TSL TOUCHMIX (AVM-T-MIX), Руководство по эксплуатации

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AVM-T-MIX User Handbook Version Three
2.3 Channel Signal Format Selection
– Stereo Mix/Mon Modes
Applicable to Stereo Output Mixer Formats Only
Channel formats can be defined as Stereo,
Mono or a Group of 2 or more pairs (including
5.1 and LRC Downmix configurations).
2.3.1
Stereo Channel Format:
To define a channel as Stereo , simply touch the
desired bargraph pair followed by the ‘STEREO’
button from the Format menu (as shown).
The Level Send and format ‘Pips’ below the
bargraphs denote Stereo selection by the use of
Electric Blue colouration
2.3.2
Mono Channel Format:
To define a channel as Mono , simply touch the
desired bargraph pair followed by the ‘MONO’
button from the Format menu (as shown). The
MONO L/R menu is then activated enabling the
operator to choose between ‘Mono (L+R)’, ‘Left
(to Both)
’ and ‘Right (to Both)’ formats.
Using the latest available software for the AVM-
T-MIX standard unit, only the chosen or
resultant audio bargraph is represented
The Level Send and format ‘Pips’ below the
bargraphs denote Mono format selection by the
use of
Cyan colouration
2.3.3 Group Channel Format:
There are four modes of selection within the
GROUP menu designed to enable the user to
mix and monitor sources delivered in more
complex channel formats.
2.3.4 Group 2 PAIR ADD:
2 Pair Additive mode sums two adjacent stereo
audio pairs together in the format L+L and
R+R. The user can adjust the level of the left
sum against right via the balance control.
2.3.5
Group 2 PAIR OFF:
2 Pair Offset mode sums two adjacent stereo audio pairs together in the format L+L and
R+R however unlike the
2 PAIR ADD mode, the balance control is used to adjust the
relative mix of Pair One against Pair Two.
Pair Offset mode is particularly useful for adjusting the balance of monitored audio when
source material comprises a clean FX track on pair one and a commentary on pair two as
is often common in Sports Broadcasting.
2.3.6 Group 5.1 DMIX:
5.1 Downmix mode sums 3 adjacent pairs in an Lo Ro stereo format assuming that a
standard 5.1 configuration track order has been adhered to (L/R/C/LFE/Ls/Rs) as shown in