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There are presently three different types of Eurorack power supplies available - Linear, Switched Mode and Hybrid (Switched Mode 

with Linear post regulation).  

Linear power supplies, which were used exclusively on vintage analogue synthesisers, are very low noise and very suitable for sensitive 

analogue modules such as the Gemini 2412 filter. Likewise, hybrid power supplies such as the Doepfer PSU3 are also very low noise 

and equally suitable.  Switched Mode supplies are generally usable;  however, under certain conditions some switched mode power 

supplies can be problematic - this is because of the way in which they work - they switch the power rails at a very high frequency 

(typically between 100kHz and 1MHz) and the resultant power line noise noise can be up to 150mV per rail, however it is argued that 

this is well above the audio spectrum and is therefore inaudible - but we have found that in some cases (due to load level, asymmetric 

loading etc) that heterodyning can bring this down into the audio range, so we may experience up to 150mV of digital hash on the 

power rails at audio frequency. The powerline noise rejection of the module itself cannot remove such high levels of noise and it can 

therefore find its way to the outputs of the module itself where it can be heard as low level noise on the output. Thankfully this is a 

fairly rare occurance, but if excessive noise is noticed on the GEMINI 2412 outputs then the first thing to do is try it with a different 

power supply - ideally a Linear or Hybrid suppy. 

Also, there are a few Eurorack modules which are badly behaved and can introduce noise back onto onto the Eurorack  power rails too 

- the way to find these is to disconnect all modules from the case, then re-connect modules one at a time while monitoring the output 

of the GEMINI 2412 until the culprit is found. 

This information relates to analogue Eurorack modules in general - most modern Eurorack modules are digital in nature and much 

more tolerant towards power line noise than their sensitive analogue counterparts!

GEMINI 2412 - Specification

Information on suitable  Eurorack power supplies:

Dual 12dB / Octave state variable filters, with integrated panning 

mixer, Dual Frequency CV source with external input and CV panner, 

Audio Inverter and switchable combination modes.

28HP x 3U Eurorack,

 

141mm x 128.5mm

  

+12V, -12V and a 10 pin to 16 pin Eurorack power cable is supplied. 

Reverse polarity protection is built in.

Power consumption: Positive rail:  50 mA, Negative rail: 45mA

IN 1 & IN 2 - Expected signal level 10V p/p, centred around 0V.  Audio 

signals only, DC signals are ignored.

All VCF outputs are nominally 10V p/p, noise <35mV                                                                    

FCV 1 & FCV 2: - The accepted signal range is -5V to +5V. Any voltages 

higher or lower than this will be capped to +5 or -5V. Maximum 

permissible voltage to this input is +/-12V. 

D-FCV:  The accepted signal range is -10V to +10v, and the maximum 
permissable voltage to this input is -12V to +12V.

 

RES CV & MIX CV:  The accepted signal range is 0V to +5V. Any voltages 

higher or lower than this will be capped to 0V or +5V, so negative 

voltages are ignored. Maximum permissible v,oltage to this input is 

+/-12V. 

Description: 

Dimensions: 

Power usage: 

Inputs: 

Outputs: 

CV Inputs: 

Summary of Contents for Gemini 2412

Page 1: ...ix of VCF1 OUT 1 against VCF2 OUT 2 is controlled by the setting of the Audio Mix control with the output routed to the D OUT jack Dual Parallel INVERTED Mode this is the same as Dual mode however the...

Page 2: ...Cascade switch This connection is made using the internal switch on the IN 2 jack socket and is connected if no jack socket is connected but if a patch cable is insered into IN 2 then this connection...

Page 3: ...ance VCF 2 Frequency Vary 2 Control VCF 2 Mode Freq CV 2 Level INPUT 2 Level VCF 2 Output VCF 2 RES CV 1V Oct Input VCF 2 FCV IN VCF 2 Input VCF 2 LP Out VCF 2 BP Out VCF 2 HP Out 6 7 5 4 3 14 13 12 1...

Page 4: ...with this control setting so in this case it acts as a offset control 5 VCF MODE Switch This selects the filter type that is routed to the OUT jack 7 and to the central mixing bus 6 INPUT Level This i...

Page 5: ...rates from a VCO The accepted signal range is 5V to 5V Any voltages higher or lower than this will be capped to 5 or 5V Maximum permissible voltage to this input is 12V 13 BP Output This is the Band...

Page 6: ...cted in Dual Parallel or Cascade Series DUAL VCF 1 input is normalised to VCF 2 input so that the same signal is presented to both filters and the AUDIO MIX control 15 cross fades between the outputs...

Page 7: ...re the two VCF s are mixed together This is the only output that combines the mix of VCF 1 and VCF 2 so to use the DUAL CASCADED and DUAL INVERTED modes this jack must be used as the output All of the...

Page 8: ...f oscillation jumpers There are a few points to note about self oscillation mode 1 Because we have to force the circuitry into self oscillation the resulting signal level is quite high around 19V p p...

Page 9: ...ale buffer can be a useful addition if the self oscillation mode is used often and accurate 1V Octave scaling is required it allows scaling to be adjusted from the front panel without having to remove...

Page 10: ...of the Envelope CV so it will close down rather than open up the filter cutoff point The bass voice is fed to Gemini VCF 2 from the lower VCO This time on the Gemini we are using the OUT 2 jack and th...

Page 11: ...F 1 and VCF 2 are set to Band Pass and have quite a large amount of resonance added we get some classic vowel sounds and sweeping between the filters gives interesting tonal variation Try different se...

Page 12: ...D FCV Mix control at mid point so that the D FVC control signal is being sent equally to VCF 1 and VCF 2 We have also included a variant on this patch lower picture which shows the inverse output from...

Page 13: ...lockwise from zero to 10 fades between single 12dB LP configuration VCF 1 only and 24dB configuration VCF 1 and VCF 2 cascaded in series You will not that the 24dB setting sounds duller and less brigh...

Page 14: ...ired panning range We have also shown a dual envelope generator to control the cutoff of each filter individually obviously this is optional and and is shown as one of many modulation possibilities Pl...

Page 15: ...lly a Linear or Hybrid suppy Also there are a few Eurorack modules which are badly behaved and can introduce noise back onto onto the Eurorack power rails too the way to find these is to disconnect al...

Page 16: ...s then test tracking again E Scale 2 This trimmer adjusts the 1V Octave tracking of VCF 2 Turning it anti clockwise reduces shortens the scaling and turning clockwise increases scaling Note For use by...

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