Yamaha VL, Дополнительное руководство

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Voice Lists
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Voice number Voice name Voice explanation
E01 (065) AnorakSyn Unstable oscillator analog synth.
E02 (066) Bell Miked A simulation of saxophone miked close to the bell.
E03 (067) Taped Jet Analog tape sampler type sound. Could be flute or recorder.
E04 (068) MelTrump Mellow trumpet.
E05 (069) Birdland A sound somewhere between an analog synthesizer and electric bass. The bass harmonics are
emphasized in the high range.
E06 (070) DoubleBow A bass with strong “stringed instrument” characteristics. CS2 varies the timbre.
E07 (071) Igneous Feedback synthesized lead. A simulation of an analog-synthesized distortion guitar.
E08 (072) Solitude A delicate wind sound.
E09 (073) IndoPluck A Mideastern plucked sound.
E10 (074) Elec Lips Combination of lead voice, synth lead & shakuhachi. Shakuhachi mode changes produced by MW2
(CC13).
E11 (075) Pan Pipes Pan flute simulation. Be sure to use MW2 (CC13). Aftertouch is extremely effective.
E12 (076) PlastiSax An alto sax … sounding the way it might if played through a plastic body.
E13 (077) Black Hole Try every controller.
E14 (078) BassClari The sound of the B
b
bass clarinet. Range is D2 to F5.
E15 (079) Lead Bows A new violin-like instrument that happens to sound like detuned sawtooth waves layered in octaves.
Try BC tonguing for a nice hard bowed attack. Range C2-C6.
E16 (080) Sub Bass A bass sound for the subsonic range.
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Voice number Voice name Voice explanation
F01 (081) Funny Cat Filter-sweep synth sound.
F02 (082) Old Tenor A dry, jazzy tenor sax.
F03 (083) SteamLead Soft lead w/hard attack. Velocity controls the brigtness of the “steam.” MW2 (CC13) brings the
sound up an octave and changes the timbre.
F04 (084) Horn A poly-mode horn voice.
F05 (085) ThumBass Thumped Bass.
F06 (086) Viowind A new type of sound, not belonging to any existing instrumental group. Play using MW2 (CC13),
BC, and aftertouch.
F07 (087) 50 / 50 Solo sound using simple analog synthesizer square waves.
F08 (088) Digeritek Includes elements of distorted guitar, sax, and bowed strings. Use of the breath controller is
recommended.
F09 (089) Sitar Simulation of a sitar. Effective if you play the bass in the left hand and the melody in the right. Use
of aftertouch and pitch bend is very effective. Velocity controls dynamic timbral effects.
F10 (090) The Cool Combination of Flugelhorn & AltoSax. Good for the melody in 4-beat jazz styles.
F11 (091) BassFlute The sound of the rarely heard bass flute, extending an octave below the C flute. Range: C3 to C6.
F12 (092) BuzzSax A bright, buzzy tenor sax that is very responsive to breath pressure. Try aftertouch for various
squeaks and growls.
F13 (093) Freezing Experiment with all controllers.
F14 (094) Dubble New acoustic double reed. Wide dynamic range with BC. Warm reedy timbre at low pressure.
MW2 (CC13) controls tonguing: move towards maximum to soften the tonguing transient.
F15 (095) BowByBlow Hard bowed flute/wind hybrid. Very slowly blowing BC pressure sounds octave overtone during
attack before stabilizing at fundamental.
F16 (096) Outback A sound incorporating two types of ethnic timbres. Dynamic timbre change is possible using the
aftertouch from the lowest note to D2.
VL1/VL1-m Version 2 Voices