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Studio: Direct Monitoring

Configuration:

 

1.  Connect your mics and instruments to the mixer’s 

inputs (leave channels 15-16 unused).

2.  Connect your amplifier/speaker system (or 

powered speakers) to the Control Room outputs, 
or connect headphones to the Phones output. 
Keep the Control Room and Phones level controls 
down for now. Press Main Mix in the Control Room 
source section, (you’ll be monitoring the main mix).

3.  Assign those channels you want to record to 

subgroups 1-2, but NOT to L-R main mix (i.e., press 
down the 1-2 switch on each channel, but leave 
each L-R switch up).

4.  Use PAN on each channel to select if the mics or 

instruments go to subgroup 1 or 2. For example, to 
record a vocal microphone and an electric guitar 
at once, route the mic to subgroup 1 (PAN fully left, 
and 1-2 down) and the guitar to subgroup 2 (PAN 
fully right, 1-2 down).

5.  Press the USB SOURCE switch 

down

; copies of 

subgroups 1-2 are fed to the USB’s A/D converter 
and sent to your computer’s DAW software.

6.  Sing or play, at normal performance levels and 

adjust the USB OUTPUT LEVEL knob to avoid 
clipping the USB A/D converter.

Here is where Direct Monitoring comes in:
7.  To listen to the direct sounds as you record, assign 

subgroups 1-2 to the main mix, using the L and R 
switches above the subgroup faders. Carefully turn 
up the Control Room level and/or Phones level 
a little, then use the subgroup faders to control 
the volume of what you are hearing. (They do 
not affect the signal levels sent to the computer, 
since the signals are tapped before the subgroup 
faders.)

8.  To perform an overdub and hear some previously 

recorded material (such as a drum beat) to play 
along to while recording, press the USB button on 
channels 15-16 and assign 15-16 to the main mix. 

Studio: Software Monitoring

Configuration

:

1.  Follow steps 1 to 6 above to get your sounds into 

the computer, using subgroups 1-2. Do not assign 
the subgroups to the main mix.

Here is where Software Monitoring comes in:
2.  To listen through the software as you record, 

engage software monitoring in your DAW for the 
Blend 16 inputs. You will then be able to listen to 
the tracks while you are recording, including any 
software effects you might have added. This is 
done differently for each DAW, so consult your 
software’s manual if you are unsure how to do this. 
In Tracktion, you would enable “end to end” on 
the Blend 16 inputs.

3.  On your DAW, place any software effects you 

would like to “monitor through while recording” 
onto the tracks coming in from the Blend 16.

4.  Press the USB button on channels 15-16 and assign 

15-16 to the L-R, but not to subgroups 1-2.

5.  Press Main Mix in the Control Room source section 

and you will hear the signals you will record 
(through their effects) along with playback from 
any previously recorded tracks. 

DJ Music Playback

Main aim:

 

Use the computer as a sound source for playback 
during a live performance, or as the main sound 
source for their DJ set.

Configuration:

  

•  Setup your mixer for your live show as you normally 

would, but leaving channels 15-16 unused.

•  Open your music software on your computer and 

configure it to output to the Blend 16.

•  Press the USB button on channels 15-16.  The 

output of your computer will now feed these 
channels.

•  Using the channel 15-16 controls, route the 

incoming audio from your computer to the Auxes, 
Effects sends, subgroups, and/or Main L-R as 
needed, just as you would any other channel.

•  If you would also like to record your show, you 

can send your main mix back to your computer 
for recording. Be sure software monitoring is NOT 
enabled in your DAW or you might get a feedback 
loop and could damage your ears and speakers.

Laptop

Channel

15 and 16

Main Mix

Ch 15-16

Faders

Subgroup 1-2

USB

Main Mix

Laptop

Subgroup

Faders

Subgroup 1-2

USB

Содержание Blend 16

Страница 1: ...MFOE MFOE owner s manual 16 CHANNEL 4 BUS MIXER w ONBOARD EFFECTS...

Страница 2: ...aring protectors while the equipment is in operation Ear plugs or protectors in the ear canals or over the ears must be worn when operating the equipment in order to prevent permanent hearing loss if...

Страница 3: ...manual when nobody is looking Please keep your receipt in a safe sock drawer and write your product information here for future reference i e insurance claims tech support return authorization etc Con...

Страница 4: ...out hearing the sounds but if you prefer connect a set of headphones to the PHONES jack 2 Choose one of the microphones or instruments connected to the mono MIC or INST inputs 3 Press that channel s S...

Страница 5: ...er Section See Page 12 Phones Internal Effects Graphic EQ Rude Solo CD Tape to Main Main Fader Meters Power Phantom LEDs USB Master Aux Sends Subgroup Faders Subgroup Assign Control room phones Stereo...

Страница 6: ...Tape to main mix control 8 segment stereo LED VU metering Solo LED Each subgroup can be assigned to Left and or Right of main mix 60 mm fader for each subgroup and main mix Rear Panel section with AC...

Страница 7: ...BAL UNBAL BAL UNBAL PHONES LAMP BYPASS EQ IN MAIN MIX AUX1 MON POWER PHANTOM 48V CD TAPE INPUT OUTPUT L R BAL OR UNBAL MONO L R BAL OR UNBAL MONO L R BAL OR UNBAL MONO LINE INPUT LINE INPUT LINE INPU...

Страница 8: ...rs Tapco S 5 Lead Guitar Bass Guitar Rhythm Guitar Headphones Turntable with phono level output 1 4 to RCA adapters RCA RCA Mixer s Ground Screw USB Connection Laptop LEFT RIGHT 1 2 3 4 SUB OUTS MAIN...

Страница 9: ...he LOW CUT 6 switch and before the EQ Using a special Insert plug the mono signal can be sent out to a processor and the processed signal returned all on the same plug see Appendix B Nice 4 GAIN CONTR...

Страница 10: ...PAN is in the center position the mono signal appears equally in both the left and right of the main mix If the control is set left more of the signal appears in the left side If the control is set r...

Страница 11: ...channels and the right signals into even numbered channels 20 LINE PHONO switch channels 13 and 14 only In the up position channel 13 and 14 accept line level signals In the down position these two in...

Страница 12: ...inputs are routed directly to the CD TAPE TO MAIN MIX 49 control and through to the main mix You will need to MUTE 14 all the other channels if you just want to hear the CD or Tape The signals can als...

Страница 13: ...nice pair of stereo headphones It accepts 1 4 stereo plugs Adjust the level using the PHONES 40 knob Caution Always turn the PHONES knob down when making connections or when pushing any switches These...

Страница 14: ...iffs chords yells etc 37 FX BYPASS and LED Press this switch in to bypass the internal effects processor and so prevent its output from appearing on the main mix or stage monitors The LED reminds you...

Страница 15: ...MAIN MIX to hear the main mix Push CD TAPE to hear your CD or Tape player Push SUBS 1 2 to hear subgroup 1 and 2 outputs Push SUBS 3 4 to hear subgroup 3 and 4 outputs Note If any channel has its SOL...

Страница 16: ...the sound of all drum mics in the main mix instead of having to tweak each individual drum mic channel fader 51 SUB ASSIGN TO MAIN MIX L and R These switches allow you to assign a subgroup to the mai...

Страница 17: ...should unplug the mixer and call technical support LEFT RIGHT 1 2 3 4 SUB OUTS MAIN INSERT LEFT BAL UNBAL BAL UNBAL TIP SEND RING RETURN RIGHT CONTROL RM OUT USB IN OUT POWER ON PHANTOM ON MAIN OUT R...

Страница 18: ...mix See below for more subgroup details The CD Tape input has a level control to adjust the amount of signal going onto the main mix The FX RETURN input has a similar control to adjust the level of in...

Страница 19: ...x and or sent out of the sub output jacks for recording To get signals onto the subgroups press the 1 2 or 3 4 buttons near the bottom of each channel strip Careful use of each channel s PAN can creat...

Страница 20: ...iguration 1 Follow steps 1 to 6 above to get your sounds into the computer using subgroups 1 2 Do not assign the subgroups to the main mix Here is where Software Monitoring comes in 2 To listen throug...

Страница 21: ...gs and Jacks RCA type plugs also known as phono plugs and jacks are often used in home stereo and video equipment and in many other applications They are unbalanced and electrically equivalent to a 1...

Страница 22: ...t 18 dBu Gain 22 dB Stereo Line Input Tape Input and Aux Return 18 dBu Maximum Voltage Gain Mic Input to Main Output 74 dB Tape Output 74 dB Aux Sends 74 dB Control Room Output 84 dB Phones Output 84...

Страница 23: ...tel Pentium 3 or 4 or AMD Athlon 750 MHz or better is recommended for Tracktion At least 256 MB RAM 512 MB is recommended Super VGA 1024 x 768 or higher resolution video adapter and monitor CD ROM or...

Страница 24: ...H 48V MIC HI Z CH1 8 3 BAND EQ 3 BAND EQ 3 BAND EQ TO CH15 16 EQ IN CH15 16 CH13 14 CH9 12 TO CH13 14 EQ IN FROM USB INPUT D A CONVERTER USB SOURCE L R MONO CHANNELS 1 8 STEREO CHANNELS 9 12 STEREO CH...

Страница 25: ...e latency delay from input signal to output Change the latency buffer setting to a lower setting as described above Try using direct monitoring instead of software monitoring See page 19 for details W...

Страница 26: ...roducts is available at a factory authorized service center Service for Tapco products living outside the United States can be obtained through local dealers or distributors If your unit needs service...

Страница 27: ...n the boundaries of the USA G LOUD Technologies warrants all repairs performed for 90 days or for the remainder of the warranty period This warranty does not extend to damage resulting from improper i...

Страница 28: ......

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