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4.
Panel Descriptions
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4.
Panel Descriptions
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circuit constantly checked at a critical point in the channel
strip, just after the EQ circuit. If the channel strip amplifiers
are begin too loud into overload, the Peak light will flash
bright red. You need to find out which source is too high and
make things right. Start by returning down the line Gain
control until the Peak LED no longer light.
Sig Indicator
Glows Green to indicate that an adequate signal is present at
the channel input.
11. Mute SwitchMute LED
When the Mute switch is depressed, the signal in that channel
strip is remove from the main Left/Right and Sub mix buses,
the solo buses(PFL) and any aux buses selected. The LED
Lights when Mute Switch is ON Position.
12,13. Sub Group Bus Assign / Main L,R Assign
Alongside each channel fader are three buttons referred to
as channel assignment switches. Used in conjunction with
the channel's BAL knob, they are used to determine the
destination of the channel's signal. With the BAL knob (9) at
the center detent, the left and right sides receive equal signal
levels (MAIN MIX L-R, SUB 1-2, and SUB 3-4). To feed
only one side or the other, turn the BAL knob accordingly.
If you're doing a mix down to a 2-track, for example, simply
engage the MAIN MIX switch on each channel that you
want to hear, and they'll be sent to the MAIN MIX bus. If
you want to create a subgroup of certain channels, engage
either the 1-2 or 3-4 switches instead of the MAIN MIX,
and they'll be sent to the appropriate subgroup faders. From
there, the subgroups can be sent back to the MAIN MIX
(using the SUB ASSIGN switches above the subgroup
faders), allowing you to use the subgroup faders as a master
control for those channels.
If you're creating new tracks or bouncing existing ones,
you'll also use the 1-2 and 3-4 switches, but not the MAIN
MIX switch. Here, you don't want the subgroups sent back
into the MAIN MIX bus, but sent out, via the SUB OUT
jacks, to your multi track inputs. However, if you are printing
tracks via the direct outputs(VX-1443FDR only) for multi
track recording, the channel assignment switches don't
matter because the direct outputs come before the ASSIGN
switches.
Each channel can be assigned or unassigned to any of the
subgroups without affect the other subgroups or settings
within the channel, and each subgroup has its own master
fader and dedicated output. In fact, since there are four
subgroups and the MAIN MIX, This is 6 bus mixing console
not 4 bus.
14. Solo Switch (PFL)
This handy switch allows you to hear signals through your
headphones outputs without having to route them to the
A. Stereo Input Channel
1. Left(Mono) Input
Accepts 1/4" TRS(tip/ring/sleeve) balanced input or TS(tip/
sleeve) unbalanced sources at line level. 1/4" connector Tip is
"Hot", Ring is "Cold" and Sleeve is "Shield". Input is routed
to the Left output bus. In the absence of a plug in the Right
Input(2), the Left Input signal is also provided to the Right
Input, so that the channel functions as a mono channel.
2. Right Input
Similar to the Left input(1), Input to this connector is routed
to the Right output bus.
3. Line Gain
Adjusts the line input gain to accept signals from -20dBu to
+4dBu.
4. High Equalization
Provides ±15dB of shelving equalization control to boost or
cut high frequency signals 12kHz and above. Affects both
Left and Right channel input signals.
5. Mid Equalization
Provides ±12dB of peak/dip equalization control to boost or
cut midrange signals centered at 2.5kHz.
Affects both Left and Right channel input signals.
6. Low Equalization
Provides ±15dB of shelving equalization control to boost or
cut low frequency signals 80Hz and below.
Affects both Left and Right channel input signals.
7. Monitor1 and Monitor2
These two knobs tap a portion of each channels signal out to
either an effects processor or for stage monitoring. Adjusts
the amount of channel input signal supplied to the Monitor 1
& 2 output. Monitor send is post EQ, pre fader feed.
8. EFX 1(EXT) and EFX 2(INT)
These two knobs tap a portion of each channels signal out to
either an effects processor or for stage monitoring. Adjusts
the amount of channel input signal supplied to the EFX 1&2
output. EFX sends 1&2 are normally post-fader.
EFX 1 : Any changes made to the channel controls will
effect the EFX send signal.
EFX 2 is identical EFX 1 with one big difference : In
addition to feeding the EFX SEND jacks, it also feeds the
inputs signal to the Digital Effect Processor.
If you are using internal DSP and then can just one outbound
processor via EFX RETURN 1.
9. Balance
When turned to the right, gradually attenuates the Left
channel input signal. When turned to the left, gradually
attenuates the Right channel input signal.
10. Peak LED/Sig LED
The red LED above the Mute switch is marked Peak, and
that stands for overload. The channel strip level trigger
FRONT PANEL /
정면부
MAIN or SUB mixes. Folks use solo in live work to preview
channels before they are let into the mix, or just to check out
what a particular channel is up to anytime during a session.
You can solo as many channels at a time as you like. The Solo
signal are “PFL”(Pre-Fader Lister) MODE, which is after the
GAIN and EQ controls, but before the channel fader.
15. Stereo Channel Fader
Provides continuously variable control of the stereo channel
output level to the Left and Right Master outputs, Group
outputs. The fader controls the channel's level… from off to
unity gain at the "U" marking, on up to 10dB of additional
gain. This "U" stands for "unity gain," meaning no change In
signal level. Once you have adjusted the input signal to line-
level, you can set every control at "U" and your signals will
travel through the mixer at optimal levels. What's more, all
the labels on our level controls are measured in decibels(dB),
so you’ll know what you're doing level-wise if you choose to
change a control's settings.
16. Stereo EFX Returns (1, 2)
If you are using effects such as delay or reverb, you must first
send a signal to the effect with an EFX/AUX send, and then
remix the output of the effect back into your final mix.
The VX-2043FDR/VX-1443FDR provides four stereo
EFX/AUX return inputs for this purpose. The inputs to
each stereo EFX/AUX return are made through a pair of
1/4″TRS(tip-ring-sleeve) phone jacks. These are balanced line
inputs which will accept input levels from -10dBu to +22dBu,
and will also accept unbalanced cables. Return input clipping
is at a level of 22 dB. The sleeve of each jack is connected to
ground, the tip is signal "hot" (or "high" of "+"), and the ring
is signal "cold" (or "low" or"-").
17. EFX/AUX Send output 1,2
The EFX/AUX send outputs connectors provide unbalanced
line-level signals for connecting to external Effects devices or
stage monitor amplifiers.
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