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Phantom Power

Although the N8 needs a standard 48V phantom-power source to 

operate, you should still make sure that phantom power is turned off 

before plugging and unplugging the microphones. The loud pops that 

occur when the microphone is plugged in with phantom-power engaged 

can damage speakers, headphones, and ears. Since passive ribbon 

microphones or other transformer-coupled microphones are particularly 

sensitive to phantom-power, it is recommended to disengage phantom-

power before plugging and unplugging a habit. 

Wind Gusts

A second and equally important rule is never to blow directly into a 

ribbon microphone to test it. Strong air turbulence can stretch the ribbon 

diaphragm and while it may not break, it will nonetheless significantly 

degrade the microphone’s performance. Using the mic outdoors requires 

special care so that the wind does not damage the ribbon. Indoors, 

however, it is also important to avoid serious air turbulence as could be 

caused by open windows, air-conditioning systems or a slammed door. 

Use the supplied cloth bag to cover the microphone whenever it is not in 

use. High SPL sound sources do not usually pose a problem because most 

ribbon microphones can handle 130 dB SPL or more without difficulty. 

It is only those “explosive” sources that produce a strong blast of air, 

such as the bass port on an electric guitar or bass amp, a guitar being 

plugged (or unplugged) while the amp level is turned fully up, an on-

axis kick-drum (particularly with a port on the front head), that require 

special protection. If you are unsure about how much wind is hitting the 

microphone, place the back of your hand where the microphone is going 

to be. If you are still concerned about wind blasts, angle the microphone.

Tramp Iron

Remember also that most ribbon microphones contain a magnet that 

produces a fairly strong magnetic field. This field can attract any ferric 

objects near the microphone that, if they are small enough, can penetrate 

the outer screening and work their way inside the microphone. Minute 

iron particles, sometimes known as “tramp iron,” exist everywhere within 

our environment. When in close proximity to a ribbon microphone, these 

can be pulled inside. Over time, tramp iron can build up sufficiently in

the magnetic gap to rub against the ribbon, causing distortion or 

electrical shorts. Under no circumstances should you disassemble and 

take the grill off of the microphone as this could allow tramp iron to enter 

10

Summary of Contents for N8

Page 1: ...ribbonmics preamps since 1964 www ribbonmics com tel 1 626 798 9128 fax 1 626 798 2378 made in california PHANTOM POWERED RIBBON MICROPHONE OWNER S MANUAL aean8 ...

Page 2: ...tionally the N8 s unobtrusive size and black finish is ideal for orchestral and TV work where microphones need to be easy to position and more or less invisible Your N8 microphone is 100 handcrafted in Pasadena CA AEA is a family owned company with a small crew of skilled technicians many being musicians themselves Proudly independent we still manufacture all our ribbon microphones and preamps by ...

Page 3: ...ICE 5 Controlling Leakage 5 Proximity Effect 6 Drums and Percussion 7 Strings Brass and Reeds 8 Piano 8 Electric Guitar and Bass 9 PRECAUTIONS 9 Phantom power 10 Wind Gusts 10 Tramp Iron 10 Microphone Positioning 11 Magnetic Stray Fields 11 SPECIFICATIONS 12 WARRANTY 14 SUPPORT 14 ...

Page 4: ...er that the backside has opposite polarity compared to the front Positive polarity is achieved by positioning the side with the NUVO logo towards the sound source The supplied microphone clip will provide adequate vibration isolation in most situations To maintain the best performance from your new AEA N8 microphone take note of these four basic rules 1 Keep the microphone covered when it is not i...

Page 5: ... keep it working properly Given simple basic care as described above your new microphone will perform admirably for decades APPLICATION ADVICE Controlling Leakage A significant and ever present challenge in contemporary studio recording is minimizing bleed also called leakage or crosstalk from nearby instruments into the various microphones The deep nulls of bidirectional ribbon microphones provid...

Page 6: ...ents that bleed into a specific instrument microphone still sound natural You will generally find that well designed ribbon microphones like the N8 capture a natural off axis sound which means that bleed from other instruments can contribute to the overall sound in a pleasing way Proximity Effect Proximity effect is a characteristic of all directional microphones it is a rising low frequency respo...

Page 7: ...om and on our YouTube channel www youtube com AEAribbonmics for more tips Drum Overheads Rooms and Percussion When recording drums there are many techniques to capturing the sound of the kit A good starting point is to use the N8s above the kit as a spaced pair Try positioning them a couple of feet above the drummer s head with a few feet of space in between the two mics Make sure to listen to the...

Page 8: ...d and plucked placing the N8 about a foot away will give you a very nice and defined low end The proximity effect of the N8 can be used to your advantage For instrument sections a good starting point is to place the N8 a few meters away where the musicians have a nice balanced sound Blumlein configuration positioned at a distance of 4 6 meters from a section can capture the sound with a lot depth ...

Page 9: ...y from the speaker pointing right at its center for a very direct in your face sound This is the spot where you will get the most high frequency content If it sounds too harsh try moving the microphone to the side parallel to the speaker You can also try positioning the N8 at an angle You will find that small differences in positioning can make huge differences in the sound so experiment until you...

Page 10: ...s do not usually pose a problem because most ribbon microphones can handle 130 dB SPL or more without difficulty It is only those explosive sources that produce a strong blast of air such as the bass port on an electric guitar or bass amp a guitar being plugged or unplugged while the amp level is turned fully up an on axis kick drum particularly with a port on the front head that require special p...

Page 11: ...ic Stray Fields Ribbon microphones are fundamentally prone to picking up strong external magnetic fields caused by light dimmers or nearby power transformers Guitar players will know this phenomenon from single coil pickups Even though much attention was paid to suppressing these magnetic fields in the design of the N8 it is still possible that you might encounter this problem If you should pick u...

Page 12: ...gradient transducer Bidirectional 20 Hz to 20 kHz 141 dB SPL 1 third harmonic 1 kHz 8 3 mV Pa at 1 kHz no load 92 Ω broadband 1 0 kΩ or greater P48 phantom power 7 mA Pin 2 high for positive pressure at the front of the microphone Bidirectional Level changes with angle of incidence but frequency response is consistent Up to 90 dB rejection at 90 270 degrees Pure aluminum corrugated ribbon 1 8 µm 0...

Page 13: ...Accessories Included Storage shipping case microphone stand clip custom protective mic sleeve usermanual 13 ...

Page 14: ...ve Pasadena CA 91104 You may also register your AEA equipment online at http www ribbonmics com aea form php SUPPORT If you should encounter any problems with your microphone or if you have questions regarding using the N8 in specific application please contact our customer support team at support ribbonmics com To talk to a live human being call 1 626 798 9128 between 8 00 6 00 pm PST Monday thro...

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