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Important Concept of Line Array: 

In the case of normal loudspeakers, as sound travels, its SPL (Sound Pressure Level) falls by 6dB for every 

doubling of distance. In the case of a Line Array the fall in SPL is 3dB for every doubling of distance up to a 

certain distance called transition point. Beyond that the fall in SPL is 6dB for every doubling of distance as in 

the case of normal loudspeakers.

The transition point is dependent on the length of the line array. Longer the array, further away is the transition 

point. Therefore if near equal SPL is desired spanning the front row to the last row, it is recommended to have 

more numbers of SLA 40T enclosures stacked vertically in spiral formation.

3

SLA 40KIT 

Fly Bars & Quick Release Pins.

SLA40 Kit:

 The SLA40 Kit is set of essential 

hardware required for rigging & flying this line 

array system. It consist of ultra durable Flybars / 

Array Frames & Quick Release Pins 

(Push-Pull Bullets). This kit makes flying the 

SLA40 Series a child’s play.

2.   Features at a Glance

•     Higher direct to reverberant ratio due to the directional nature of the system.

•     Increased feedback rejection due to directionality in vertical plane & therefore more acoustic gain available.

•     Frequency response is uniform over the coverage area.

•     Because of increased HF throw of the system, need for delay stacks is eliminated or reduced.

•     Even sound pressure level can be achieved over the entire listening area by proper articulation of the vertical 

       array formed by SLA 40.

•     More stage space available as SLA 40 arrays are flown.

3.   Configuring & Setting-Up 

SLA 40T enclosures can be flown or ground stacked. For small venues or temporary/rental installations where flying 

SLA 40T may not be possible, these can be ground stacked on top of its sub-woofer SLA 40S.

When ground stacked, the SLA 40T enclosures are generally kept straight i.e., all enclosures have 0° tilt without any 

splay. Two to four SLA 40T enclosures may be adequate for small venues. A pair (in Left & Right placement) of this 

set-up i.e., two to four SLA 40T with one SLA 40S will provide very even coverage and used for stereo reproduction of 

program as well.

As a thumb rule for every four nos. of SLA 40T one SLA 40S subwoofer should be employed. When multiple 

sub-woofers are used it is better to stack these together for coherent lows. The location of the sub-woofers should be 

beneath the stage and centrally positioned.

Содержание SLA 40

Страница 1: ...Introduction 2 Features at a Glance 3 onfiguring Setting Up 4 Rigging Instructions 5 Flying Patterns 6 Connection Diagrams 7 Technical Specifications SLA 40 Line Array System I N S T R U C T I O N M A N U A L 1 ...

Страница 2: ... audience areas SLA 40 is provided with a switch for altering its sensitivity from nominal 0dB to 3 6 and 9dB The SLA 40 has a full frequency response ranging from 80Hz to 20kHz However for delivery of bass frequencys it is complemented with Subwoofer model SLA 40S SLA 40S is designed for ground level stacking SLA 40T The SLA40T incorporates 2 x 8 Mid Bass transducers 1 High Duty HF transducer wit...

Страница 3: ...eased feedback rejection due to directionality in vertical plane therefore more acoustic gain available Frequency response is uniform over the coverage area Because of increased HF throw of the system need for delay stacks is eliminated or reduced Even sound pressure level can be achieved over the entire listening area by proper articulation of the vertical array formed by SLA 40 More stage space ...

Страница 4: ...as a line source with a vertical beam angle of 10 horizontal beam angle of 100 A very simplistic depiction of this is shown below HORIZONTAL BEAM 100 VERTICAL BEAM 10 4 Curved Array In this type the enclosures are configured as an arc of a circle The upper enclosures radiate sound upwards toward the ceiling the lower enclosures have a wide lower fill Such an array has the widest possible coverage ...

Страница 5: ...front seating area Therefore a J Array has upper portion of the array as straight and then increases in curvature toward the bottom giving the array the shape of letter J Therefore the incremental angle of 2 will yield 0 2 6 12 20 30 40 50 aiming angles relative to the horizontal when eight SLA 40T enclosures are flown The topmost module has 0 tilt and lowest eighth has 50 tilt relative to horizon...

Страница 6: ...at a height of 6m 20 Area of even coverage 6 5m 22 to 66m 220 Array flown at a height of 8m 26 Area of even coverage 9 5m 30 to 90m 300 Front fill speakers will be required for compensating the lower SPL in the front audience area Six SLA 40T Array SPLAY HOLE 1 SLA 40T 0 2 SLA 40T 2 3 SLA 40T 4 4 SLA 40T 6 TILT ANGLE 1 SLA 40T 0 2 SLA 40T 2 3 SLA 40T 6 4 SLA 40T 12 SPLAY HOLE 1 SLA 40T 0 2 SLA 40T...

Страница 7: ...lets SLA 40 Kit Flybars Array Frames Quick Release Pins Push Pull Bullets SLA 40T should always be flown with the flybar of Studiomaster Professional SLA 40 Kit It will ensure the accuracy and safety of the rigging The ideal height at which the frame should be flown is between 5m to 8m In auditoriums and churches a single line array comprising of 4 to 6 SLA 40T modules should be adequate This arra...

Страница 8: ...a fixed installation single motor Please secure the flybar with an additional safety chain especially when the modules are suspended with a Note Studiomaster Professional is not liable for any accident caused due to negligence of the safety instructions improper usage use of inferior quality trusses chain pulley systems other flying accessories mounting on surfaces which are not strong enough to s...

Страница 9: ...ht Positioning STAGE 2 Left Right flown arrays This flying configuration is suitable for outdoor venues where wider horizontal coverage is required The arrays are usually flown on each end of the stage 5 Flying Patterns Multiple Array Positioning STAGE 1 Centrally flown single array A centrally flown single array is suitable for indoor installation where the room is not very wide SLA 40T has a wid...

Страница 10: ...eonly 0 4 6 10 6 Connection Diagrams Mono Setup 4 x SLA 40T 1 x SLA 40S 2 x PA 2 0 1 x PA 1 5 SLA 40S CH1 PROFESSIONAL STEREO AMPLIFIER TOURING SERIES 2 0 0 10 I O On Mute Sign Lim Temp CH2 0 10 On Mute Sign Lim Temp P Series CH1 PROFESSIONAL STEREO AMPLIFIER TOURING SERIES 2 0 0 10 I O On Mute Sign Lim Temp CH2 0 10 On Mute Sign Lim Temp P Series SLA 40T CH1 PROFESSIONAL STEREO AMPLIFIER TOURING ...

Страница 11: ...IFIER TOURING SERIES 2 0 0 10 I O On Mute Sign Lim Temp CH2 0 10 On Mute Sign Lim Temp P Series CH1 PROFESSIONAL STEREO AMPLIFIER TOURING SERIES 2 0 0 10 I O On Mute Sign Lim Temp CH2 0 10 On Mute Sign Lim Temp P Series CH1 PROFESSIONAL STEREO AMPLIFIER TOURING SERIES 2 0 0 10 I O On Mute Sign Lim Temp CH2 0 10 On Mute Sign Lim Temp P Series CH1 PROFESSIONAL STEREO AMPLIFIER TOURING SERIES 2 0 0 1...

Страница 12: ...9 20 GROUP MONO LEFT EFX RIGHT LEFT MONO LEFT MONO LEFT MONO LEFT MONO RIGHT RIGHT RIGHT RIGHT PLATINUM MKIII 28 input mixer PHONE 0 10 AUX1 MUTE DELAY MEN 1 MEN 2 MEN 3 MEN 4 PEAK ON WARM BRIGHT ON EFX B EFX EQ REGEN EFX TO MON MAX MIN MAX MIN PEAK 8 6 4 2 0dBu 3 6 9 12 20 LEFT L R LISREN SPLIT RIGHT MON STAND BY 12 9 6 12 9 3 L R 0dB 3 6 12 9 6 12 9 3 0dB LEFT 3 6 12 9 6 12 9 3 MON 0dB 3 6 12 9 ...

Страница 13: ...13 Dimensions 1015mm 5 9 0 m m 5 1 0 m m 758mm 230mm 367mm SLA 40T SLA 40S ...

Страница 14: ...y Power Rating Continuous Program Peak System Maximum SPL System Sensitivity 1w 1m dB Inside LF Driver Inside HF Driver Nominal Impedance Enclosure Finish Grill Input Connectors Dimensions WxDxH mm Net Weight SLA 40T 2 Way Full Range 75Hz 20kHz 85Hz 19kHz 100 10 1700HZ 400W 800W 1600W 132 dB 100 2x8 Woofer 2x1 5 Driver 8 Ω 15 mm SPEAKON NL 4 x 2 758 x 367 x 230 23 Kgs SLA 40S Sub Woofer 30 350Hz 4...

Страница 15: ...ping Factor Frequency Response Protection Devices Input Connector Per Channel Output Connector Per Channel Cooling Indicators Per Channel Dimensions W x D x H mm Net Weight In Kg Power Output Level PA 1 5 2 2 x 800W RMS 4 Ω 2 x 650W RMS 8 Ω 2 x 350W RMS 4 Ω 1600W RMS 8 Ω 1300W RMS 2 Ω 900W RMS 4 Ω 750W RMS 8 Ω 380W RMS 200 1 8 Ω 20Hz 20khz 3dB Temperature DC RFI Short Circuit Soft Start Thermal Po...

Страница 16: ...edia Player MP 4000 MP 2000 LPA Series LPA 600 LPA 1000 DJA Series DJA 100 DJA 500 DJA 1000 PAT Series PAT 1 5 PAX Series PAX 1 5 PAX 2 0 PAX 3 0 DPA Series DPA 2000 DPA 3200 DPA 4500 DPA 5000 Industrial Amplifier SM 9612 SL 9000 Series SL 9120 SL 9240 SL 9480 S Series SWF 18120 SWF 18100 SWF 1880 SWF 1560 SMB 1545 SMB 1230 SHF 0104 SHF 0210 E Series EMB 1225 EMB 1530 S Series S5215 S5225 S8018 S8...

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