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Voice Lists

2

 VL1/VL1-m Version 2 Voices

 File name: VL1_VER2.ALL

Loading this file with the “ALL” load option restores the VL1 Version 2 to its initial state as shipped from the factory.
The UTILITY/SYSTEM/BREATH MODE parameter is set to “Touch EG”, so until this is changed to “BC/WX” the breath controller or a

WX wind controller cannot be used. Many voices can be played more expressively with a breath controller, so for the notes, below, we
assume that the “Breath Mode” parameter is set to “BC/WX”.

Many of these voices can also be used on the VL7 Version 2, so load them and give them a try.

Voice number

Voice name

Voice explanation

A01 (001)

Vintage VL

Dual Oscillator synth lead with slow attack swell filter EG.  Play with MW2 (CC13) at center position
or at minimum position for darker sound.

A02 (002)

Jazz Sax

Sweet tenor sax sound with some bite when blown hard. Growl on AT. VL range is D

b

3 to about

A

b

5.

A03 (003)

AnaBottle

This voice is a combination of an analog sounding square wave with breath noise.  It uses new kind
of breath noise and has a very speedy response which is fun for solos.

A04 (004)

JazzTrumpt

A jazz-oriented trumpet with a wide dynamic range.

A05 (005)

Stick

A “hard and sticky” bass sound … similar to one often used by Peter Gabriel.

A06 (006)

Violin

The breath controller controls both bow pressure and speed on this violin voice. Can also be used in
the cello and viola ranges.

A07 (007)

Wet Mini

Powerfull synth-bass with a lot of resonance.

A08 (008)

Pastorale

A mysterious reed/pipe timbre, quite unlike any existing instrument.

A09 (009)

Warm Dist

Distorted amplified electric guitar.

A10 (010)

Super Jam

A trumpet and trombone horn section with wide dynamics.

A11 (011)

Shakuhachi

An excellent Shakuhachi simulation. Best features brought out with breath variations and pitch bend.

A12 (012)

DeepThroat

Strange organ using lots of throat formant.

A13 (013)

XtraX

Acid rave lead string sound.

A14 (014)

EnglishHrn

The sound of the oboe’s bigger brother, the english horn. The range is F2 to about A4.

A15 (015)

MuteCone

Simulation of the muted trumpet.

A16 (016)

Acid Bass

A perfect bass sound for “acid” basslines.

Voice number

Voice name

Voice explanation

B01 (017)

Brassyn

Bright analog synth-brass.

B02 (018)

Tenor Sub

Sax with a strong sub-tone content. A good choice for jazzy phrases.

B03 (019)

SaxyTrump

A strange combination of a trumpet-like sound mixed with a saxophone sound.  Higher breath
pressure adds more beat to the sax element. Throat is controlled by aftertouch for a sax type growl.

B04 (020)

Trumpet

Bright trumpet. Suitable for a wide range of styles.

B05 (021)

FingerBass

A fingered bass simulation.

B06 (022)

Cello

A natural-sounding cello simulation.

B07 (023)

Soft Mini

An emulation of the classic moog bass sound.  The filter resonance and the filter envelope depth
are on the continuous sliders (CC16, CC17).

B08 (024)

Thai Reed

Simulation of a South East Asian (mainly Thailand) reed instrument.

B09 (025)

GuitarHero

A distortion guitar. Controlling the feedback with aftertouch is particularly effective.

B10 (026)

DynaTp&Sx

A trumpet and sax ensemble using the new dynamic split capabilities of Version 2. The split point is
C4 when the voice is initially selected, but will shift dynamically according to what you play. Add
vibrato with aftertouch.

B11 (027)

C Flute

Flute for a wide range of musical styles.

B12 (028)

Moby

Mysterious sound in which the basic sound components increase successively as the key is
gradually pressed. Best features brought out with aftertouch.

B13 (029)

MechaHorse

Aftertouch and MW2 (CC13) are the key controllers for this voice … but don’t neglect the others.

B14 (030)

Oboe

An oboe sound which is somewhat darker than the original VL oboe. The range is B

b

2 to about G5.

B15 (031)

Mute Boyz

Unison layered muted trumpets.  PB controls embouchure to create parallel tuned intervals.  PB at
minimum transposes element 1 down a 4th, 3rd or minor 3rd, and PB at maximum transposes
element 2 up a 4th, 3rd or minor 3rd (key range dependenent) .

B16 (032)

Wah Man

Cry-baby wah-pedal effect on the BC.

VL1/VL1-m Version 2 Voices

Содержание VL

Страница 1: ...ersion 2 Voices 2 VL1 VL1 m Version 2 WX Voices 6 VL7 Version 2 Voices 8 VL7 Version 2 WX Voices 10 Additional Version 2 Voices 11 MDI Data Format 12 MIDI Implementation Chart VL1 21 VL1 m 22 VL7 23 V...

Страница 2: ...n The sound of the oboe s bigger brother the english horn The range is F2 to about A4 A15 015 MuteCone Simulation of the muted trumpet A16 016 Acid Bass A perfect bass sound for acid basslines Voice n...

Страница 3: ...047 Croma Harp A chromatic harmonica simulation C16 048 JungleBass Sliding bass for jungle music Voice number Voice name Voice explanation D01 049 SynthSplit Dual Oscillator synth lead with slow attac...

Страница 4: ...zzy tenor sax F03 083 SteamLead Soft lead w hard attack Velocity controls the brigtness of the steam MW2 CC13 brings the sound up an octave and changes the timbre F04 084 Horn A poly mode horn voice F...

Страница 5: ...lanation H01 113 Afterwork This voice benefits from extensive use of aftertouch H02 114 Alto Sax Bright alto sax simulation H03 115 Tenor Air Unique tenor lead tone MW2 CC13 controls Embouchure for su...

Страница 6: ...d To turn this effect off set the Sustain Lvl parameter in the EDIT E1 ENV VIBRATO parameter page to 0 Voice number Voice name Voice explanation A01 001 Hey Kenny A soprano sax simulation with delayed...

Страница 7: ...mely wide range B08 024 HarpSoprn A combination of soprano sax and harp B09 025 WX Trumpet Tonguing can produce sounds ranging from flugelhorn to bright trumpet Try applying gradual upward pitch bend...

Страница 8: ...an using lots of throat formant A13 013 Freezing Experiment with all the controllers A14 014 EnglishHrn The sound of the oboe s bigger brother the english horn The range is F2 to about A4 A15 015 Mute...

Страница 9: ...range with BC Warm reedy timbre at low pressure MW2 CC13 controls tonguing move towards maximum to soften the tonguing transient Voice number Voice name Voice explanation D01 049 AirSqeezer Simple oct...

Страница 10: ...soprano sax simulation with delayed vibrato A02 002 AcoEkoSyn A grass reed type synth voice that takes full advantage of VL technology Take advantage of the light portamento effect A03 003 PanPicol So...

Страница 11: ...ersion 2 Voices Additional Version 2 Voices File name ADDITION ALL This file includes some excellent voices that are not in the VL1_VER2 ALL or VL7_VER2 ALL files Most are single element voices so the...

Страница 12: ...hanges Program Change data Voice number VL1 1 m 00 7F A01 001 H16 128 VL7 00 3F A01 001 D16 064 40 7F A01 001 D16 064 Reception may not be possible if Memory protect is ON in Bulk Dump Details of Syst...

Страница 13: ...etails of System Exclusive Message are given later Active Sensing will be transmitted every 270 msec approximately Keyboards Octave Switch Transpose Note Shift Tone Generator Controllers Local on off...

Страница 14: ...1 are ignored as they are sent as 0 s Data for VC is nos 32 139 Common Data Separate table 5 1 nos 0 107 nos 140 1619 Element 1 Data Separate table 5 2 nos 0 1479 nos 1620 3099 Element 2 Data Separate...

Страница 15: ...bbbbb b LSB of byte count Byte count is from count 6 to the beginning of check sum 6 01001100 4C ascii L 7 01001101 4D ascii M 8 00100000 20 ascii 9 00100000 20 ascii 10 00111000 38 ascii 8 11 0011000...

Страница 16: ...em2 Rand Pitch VL1 1 m only 45 1 00 2D 0 86 Elem1 MicroTuning 46 1 00 2E 0 86 Elem2 MicroTuning VL1 1 m only 47 1 00 2F 0 127 Elem1 Level 48 1 00 30 0 127 Elem2 Level VL1 1 m only 49 1 00 31 64 63 Ele...

Страница 17: ...h 13 17 reserve Table 5 1 3 Reverberation no c v name 0 1 0 100 Return 1 1 0 95 Reverb Time 2 1 0 9 High Control 3 1 0 10 Diffusion 4 2 0 405 Initial Delay 6 1 21 12 Treble 7 1 21 12 Bass 8 1 0 3 Feel...

Страница 18: ...tion 198 1 01 46 0 127 Break Point 1 199 1 01 47 64 63 Offset 1 200 213 01 48 01 55 Break Point Offset 2 8 214 1 01 56 0 127 Amplitude Level 215 1 01 57 0 127 Break Point 1 216 1 01 58 64 63 Offset 1...

Страница 19: ...1 07 4A 07 4B Break Point Offset 2 972 1 07 4C 0 127 E P EG Attack Level 973 1 07 4D 0 127 Break Point 1 974 1 07 4E 64 63 Offset 1 975 976 07 4F 07 50 Break Point Offset 2 977 1 07 51 0 127 E P EG De...

Страница 20: ...e Master Tuning of System Parameters can only be performed during reception Transmission will be performed using the 4 4 DX1 Master Tuning Compatibil ity format In addition Device Number Parameter Cha...

Страница 21: ......

Страница 22: ......

Страница 23: ......

Страница 24: ...M D G EMI Division Yamaha Corporation 1995 512POCP6 2 01A0 Printed in Japan...

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