Yamaha P-255, Руководство пользователя

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C u stomizing with F u nction Parameters
P-255 Owner’s Man u al
42
Werckmeister
Kirnberger
The Werckmeister and Kirn b erger t u ning systems impro v e the
Meantone and Pythagorean t u ning systems b y com b ining them
in different ways. Both are u niq u ely characterized b y the way in
which mod u lation can change the n u ances of m u sical composi-
tions. Often u sed in the eras of Bach and Beetho v en, they are
still employed today to reprod u ce the m u sic of those periods on
the harpsichord.
F2.1
Tuning system
• A v aila b le settings: 1 ... Eq u al temperament
2 ... P u re Major
3 ... P u re Minor
4 ... Pythagorean
5 ... Meantone
6 ... Werckmeister
7 ... Kirn
b erger
• Defa u lt setting: 1 ... (Eq u al temperament)
F2.2
Base note
If you select a tuning system other than equal temperament,
you will also need to specify the note on which it is based.
(You can specify a base note for equal temperament, but
this setting will have no effect. It is only relevant to other
tuning systems.)
• A v aila b le settings: C, C
#
, D, E
b
, E, F, F
#
, G, A
b
, A, B
b
, and B
• Defa u lt setting: C
Examples of base notes as shown on display
The following parameters can be used to adjust the volume
balance between the two selected Voices and make various
other settings for Dual mode in order to best suit the piece
you intend to play. Settings can be made for each combina-
tion of Voices as described below.
1
Activate Dual mode, select the Voices you wish to
use, and then use the [FUNCTION] button to select
the Function parameter(s) you wish to set.
2
Change the setting(s) using the [-/NO] and [+/YES]
buttons.
Shortcut:
Yo u can j u mp directly to F u nction parameter
F3.1
b y pressing
the [FU N CTIO N ] bu tton with the Voice bu ttons for the two D u al-
mode Voices held down.
F3.1
Dual balance
This parameter can be used to optimize the volume balance
between the layered Voices. For example, you could set it
such that one Voice serves as the main sound and the other
provides a subtle accent or a textured after-sound.
• A v aila b le settings: 0 to 20 (The greater the v al u e, the lo u der the
v ol u me of Voice 1; 10 represents an eq u al b alance.)
• Defa u lt setting: Each com b ination of Voices has its own defa u lt.
F3.2
Dual detune
Use this parameter to slightly detune the two Voices relative
to one another in order to thicken their combined sound.
• A v aila b le settings: -20 to 0 to 20 (The more positi v e the v al u e, the
higher the pitch of Voice 1 and the lower the pitch of Voice
2. The more negati
v e the v al u e, the higher the pitch of
Voice 2 and the lower the pitch of Voice 1.)
• Defa u lt setting: Each com b ination of Voices has its own defa u lt.
F3.3
Voice 1 octave shift
F3.4
Voice 2 octave shift
These parameters are used to raise or lower the pitch of
each of Voice 1 and Voice 2 in units of one octave. In cer-
tain cases, this can enhance the combined sound of the
Voices.
• A v aila b le settings: -1, 0, and 1
• Defa u lt setting: Each com b ination of Voices has its own defa u lt.
F3.5
Voice 1 effect depth
F3.6
Voice 2 effect depth
Use these parameters to set the depth of the effect for each
of Voice 1 and Voice 2.
• A v aila b le settings: 0 to 20
• Defa u lt setting: Each com b ination of Voices has its own defa u lt.
F3.7
Reset
By pressing the [+/YES] button with this Function parame-
ter shown, you can reset all of the Dual mode settings to the
defaults for the corresponding Voice combinations.
F3.
Dual mode settings
F~ G A_
Hyphen (“-”) at
top for sharp Hyphen (“-”) at
b ottom for flat
F
#
G A
b
• The actual amount of detuning is greater for lower notes than higher notes—for
example, ±60 cents for A-1 corresponds to ±5 cents for C7. (100 cents equal one
semitone.)
• Refer to page 14 for details of what is meant by Voice 1 and Voice 2.
• Refer to page 14 for details of what is meant by Voice 1 and Voice 2.
NOTE
NOTE
NOTE