6
FLASHBACK 2 DELAY User Manual
When
using
the
Fl
ashback
2
in
mono,
you
can
connect
an
externa
l
footswitch
to
the
Stereo
input
jack
with
a
T
RS
or
T
RS-to-
T
S
cab
l
e
to
contro
l
the
de
l
ay
tempo.
T
he
externa
l
footswitch
wi
ll
a
l
so
function
as
a
dedicated
‘
Stop’
switch
when
using
the
l
ooper
mode.
Note
that
externa
l
tap
tempo
must
be
enab
l
ed
in
the
editor
software,
and
this
causes
both
output
jacks
to
operate
in
mono.
(6)
AUDIO OUTPUT -
T
he
audio
outputs
on
the
l
eft
side
of
this
peda
l
are
standard
¼
"
jacks
(mono/
T
S).
Connect
the
audio
output
of
your
peda
l
to
the
next
device
in
the
signa
l
chain,
either
with
a
sing
l
e
cab
l
e
or
with
a
pair
of
¼
"
cab
l
es
if
both
inputs
are
used.
4.4 Eff ect controls
P
l
ease
note
that
the
knob
assignments
on
your
T
C
El
ectronic
peda
l
are
the
defau
l
t
assignments.
Using
the
T
onePrint
editor,
you
can
rewire
a
ll
knobs
so
they
contro
l
one
or
severa
l
parameters
of
your
choice.
F
or
more
information,
see
the
T
onePrint
editor
manua
l
.
(7)
DELAY knob
–
Use
this
knob
to
adjust
the
time
of
the
de
l
ay.
Most
de
l
ay
types
have
a
range
of
20
ms
to
7
000
ms
(
7
seconds
!
).
(8)
SUBDIVISION switch
– T
his
switch
determines
the
note
interva
l
s
that
the
de
l
ay
repetitions
are
based
on.
T
he
options
are
quarter
note,
dotted
eighth,
and
quarter
note
p
l
us
dotted
eighth.
(9)
FEEDBACK knob
–
Use
the
F
eedback
knob
to
determine
the
number
of
de
l
ay
repeats.
(10)
MASH LED
-
T
his
wi
ll l
ight
up
when
the
MAS
H
function
is
engaged
by
pressing
down
firm
l
y
on
the
footswitch.
T
he
L
E
D
gets
brighter
as
the
footswitch
receives
more
pressure,
indicating
a
more
intense
triggering
of
the
parameter
that
is
assigned
to
this
function.
(11)
LEVEL knob
– T
his
knob
adjusts
the
vo
l
ume
l
eve
l
of
the
de
l
ay
repeats.
T
he
direct,
unprocessed
signa
l
is
a
l
ways
passed
through
at
the
origina
l
(unity)
l
eve
l
.
T
he
Leve
l
knob
on
l
y
contro
l
s
how
prominent
l
y
the
de
l
ay
repeats
are
mixed
with
the
dry
signa
l
.
(12)
Delay type selector
–
Se
l
ect
the
type
of
de
l
ay
or
T
onePrint
with
this
knob.
T
he
avai
l
ab
l
e
types
are
described
in
the
fo
ll
owing
section
(
4
.
5
).
4.5 Delay types
2290
Once
upon
a
time
…
(i.e.,
back
in
19
85
)
T
C
El
ectronic
re
l
eased
the
2290
Dynamic
Digita
l
De
l
ay.
I
t
set
the
bar
for
professiona
l
de
l
ays
for
years
to
come
and
is
sti
ll
he
l
d
in
high
regard
among
de
l
ay
enthusiasts.
Use
the
“
2290
”
de
l
ay
for
the
crispest
and
c
l
eanest
de
l
ay
you
can
imagine.
T
his
is
the
standard.
ANALOG
T
his
is
as
c
l
ose
as
you
can
get
to
the
charming
nature
of
an
o
l
d
ana
l
og
transistor
bucket-brigade
de
l
ay
without
buying
the
rea
l
thing
!
With
every
repeat,
you
get
more
of
that
o
l
d-schoo
l “
fade
to
grey
”
vibe.
TAPE
Who
doesn’t
l
ove
the
smooth
sound
of
an
o
l
d
tape
echo
machine
? T
his
new-and-
improved
a
l
gorithm
meticu
l
ous
l
y
rep
l
icates
every
aspect
of
authentic
tape
de
l
ay,
inc
l
uding
the
pitch
shifting
that
occurs
when
the
de
l
ay
time
is
a
l
tered.
DYNAMIC
T
his
is
a
rep
l
ica
of
the
l
egendary
Dynamic
De
l
ay
initia
ll
y
introduced
in
the
renowned
T
C
2290.
T
he
de
l
ay’s
output
l
eve
l
is
active
l
y
a
l
tered
by
the
dynamics
of
the
input
l
eve
l
.
Whi
l
e
p
l
aying,
the
de
l
ay
l
eve
l
is
attenuated,
and
in
between
phrases
the
de
l
ay
l
eve
l
is
increased.
T
his
a
ll
ows
you
to
p
l
ay
with
a
re
l
ative
l
y
l
arge
amount
of
de
l
ay
without
muddying
fast
riff
s.
MODULATED
T
ake
the
2290’s
pristine
sound,
send
it
through
three
(
!
)
chorus
peda
l
s
…
et
voi
là
.
I
f
you’re
into
the
sound
of
T
he
E
dge,
you
don’t
want
to
miss
this
setting.
Oh,
and
whi
l
e
you’re
at
it,
try
p
l
aying
around
with
the
SUBD
IVI
S
I
ON
switch.
CRYSTALS
T
he
Crysta
l
s
eff
ect
pitch
shifts
the
echoes
up
an
octave
through
each
de
l
ay
l
oop,
creating
a
haunting
and
other-wor
l
d
l
y
sound.
T
his
is
a
very
unique
eff
ect
that
may
open
some
interesting
options,
particu
l
ar
l
y
when
paired
with
the
MAS
H
function.
REVERSE
I
f
you’ve
been
around
for
some
time,
you
know
the
dri
ll
:
Record
a
guitar
part
on
tape.
Fl
ip
the
tape
over.
P
l
ay
it
back.
T
his
is
a
c
l
assic
eff
ect
made
famous
by
guitar
l
egends
such
as
J
imi
H
endrix
–
and
a
l
though
it’s
kind
of
“
o
l
d
schoo
l”
,
the
reverse
eff
ect
sti
ll
seems
to
inspire
peop
l
e
to
try
out
new
things.
LOOPER
Set
the
De
l
ay
type
se
l
ector
to
LOOP
to
use
the
bui
l
t-in
audio
l
ooper.
T
his
functiona
l
ity
is
exp
l
ained
in
‘
Chapter
5
.
3
Using
the
l
ooper’.
TONEPRINT
Se
l
ect
one
of
the
3 T
onePrint
settings
to
access
a
defau
l
t
setting,
or
create
your
own
presets
!
See
Chapter
3
for
more
detai
l
s
on
creating
and
l
oading
T
onePrints.
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