Yamaha PortaTone PSR-270, Руководство пользователя

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• Notes in parentheses can
be omitted.
• Playing two same root
keys in the adjacent octaves
produces accompaniment
based only on the root.
• A perfect fifth (1 + 5)
produces accompaniment
based only on the root and
fifth which can be used with
both major and minor
chords.
• The chord fingerings listed
are all in “root” position,
but other inversions can be
used — with the following
exceptions:
m7, m7
b
5, 6, m6, sus4,
aug, dim7, 7
b
5, 6(9),
1+2+5.
• Inversion of the 7sus4 and
m7(11) chords are not
recognized if the notes
shown in parentheses are
omitted.
• The AUTO ACCOMPANI-
MENT will sometimes not
change when related chords
are played in sequence (e.g.
some minor chords followed
by the minor seventh).
• Two-note fingerings will
produce a chord based on
the previously played chord.
Chord Name/[Abbreviation] Normal Voicing
Major [M] 1 - 3 - 5
Add ninth [(9)] 1 - 2 - 3 - 5
Sixth [6] 1 - (3) - 5 - 6
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6
Major seventh [M7] 1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7
Major seventh add sharp eleventh [M7(
#
11)] 1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
Flatted fifth [(
b
5)] 1 - 3 -
b
5
Major seventh flatted fifth [M7 b 5] 1 - 3 - b 5 - 7
Suspended fourth [sus4] 1 - 4 - 5
Augmented [aug] 1 - 3 -
#
5
Major seventh augmented [M7aug] 1 - (3) -
#
5 - 7
Minor [m] 1 - b 3 - 5
Minor add ninth [m(9)] 1 - 2 - b 3 - 5
Minor sixth [m6] 1 -
b
3 - 5 - 6
Minor seventh [m7] 1 -
b
3 - (5) -
b
7
Minor seventh ninth [m7(9)] 1 - 2 - b 3 - (5) - b 7
Minor seventh add eleventh [m7(11)] 1 - (2) - b 3 - 4 - 5 - ( b 7)
Minor major seventh [mM7] 1 - b 3 - (5) - 7
Minor major seventh ninth [mM7(9)] 1 - 2 -
b
3 - (5) - 7
Minor seventh flatted fifth [m7
b
5] 1 -
b
3 -
b
5 -
b
7
Minor major seventh flatted fifth [mM7 b 5] 1 - b 3 - b 5 - 7
Diminished [dim] 1 - b 3 - b 5
Diminished seventh [dim7] 1 -
b
3 -
b
5 - 6
Seventh [7] 1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
Seventh flatted ninth [7( b 9)] 1 - b 2 - 3 - (5) - b 7
Seventh add flatted thirteenth [7( b 13)] 1 - 3 - 5 - b 6 - b 7
Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b 7
Seventh add sharp eleventh [7(
#
11)] 1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 -
b
7
Seventh sharp ninth [7( # 9)] 1 - # 2 - 3 - (5) - b 7
Seventh flatted fifth [7 b 5] 1 - 3 - b 5 - b 7
Seventh augmented [7aug] 1 - 3 -
#
5 -
b
7
Seventh suspended fourth [7sus4] 1 - 4 - (5) -
b
7
One plus two plus five [1+2+5] 1 - 2 - 5
Chord (C) Display
C C
C(9) C(9)
C6 C6
C6(9) C6(9)
CM7 CM7
CM7(9) CM7(9)
CM7(
#
11) CM7(
#
11)
C(
b
5) C
b
5
CM7 b 5 CM7 b 5
Csus4 Csus4
Caug Caug
CM7aug CM7aug
Cm Cm
Cm(9) Cm(9)
Cm6 Cm6
Cm7 Cm7
Cm7(9) Cm7(9)
Cm7(11) Cm7(11)
CmM7 CmM7
CmM7(9) CmM7(9)
Cm7
b
5 Cm7
b
5
CmM7 b 5 CmM7 b 5
Cdim Cdim
Cdim7 Cdim7
C7 C7
C7(
b
9) C7(
b
9)
C7( b 13) C7( b 13)
C7(9) C7(9)
C7(
#
11) C7(
#
11)
C7(13) C7(13)
C7( # 9) C7( # 9)
C7 b 5 C7 b 5
C7aug C7aug
C7sus4 C7sus4
C1+2+5 C
AUTO ACCOMPANIMENT — THE STYLE MODE
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