UAD Powered Plug-Ins Manual
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Chapter 29: Little Labs VOG
cies above remain intact. The higher the amplitude of the peak resonance
frequency, the more you cut off the mud below, effectively performing two
functions at once. A dedicated “flat” button allows you to quickly audition
A/B comparisons.
In Use
The VOG is intended for mixing, mastering, post-production sweetening,
sound design, and audio restoration. Use it to easily simulate proximity effect
for adding chest resonance and “heft” to vocals. Simple adjustments will also
yield enormous sounding drums — just like tweaking the tension of a drum-
head. Or, completely transform the tonal characteristics of electric bass tracks
— for example, go from a solid body sound to a chambered body sound in
seconds. The VOG’s flexibility makes it the right choice on a wide range of
musical sources; it’s the perfect way to tune the low end of any mix for incred-
ible detail and punch.
Stereo
Functionality
The original hardware is monophonic. When the plug-in is used in
mono-in/stereo-out and stereo-in/stereo-out configurations, the controls affect
both the left and right signals.
Little Labs VOG Parameters
Amplitude
Amplitude adjusts the amount of the effect. Increasing the
control boosts the gain of the frequencies determined by
the Frequency and Center controls.
Note:
The control values for Amplitude, which range from
0 – 10, are arbitrary and do not reflect a particular dB
value.
Frequency
This control adjusts the target frequency of the effect. Fre-
quencies above the current setting are boosted by the
amount set with the Amplitude control. Frequencies below
the current setting are attenuated by –24 dB per octave.
The available frequency range is determined by the Cen-
ter button settings, and are shown in
Table 23 on
page 318
.
Like the original hardware, increasing the Frequency value (rotating clock-
wise) actually
lowers
the target frequency (
by de
creas
ing
the
center
frequency
).
Changes
to this setting are heard only if Amplitude is set above zero.
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