WEISS DSP501 Скачать руководство пользователя страница 34

Weiss Enginering Ltd.

DSP501/DSP502

tent. Moreover the effect of the

Surgical

mode compared to the

Smooth

mode is very narrow to match the

range of the critical sharpness. In contrary the mode

Smooth

is more soft and observantly about the overall

context and long-term behaviour of the music.
We chose these two modes to provide you with a De-Esser plugin for several desired benefits. For example,
if you want to get rid of certain critical sharp sounds, the mode

Surgical

is preferential. Because the focus

of the mode

Surgical

is on fast changing events and it processes merciless when sharpness is detected.

If you want a more general diminution of the high frequency content the mode

Smooth

is the proper choice.

For example if you are listening with headphones the mode

Smooth

can enhance your listening experience.

But it is also well suited when listening with loudspeakers, if you like to have a more mellow sound of the
high frequency content. The interaction of the mode

Smooth

with the music could be described as more

merciful than the

Surgical

mode, but less strict when sharpness is detected.

For defining your favourite De-Esser settings it is important to keep in mind that the De-Esser will respond
different to different types of music. So maybe you find a setting of the De-Esser matching your favourite
Rock music album. It can happen that you will prefer a different setting for your favourite piano recordings.
This is a natural consequence of how the De-Esser works. It processes based on the dynamics of the music
and these of course sound different for different kinds of music.
So we encourage you to first play with the Weiss De-Esser to get a feeling of how the different modes
sound. For the parameter

Amount

a good starting point could be around -6dB. Futhermore in the beginning

it is more easy for getting to know the sound of the De-Esser and finding your own desired setting, if only
the De-Esser plugin is enabled.

4.8

The Weiss Crossfeed Headphone Algorithm

The Weiss Crossfeed Headphone Algorithm optimizes the music for the reproduction via headphones. It
is especially useful for recordings with extreme channel separation. The figure on the right continues the
concepts of the discussion in section 4.3. In contrast to the scenario in 4.3 the usage of headphones realizes
a clean separation of the stereo channels regarding the left and right ear.

This is visualized in the figure titled with ”Standard Setting”.
To optimize audio for the reproduction via headphones this
seperation needs to be reduced. The ”Crossfeed Setting”
illustrates the main idea of the presented plugin. A certain
part of the left channel is blended into the signal directed
to the right ear and a certain part of the right channel is
added to the left one.
This additional part can be called Crossfeed path and is
drawn with a dashed line. So for each ear a summation
describes the basic idea of the algorithm:

lef t

=

direct

lef t

+

crossf eed

right

right

=

direct

right

+

crossf eed

lef t

The signals of the Crossfeed paths are processed fre-
quency dependent. It needs to be made clear that the
sound of this effect is conditional to the currently played
back audio.
The presented plugin also is equipped with a user param-
eter called

Amount

. With a range of 100 settings of the

Crossfeed Headphone effect the user can define its desired
sound adjustment. The higher the parameter is defined the
stronger is the impact of the plugin.
This plugin is not applicable with

Output Termination

set to

Speaker

(2.3.2).

Figure 33: Crossfeed HP scheme

User Manual and

32

White Papers

Содержание DSP501

Страница 1: ...DSP501 DSP502 User Manual and White Papers Software Version 2 5 1r2997 Date February 15 2022...

Страница 2: ...Headphone 14 2 3 12 Snapshot Storage 16 2 3 13 Global Presets 17 2 3 14 Firmware Update Download 18 2 3 15 M S Control 18 3 Technical Specification 19 4 Signal Processing Algorithms 21 4 1 The Weiss p...

Страница 3: ...0 year history in Digital Signal Processor design In that time span we have learned a thing or two about algorithm design The DSP50x is the essence of our experiences Figure 2 The DSP501 The DSP502 fi...

Страница 4: ...gs This opens a menu which allows to select one of the DSP algorithms to be changed Note the rotary knob allows to scroll through the menus The algorithms can be operated via the touch screen but we r...

Страница 5: ...the DSP Presets is given in the web interface description below Figure 3 IR remote control 2 3 The Web Interface As last but not least possibility to operate with your DSP50x we offer you the Web Inte...

Страница 6: ...Weiss Enginering Ltd DSP501 DSP502 Figure 4 Web interface overview User Manual and 4 White Papers...

Страница 7: ...the high frequency content of music So this plugin can be beneficial if your favourite recording contains some unpleasant harsh sounds But sharpness can also arise during mastering or as a results of...

Страница 8: ...ted To switch a plugin on off just tap on the enable bypass tab The selection is highlighted in red By moving the slider you can adjust the user parameter Saturation The Saturation parameter adjusts t...

Страница 9: ...izer plugin A little example should give you an idea of the functionality and the manifold opportunities the EQ offers The 1st band is set to low shelving with a boost of 0 5dB at 147 Hz i e frequenci...

Страница 10: ...nsider the following instructions on how to set up the Room EQ with a simple procedure without using any measurement In an alternative setup scenario we will use the room measurement software of the I...

Страница 11: ...ries you may visit this website and calculate the potential room mode frequencies by entering the dimensions of your listening room https amcoustics com tools amroc This can help with determining the...

Страница 12: ...ction without boomed bass Note you may have gotten used to the acoustics of your playback setup and then when correcting it with the Room EQ it may sound strange at first But keep it and listen to it...

Страница 13: ...32 105 42 32 130 106 41 33 128 107 41 34 126 108 40 35 124 109 40 36 122 110 39 37 120 111 38 38 118 112 38 39 117 113 37 40 115 114 37 41 113 115 36 42 111 116 36 43 109 117 35 44 108 118 34 45 106 1...

Страница 14: ...wede In acoustics this loudness describes the subjective perception of sound pressure1 Schwedes EQ design then considers this subjective perception to create a more pleasant playback regarding the sou...

Страница 15: ...rall the same loudness impression To adjust how strong this dynamic range reduction should affect the playback you can set the Dynamic Level If you want to have less dynamics left in the output choose...

Страница 16: ...ers and Distance Listener faders If the geometry is not very well suited for the XTC playback the background of the two fader sections turns yellow The XTC may still work but may be compromised Note t...

Страница 17: ...phone plugin allows adjusting the Amount level between 0 and 100 in order to achieve your preferential setting A higher Amount results in stronger impact of the plugin s effect on the played back audi...

Страница 18: ...so part of its setting and will be stored in the snapshot Figure 14 Snapshots maintenance In order to recall a stored snapshot select it by name from the list and tap on Snapshot Load Store a plugin s...

Страница 19: ...SP algorithms are bypassed The plugin sequence within the composer matrix reflects the actual sequence of the DSP processing Pre set snapshot dropdown lists of plugins which are currently not applicab...

Страница 20: ...onnect to our Server to see whether there is any new device firmware available The DSP50x has to be connected via Ethernet to your internet router If new firmware is available the pad allows to downlo...

Страница 21: ...200 240 V automatic voltage selection Fuse rating 500 mA slow blow Power consumption 10 VA max Power consumption in standby 2 2 VA max Size DSP501 Depth 30 cm Width 18 8 cm Height 6 6 cm Height with...

Страница 22: ...BU outputs Sampling frequency selectable between 88 2 kHz 96 kHz 176 4 kHz 192 kHz Toslink input 44 1 kHz 48 kHz 88 2 kHz 96 kHz Input word length max 24 32 Bits Digital Outputs 2 RCA Connectors 2 XLR...

Страница 23: ...dependent bands Each of them can be set to a mode namely low cut high cut to get rid of disturbing low or high frequencies low shelf high shelf to boost or cut low or high frequencies or peaking to bo...

Страница 24: ...low cut filter also called high pass filter is displayed Figure 21 Low pass and high pass filter scheme To finalize this section you find an example chart that visualizes examples of frequencies for v...

Страница 25: ...y that frequency then can be suppressed to some extent with the room EQ See section 2 3 6 for instructions about how to find room modes with a slow sine wave sweep If a room mode is very pronounced th...

Страница 26: ...e on headphones The main impressions you will get with the XTC based playback are Large stereo stage much wider than the space between the speakers A feeling of depth i e a 3 D like presentation Very...

Страница 27: ...additional resonance frequencies specific noise at various frequencies specific crosstalk between left and right channels specific effects caused by the RIAA emphasis specific amplitude modulation ef...

Страница 28: ...it long result The digital to analog converter which converts the samples after the level control may only be capable to handle 16 bit wide samples Thus what should we do with the excessive 8 bits The...

Страница 29: ...it converters no question that a level control with a 24 bit word length easily rivals the best analog level controls By the way 24 bits means 16 777 216 quantization steps The last example below togg...

Страница 30: ...should effect the audio signal To be able to use the plugin properly it is helpful to understand how the levels of the plugin effect the audio signal There are two main levels the Dynamic Level and th...

Страница 31: ...different recordings with a wide range of loudness levels choose a lower and if needed negative Dynamic Level The lower this level is the more the dynamic content is limited The value 0dB is our defa...

Страница 32: ...l untouched This idea is based on the so called m s stereophony Which is a coding process that transforms the signals of the left and right into a different representation The mid signal is the sum of...

Страница 33: ...define the Amount of the chosen De Essing effect Independently a special normalization is performed to create a result that is individually matched with the current sound of the music This is needed o...

Страница 34: ...ow the different modes sound For the parameter Amount a good starting point could be around 6dB Futhermore in the beginning it is more easy for getting to know the sound of the De Esser and finding yo...

Страница 35: ...f such a headphone frequency response measurement is plot ted in red In reality such measurements are far more complex This exemplary headphone only creates an amplification imbalance in two frequency...

Страница 36: ...cert hall So Schwede s concept tries to overcome these non linearities of the human sense of hearing with a equalizer design which creates an optimized compensation curve based on the psychoacoustic a...

Страница 37: ...Weiss Enginering Ltd DSP501 DSP502 5 Contact Information Weiss Engineering Ltd Daniel Weiss www weiss ch weiss weiss ch User Manual and 35 White Papers...

Страница 38: ...treatment overview 22 23 Dummy head microphone 23 24 XTC scheme 24 25 Block diagramm of the Weiss Vinyl Emulator 25 26 Image processing original left quantized without dithering middle quantized with...

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