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1 – Internal Effects on the DM-24—Patching and setting up effects

TASCAM DM-24 Effects

WARNING

Although it is theoretically possible to select both an 
aux send and an aux insert as input sources for an 
effect, a few seconds’ thought will show that this will 
result in a feedback loop, resulting in possible damage 
to equipment (and ears!). You should therefore avoid 
making this type of setting.

A popup message appears to show that the assign-
ment has been made.

NOTE

The same source cannot be selected twice to feed two 
different effect inputs (except for the aux sends). A 
popup message appears to warn of attempted dupli-
cate assignments.

Any send/return assignments made to the effects will 
override any assignments made to external send/return 
insert loops.

The effect output destination cannot be selected here—
the destination of the effect outputs is determined by 
the choice of the input source, and in the case of the 
aux sends by the settings made in the I/O screens.

Mono and stereo inputs

The DM-24 internal effects are either single-channel 
or two-channel, as listed at the start of this section.

At the top of the input/output patch section for each 
effect, there is a field called 

INTYPE

 (input type).

In the case of single-channel effects, the only option 
available is 

Mono

.

In the case of dual-channel effects, there is a pair of 
radio buttons: 

Stereo

 and 

Mono

. Select one of these as 

appropriate, depending on whether one mono source, 
or a stereo pair of sources (e.g. a pair of aux sends) 
will be used to feed the effect.

Once again, we recommend that only pairs of inputs 
(e.g. stereo inserts, odd-even pair buss and aux 
inserts and odd/even pairs of aux sends) are selected 
as stereo inputs for the effects.

The number of outputs available for an effect 
depends on a number of factors: the type of effect 
currently selected, the mono/stereo input type cur-
rently selected, and the destination of the effect (for 
instance, if effect 1 is patched in series with a sin-
gle-channel effect used in effect 2, only one channel 
is output from effect 1).

Example 1 (Loop/insert setting with 
1=mono input and 2=stereo input 

In this 

example, the delay line is fed by a mono signal 
source (for example a microphone) and the output is 
spread between the left and right outputs.

The stereo inputs to the plate reverb maintain the 
image of the stereo source (for example, if a pair of 
overhead mics has been set up to record a drum kit).

Содержание DM-24

Страница 1: ...DM 24 Digital Mixing Console to EFFECTS MANUAL...

Страница 2: ...s 12 Selecting the source microphone 12 The bypass microphone model 13 Source microphone settings 13 Proximity 13 Pattern 13 Low cut filter 13 Selecting a model for output 13 Model microphone paramete...

Страница 3: ...these modes is known as the Loop Insert mode and the second as the EFFECT1 EFFECT2 Series mode Press the EFFECT key followed by soft key 1 PATCH to bring up the patch screen as shown here NOTE When us...

Страница 4: ...t the top of the input output patch section for each effect there is a field called INTYPE input type In the case of single channel effects the only option available is Mono In the case of dual channe...

Страница 5: ...ffects are being used by only one channel each there is no need to tie up the aux sends and returns which can then be used for other purposes Example 4 1 2 series 1 mono input 2 stereo input In this e...

Страница 6: ...e assignable send returns must be set to be inserts not send return loops see Assignable sends and returns on page 43 of the main manual If they have been set to send return loops a popup message appe...

Страница 7: ...eters appropriate for that particular type of effect is displayed Once an entry has been recalled there is no way of changing its type through the on screen parameters You must reload an entry of anot...

Страница 8: ...ve set up the parameters of an effect you can store it for further use in the user effects library This saves you having to make the same settings every time for a commonly used microphone model for e...

Страница 9: ...ssignable inserts a little work must be done using the assignment screens Using the internal effects as inserts i In this example effect 1 will be used as an insert on buss 2 To do this the effects re...

Страница 10: ...gnable output screen Assignable send returns 1 and 2 should be set to the insert mode The insert channels that is the channels on which the inserts will work should be set to channels 1 and 2 of cours...

Страница 11: ...possible to record directly using one physical microphone and modelling another but in this case it is more difficult to experiment and to make changes afterwards Note that when we talk about the mic...

Страница 12: ...nes individually Input gain This INPUT allows you to set the rela tive gain for the input source top row POD 2 Start at 0dB but you may want to increase the level slightly to increase the amount of sa...

Страница 13: ...phone will have no effect Use pod 2 on row 3 for this setting NOTE As the source moves away from the microphone an amount of ambient room tone is added to the record ing The microphone modeler cannot...

Страница 14: ...usly recreate missing data so if a recording has been made with the source off axis this setting cannot be used to add the frequencies that were lost by the off axis recording Preserve source settings...

Страница 15: ...dB oct 12dB oct cardioid omni 3 C 3000 off on cardioid hypercardioid 4 C 4000 B 0 Hz 100Hz cardioid hypercardioid omni 5 C414 0 Hz 75Hz 150Hz cardioid 6 C 414B ULS mod1 0 Hz 75Hz 150Hz cardioid hyperc...

Страница 16: ...ence Gold none cardioid figure 8 omni 48 Neumann KM 184 none none 49 KM 184 w none none 50 M 149 20Hz 40Hz 80Hz 160Hz cardioid hypercardioid wide cardioid figure 8 omni 51 TLM 103 none none 52 TLM 193...

Страница 17: ...one 70 Beta 87A none none 71 Beta 98D S none none 72 KSM32 LC 0 LC 1 LC 2 none 73 SM57 none none 74 SM58 none none 75 SM7A LC off Mid off LC off Mid on LC on Mid off LC on Mid on none 76 SM81 LC 0 LC...

Страница 18: ...frequency mode Selecting the speaker modeler Recall the preset library entry 1 101 in order to load the speaker modeler See Setting up the effects units on page 7 for fur ther details General paramet...

Страница 19: ...stem but small speakers Computer Speaker useful for multimedia sound mixes Large Home Studio good quality domestic semi pro speakers Mid Sound Reinforcement not necessarily top of the range but good q...

Страница 20: ...the L and R output signals added together INPUT the input level can be adjusted from Off and then in 5 dB steps from 140 dB to 60 dB in 1 dB steps from 60 dB to 20 dB and in 0 1 dB steps from 20 dB t...

Страница 21: ...et from 0 04 to 4 0 in the following steps 0 04 0 05 0 06 0 08 0 10 0 13 0 16 0 20 0 25 0 32 0 40 0 50 0 63 0 80 1 0 1 3 1 6 2 0 2 5 3 2 4 0 W DIFF Wall diffusion the liveness of the room space and th...

Страница 22: ...nt imaginary spaces with their own distinctive rever beration characteristics Preset reverb settings These settings are all stored in the first preset effects library The English names give an idea of...

Страница 23: ...1 FX Lost in Space FX Lost in Space 022 FX Neighbor Hallway FX NeighborHallw 023 FX Neighbor 2 Floor FX NeighborFloor 024 FX Not so Dry After Taste FX NotsoDryAfter 025 FX Short Non Lin Like FX Short...

Страница 24: ...l Hall Warm Vocal 061 Drum Boom Room Drum Boom Room 062 Drum Drum Booth Drum Drum Booth 063 Drum Huge Low Tubular Drum HugeLowTubu 064 Drum Low Tubular Drum Low Tubular 065 Drum Snare Hall Drum Snare...

Страница 25: ...m 091 Room Small Room Small 092 Room Small Damped Room Room S Dmp Room 093 Room Small Yet Big Room SmallYetBig 094 Room Small Yet Big w Pre Room S Y B w Pre 095 Room Stage Room Stage 096 Room Vocal Bo...

Страница 26: ...el Dry level 0 1 Hz to 10 Hz 91 steps 0 to 100 101 steps 0 05 ms to 500 ms 101 steps 0 to 90 91 steps 40 dB to 0 B 41 steps 40 dB to 20 dB 61 steps De esser Threshold level Knee shape Center Frequency...

Страница 27: ...fferent sounds and exper iment using these preset sounds as the basis for your own effects Soft Compressor Threshold Ratio Attack Time Release Time Knee Shape Output level Bypass 40 dB to 1 dB 40 step...

Страница 28: ...asic compressor sound 36 Fast Attack Fast Attack A compressor with a fast attack 37 Slow Attack Slow Attack A compressor with a slow attack 38 Short Release Short Release Quick release compressor 39 L...

Страница 29: ...ith drums Ping Pong 70 Oasis Oasis A lazy casual echo sound 71 Short Echo Short Echo Short repeat echo 72 Loose Loose Slightly looser echo setting 73 Vocal Echo 1 Vocal Echo 1 A karaoke type echo 74 V...

Страница 30: ...and echo gives a chorus effect 109 Pitch Chorus 2 Pitch Chorus 2 Strong pitch change effect provides a chorus like feel 110 12 Strings 12 Strings 12 string guitar emulation 111 Glow up Glow up Pitch...

Страница 31: ......

Страница 32: ...iness Park Watford Hertfordshire WD1 8TE U K TEAC DEUTSCHLAND GmbH Phone 0611 71580 Bahnstrasse 12 65205 Wiesbaden Erbenheim Germany TEAC FRANCE S A Phone 01 42 37 01 02 17 Rue Alexis de Tocqueville C...

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