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5.4.2 Enhancer

The enhancer built into the

 colourizer 2

 adds harmonics to the 

source signal thereby creating more brilliance and clarity.  

The enhancer level can be adjusted with the intensity control. 

Pressing the off/on switch will deactivate or activate the  

enhancer.

5.4.3 Equalizer

The equalizer is a parametric filter network, adjustable from 

90 Hz to 11 kHz in two ranges: 

f1= 90 Hz – 1,6 kHz and 

f2= 680 Hz – 11 kHz. 

The ranges have been designed to meet the special require-

ments of acoustic instruments, microphones and other signal 

sources and to allow useful and accurate signal manipulation in 

order to suppress resonances and feedback. The filter technology 

ensures a constant bandwidth at any selected frequency.

Note:

A parametric equalizer is a filter network where all  

features of a filter (amplitude,  i.e. boost or cut = level,  

frequency and Q-factor = bandwidth) can be adjusted.

Parametric means that not only the boost/cut, but also the  

location and width of the frequency bands can be adjusted. It  

offers the possibility to equalize (flatten) notches or peaks in  the 

frequency response (hence the name equalizer) and to suppress  

feed-backs or resonant peaks. It can also be used as a flexible  

tone control for targeted sound alterations.

Sample application:

Suppose you notice an excessive signal increase (feedback).  

To counteract you will need to reduce the signal level of the 

corresponding frequency range. 

To do this, first set the level control (amplitude)  

to maximum cut (left-hand stop). 

 

Make sure that the bandwidth control is set to  

maximum band-width (right-hand stop).

Using the frequency control you can now detect the centre 

frequency of the offending frequency range.  

(use the f1/f2 preselect switch also) 

 

The peak should now be gone. To enhance the sonic result, you 

may reduce the bandwidth (increase the Q-factor)  

or lower the amplitude (decrease the reduction), if necessary.

5.4.4 Frequency poti-rotation

poti-position  

rotation 300°   f1  

f2

lefthand stop  

0,00% 

55 Hz  

600 Hz

 

 

50,0 %  

100 Hz  

1,3 KHz

 

 

75,0 %  

180 Hz  

2,3 KHz 

 

 

87,50 %  

300 Hz  

3,7 KHz

 

 

93,00 %  

455 Hz  

5,6 KHz

righthand stop  

100,00 %   870 Hz  

11 KHz 

 

5.4.5 Bandwidth poti-rotation

 

poti-position 

rotation 300°  

octave

lefthand stop  

0,0%  

 

1/6      

 

 

12,5%             

1/3      

  25 

 

 1/250 

 

 

50 %             

2/3       

righthand stop  

100% 

 

1          

balance

Le

ve

l

max

min

mid

Centerposition

balance

in

tensit

y

min

mid

max

Left position

Right position

in

tensit

y

min

mid

max

balance

Summary of Contents for Colourizer 2

Page 1: ...1 Colourizer 2 Colourizer 2 Bedienungsanleitung UserManual 10 2020 ...

Page 2: ...der Mikrofon Gesangs oder Instrumentalmikrofon der in die Signalkette zwischen Quelle und Ziel z B Verstärker geschaltet werden kann um den Ton deutlich zu verbessern Verbessern soll heißen den Wohlklang Arbeitspunkt zu verschieben d h das Signal stärker gehaltvoller und stabiler zu machen Das geschieht in mehrfacher Weise zunächst allein durch das Dazwischenschalten Die hochwertige Eingangsstufe ...

Page 3: ...erlegen Sie Signalkabel nicht parallel zu Netzkabeln 12 Das Innere des Geräts enthält keine durch den Benutzer zu wartenden Teile Um eine Gefährdung durch Stromschlag auszuschließen darf das Gerät nicht geöffnet werden Überlassen Sie Wartung Abgleich und Reparatur qualifziertem Fachpersonal Im Fall eines Fremdeingriffs erlischt die 2 jährige Garantie 13 Für die Einhaltung der EMV Forderung müssen ...

Page 4: ...e 0 180 7 balance Ton Balance Regler 8 intensity Ton Intensitäts Regler 9 intensity Intensitäts Regler Enhancer 10 off on Aktivierungsschalter des Enhancer off on 11 level Gesamt Pegel Regler für den Equalizer 12 bandwidth Bandbreiten Regler für den Equalizer 13 frequency Regler für die Frequenzbänder f1 und f2 14 f1 f2 Aktivierungsschalter der Frequenzbänder f1 f2 15 input Kombi Eingangsbuchse XL...

Page 5: ...kt für Tonabnehmersysteme und andere Signalquellen Der gain Regler passt den Colourizer 2 optimal an Ihre Signal quellen Gitarren Tonabnehmer Mikrofone usw an sodass optimale Funktion bei bestmöglichem Signal Rausch Verhältnis SNR gewährleistet wird Stellen Sie zunächst sicher das der gain Regler auf Linksanschlag steht minimale Verstärkung und drehen Sie ihn dann gegf nach rechts bis die rote cli...

Page 6: ...n 90 Hz bis 11 kHz in zwei Bereichen f1 90 Hz 1 6 kHz und f2 680 Hz 11 kHz regelbar ist Die Bereiche sind so ausgelegt dass sie den speziellen An forderungen von akustischen Instrumenten Mikrofonen und anderen Signalquellen entsprechen bzw eine präzise Beein flussung des Signals zur Unterdrückung von Resonanzen und Rückkopplungen ermöglichen Die Filtertechnik gewährleistet konstante Bandbreite bei...

Page 7: ...d Gain Range 10 dB to 56 dB 0 dBV Line Out at 1 kHz Input Impedance 1 kOhm max Input level 10 dBV 0 1 THD at 1kHz unbalanced Equivalent Input noise 130 dB 22 kHz BW Gain 56 dB Rs 150 Ohm re 0 dBV Line out SNR 96 dBV 22 kHz BW Gain 10 dB Rs 150 Ohm re 0 dBV Line out Dynamic Range 117 dB 22 kHz BW Gain 10 dB Rs 150 Ohm re 0dBV Line out Common mode rejection ratio CMRR 126 dB at 1 kHz Gain 56 dB Rs 1...

Page 8: ...hrough three individually switchable and controllable filter systems Tone Enhancer and Equalizer which can be used individually or together and influ ence the sound relationships the overtones and the frequency spectrum It can also be used to dampen natural resonances and limit feedback In addition to the 24 V phantom power for a condenser microphone the Colourizer 2 is equipped with a professiona...

Page 9: ...ent cables 12 There are no user serviceable components inside the unit To avoid the risk of an electric shock the unit must not be opened All maintenance adjustment and repair works should be carried out by qualified staff only Any unauthorized tampering will void the 2 year warranty 13 In keeping with the EMV regulations screened cables with correctly fitted connectors must be used for all signal...

Page 10: ...e Tone distribution control 8 intensity Tone intensity level control 9 intensity Enhancer intensity level control 10 off on Enhancer selector switch off on 11 level Tone Balance control 12 bandwidth Equalizer bandwidth level control 13 frequency Frequency level control f1 und f2 14 f1 f2 Switch to activate frequencys f1 f2 15 input signal input combo socket for 6 3 mm mono jackplug and XLR connect...

Page 11: ...ith a sufficient input signal level the gain controls will probably sit between minimum gain and the 10 o clock position It s likely that in not pressed position the setting will be significantly higher Finally the desired output level of the line output is controlled by the volume control Please note that some of the filter sta ges are active and will therefore affect the overall level setting No...

Page 12: ...ency response hence the name equalizer and to suppress feed backs or resonant peaks It can also be used as a flexible tone control for targeted sound alterations Sample application Suppose you notice an excessive signal increase feedback To counteract you will need to reduce the signal level of the corresponding frequency range To do this first set the level control amplitude to maximum cut left h...

Page 13: ... Gain Range 10 dB to 56 dB 0 dBV Line Out at 1 kHz Input Impedance 1 kOhm max Input level 10 dBV 0 1 THD at 1kHz unbalanced Equivalent Input noise 130 dB 22 kHz BW Gain 56 dB Rs 150 Ohm re 0 dBV Line out SNR 96 dBV 22 kHz BW Gain 10 dB Rs 150 Ohm re 0 dBV Line out Dynamic Range 117 dB 22 kHz BW Gain 10 dB Rs 150 Ohm re 0dBV Line out Common mode rejection ratio CMRR 126 dB at 1 kHz Gain 56 dB Rs 15...

Page 14: ...14 8 Block Diagram ...

Page 15: ...15 ...

Page 16: ... Sales Africa America Asia Oceania aer music gmbh Haberstrasse 46 D 42551 Velbert info aer music de aer amplifier gmbh Haberstrasse 46 D 42551 Velbert info aer amplifier com Sales Europe www aer music de ...

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