TC Electronic M300 Скачать руководство пользователя страница 30

Perception of Reverb types may vary from
person to person. It is a rather subjective
issue to discuss, describe or even define.
However, over the years a general
perception of basic Reverb types has
evolved. From these definitions the
experienced sound-engineer chooses and is
given good starting points for various
applications. We choose to briefly describe
the Reverb types found in the M300 like this:

TC Classic Hall

The TC Classic Hall simulates a rather large
Hall and preserves the natural characteristics of
the source material.
This is excellent for many studio applications
requiring medium to long Decay times and
especially on vocal material.

Concert Hall

Compared to the TC Classic Hall the Concert
Hall is a more diffuse Reverb type. This type of
Reverb is often used on drums and other
percussive material. We are still talking a
simulation of a rather big facility.

Vocal Room - Vocal Studio - Vocal Hall

The three types all simulates typical vocal
recording facilities. The Vocal Studio and Vocal
Room types are medium sized locations. They
give the soft type of reflections usually
associated with wooden surfaces. 
The Vocal Hall is a larger location than the
above but still with the soft characteristics of
wooden surfaces.

Drum Box - Drum Room

Reverbs especially designed to emulate the
typical recording rooms used for drums.
The Drum Box is a 80’s style ambient room
with only very short reflections. 
The Drum Room emulates the reflections in a
medium sized drum room with a high ceiling -
giving longer but natural sounding reflections
compared to the Drum Box.

Large Cathedral

Where the TC Classic Hall, and to some extent
also the Concert Hall, are Reverbs with smooth
diffuse fields, the Large Cathedral has a much
more uneven diffused field. Emphasis on the
reflections deriving from many hard surfaces
and the high amount of Lo Color naturally
occurring in this type of rooms, gives excellent
simulation of the Large Cathedral.

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REVERBS

The M300 holds the following Reverb types:

• Concert Hall

• Classic Hall

• Living Room

• Vocal Studio

• Club

• Vocal Room

• Plate I

• Vocal Hall

• Plate II

• Drum Box

• Spring

• Large Cathedral

• “Live” Reverb
• Ambience

Each of these Reverb types are created and
fine tuned by the highly experienced staff at TC
Electronic and utilizes the vast experience we
have accumulated over the past years of
producing high quality Reverbs. Though the
M300 is a very compact effects unit in the
affordable price range there is no compromise
when it comes the Reverb quality.

To get best starting points for your
application set the three controls in
the Reverb section in 12 o’clock
position and “take a trip” round the
different Reverb types. 

By leaving the controls in 12 o’clock position
you will hear our suggested settings for each
Reverb type.
Once you have the Reverb type closest to your
goal start twisting the controls.

Pre Delay

A short Delay placed between the direct signal
and the Reverb Diffuse field. By using Pre
Delay the source material is kept clear and
undisturbed by the more diffuse Reverb Diffuse
Field arriving shortly after.

Decay

The Decay parameter determines the length of
the Reverb Diffuse Field. The length is defined
as the time it takes for the Diffuse Field to
decay approximately 60dB.

Color

Varies the “color” of the Reverb. From dark to
crisp and bright the Color parameter can really
change the characteristics and style of the
Reverb. Try it!

Содержание M300

Страница 1: ...M300 DUAL ENGINE PROCESSOR U US SE ER R S S M MA AN NU UA AL L...

Страница 2: ......

Страница 3: ...not operate normally or has been dropped This equipment should be installed near the socket outlet and disconnection of the device should be easily accessible Do not install in a confined space Do not...

Страница 4: ...ass B Digital device pursuant to part 15 of the FCC rules These limits are designed to provide reasonable protection against harmful interference in residential installations This equipment generates...

Страница 5: ...ctory Presets 22 MIDI channel 22 Sysex ID 22 M300 software 22 Routings 23 EFFECTS Multi effects Dynamic Delay 24 Tape Delay 24 Studio Delay 25 Delay 25 PingPong Delay 25 SlapBack Delay 25 Phaser 25 Tr...

Страница 6: ...al if you need to send signal from two different AUX sends on your mixer and return on a stereo Aux or two other channels For detailed explanations on Routings and connections please read page 22 When...

Страница 7: ...use that this manual may seem nearly redundant to the front panel itself However read on for explanations of basic setups and routing options to achieve maximum performance from your new M300 The Dual...

Страница 8: ...elects between the 15 effects Off in the Multi effects Engine TIMING knob TAP key Tap the global tempo using the TAP key by tapping quarter notes Now use the timing knob to multiply the tapped tempo T...

Страница 9: ...ode you can recall various user presets by using the UP DOWN arrows followed by LOAD Note that the M300 holds no stored factory presets apart from the default settings in the various effects Toggling...

Страница 10: ...pages 10 15 Analog Input Analog Input on 1 4 inch connectors Use Left Input for connecting a mono signal If you connect to Left Input only and use Dual Send Return mode the Input signal is fed to both...

Страница 11: ...Jack Cable Mono to Mono MIDI Cable DIN CONNECTOR 5POLE MALE 180 degrees DIN CONNECTOR 5POLE MALE 180 degrees max 10m SHIELDED CABLE 3 or 5 wires screen GND TIP TIP GND TIP RING GND GND RING TIP Jack...

Страница 12: ...Output On the rear panel select DUAL S R routing by leaving the switch in the IN position Connect AUX 1 send to the M300 Left Input Connect AUX 2 send to the M300 Right Input Connect the M300 Left and...

Страница 13: ...rom your instrument or from a DI box to the M300 Inputs use Left Input for mono signals Connect the M300 s Left and Right Outputs to mixer or amplification Set Input level to 12 o clock position Set M...

Страница 14: ...e using the selectors on the front panel Set the AUX Return level on the mixer to approx 50 Now slowly turn up the AUX Sends Adjust fine tune the M300 Input level so the Input LED on the front panel o...

Страница 15: ...he front panel often is Orange but only rarely peaks at Red color Select Reverb type and Multi effect type using the selectors on the front panel Now fine tune MIX between wet and dry signal BALANCE b...

Страница 16: ...or this setting but Internal Clock Internal Sync or Master are commonly used phrases This is probably setup via you harddisk recording program Please refer to owners manual Press the DIGI IN button on...

Страница 17: ...converters on your soundcard Select Serial or Dual S R Routing via the ROUTING switch on the rear panel Note that if you do not add effects to the tracks while recording and uses Bypass mode you must...

Страница 18: ...lect deselect the Digital Input press the DIG IN button once The green LED next to the DIG IN button will indicate various situations LED Off Digital Input is set to Off The M300 processes only the si...

Страница 19: ...e Effects section depends on the selected effect BYPASS The Bypass function operates differently depending on the selected routing Dual Send Return routing Bypass key operates as a Mute function Seria...

Страница 20: ...u set a global tempo that you can increase decrease using the TIMING knob that operates as a multiplier in the Delay algorithms The range of the TIMING knob is 0 5 to 2 Example Let us say that you tap...

Страница 21: ...ault setting suggested by TC Electronic is achieved by setting the knob in 12 o clock FEEDBACK DEPTH FREQUENCY RATIO knob This knob changes functionality with the selected algorithms The knob controls...

Страница 22: ...h of these parameters will vary from algorithm to algorithm As an example it is possible to set a much longer Decay time for a Classic or Concert Hall Reverb than for a Drum Box Pre Delay A short Dela...

Страница 23: ...ion above They indicate when the front controls do not match the current settings of the active preset When you turn any of the knobs and pass the position physically matching the current parameter va...

Страница 24: ...cating that channel 1 is selected and the M300 can receive MIDI information on channel 1 Use the UP DOWN arrows to select MIDI channels 1 to 16 O indicates Omni which means that the M300 can recive MI...

Страница 25: ...hat you have selected the correct routing according to your setup Serial Routing With this routing the two Engines are used as a line of two effects where the signal first passes the Multi effects Eng...

Страница 26: ...hen using the M300 in a Dual Send Return setup the MIX knob should be set to 100 wet Delay Types Dynamic Delay The Dynamic Delay initially introduced in the well recognized TC 2290 is a function that...

Страница 27: ...Delay basically pans the Delay repeats from left to right and back while keeping the Input signal at its original position This gives a very wide spread special effect Slapback Delay Slapback Delay is...

Страница 28: ...arts to reduce the Output level according to the set Ratio With a reduced dynamic range a signal is much easier to further control and will have a more precise and fixed appearance in any audio produc...

Страница 29: ...higher Drive setting the more compression is added Ratio FEEDBACK DEPTH KNOB This parameter sets the amount of gain reduction of signal above the Threshold see Drive parameter De Esser Controls Amoun...

Страница 30: ...the TC Classic Hall and to some extent also the Concert Hall are Reverbs with smooth diffuse fields the Large Cathedral has a much more uneven diffused field Emphasis on the reflections deriving from...

Страница 31: ...was used to create Reverb The characteristics of Plate Reverbs are diffuse and bright and are still successfully used on many percussive instruments Spring The Spring algorithm is designed to reproduc...

Страница 32: ...h Key s X X Channel X X Pitch Bend X X Control Change O O Prog Change O O SysEx O O Common Song Pos X X Song Sel X X Tune System real time Clock X O Commands X X Aux Messages Local ON OFF X X All Note...

Страница 33: ...to receive a MIDI bulk dump unless the receive MIDI channel is set to off OF Reset Procedure If you would like to do a complete reset of the M300 and return to factory settings follow this procedure P...

Страница 34: ...9 kHz 0 01 dB 48 kHz 1 4 phone jack balanced mono sense 21 kOhm 13 kOhm 24 dBu 0 dBu 12 dBu to 12 dBu 24 bit 128 x oversampling bitstream 0 70 ms 0 65 ms 44 1 kHz 48 kHz typ 92 dB 22 Hz to 22 kHz typ...

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