behaved and can introduce noise back onto onto the Eurorack power rails too the way to find these is to disconnect al...

Page 16: ...s then test tracking again E Scale 2 This trimmer adjusts the 1V Octave tracking of VCF 2 Turning it anti clockwise reduces shortens the scaling and turning clockwise increases scaling Note For use by...

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