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SPL Transient Designer 2715 Скачать руководство пользователя страница 14

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RackPack: Transient Designer

Applications

The Transient Designer is ideally suited for use in professional record-
ing, in project or home studios and sound reinforcement applications.

For the first time you can manipulate and control the attack and sus-
tain characteristics of a signal regardless of level in the most intuitive
and simple way. Usually equalizers are used to separate instruments
in a mix – the tonal aspect of the signal is considered, but not the tem-
poral aspect.

The Transient Designer opens this further dimensions in signal pro-
cessing. By manipulating the attack and sustain curves of a sound
event, the mix can be made to sound more transparent. Instruments
can be mixed at lower levels while still maintaining their positions in
the mix—but occupying less space.

During a remix or in general after miking you can arrange new posi-
tions of instruments. Reduce ATTACK and increase SUSTAIN to move
signals back into the mix that are too present. Additionally the FX parts
of too dry signals are strengthened.

Applied to single instruments or loops the Transient Designer allows
you to create entirely new sounds and/or effects.

The following examples are given as suggestions and examples. The
described procedures with specific instruments can of course be
transfered to others which are not mentioned here.

Drums & Percussions

Processing drum and percussion sounds is probably the Transient
Designer’s most typical range of application, both from samples to
live drum sets:

• Emphasize the attack of a kick drum or a loop to increase the power

and presence in the mix.

• Shorten the sustain period of a snare or a reverb-flag in a very musi-

cal way to obtain more transparency in the mix.

• When recording a live drum set, shorten the toms or overheads

without physically damping them. Usual efforts to damp and mike
are reduced remarkably. Since muffling of any drum also changes
the dynamic response, the Transient Designer opens up a whole
new soundscape.

• Miking live drums is considerably faster and easier because you can

correct the apparent ‘distance‘ of the microphone by simply varying
the ATTACK and SUSTAIN values.

Drums & Percussions

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Содержание Transient Designer 2715

Страница 1: ...ic Envelope Processor RackPack Module Model 2715 LINK ON T R A N SIENT DESIGNER 2 7 1 5 dB dB S I G O V L 2 0 1 5 1 0 6 3 0 1 2 3 5 6 SUSTAIN 2 4 1 8 1 2 6 3 0 3 6 1 2 1 8 2 4 OUTPUT GAIN ATTACK 1 5 1...

Страница 2: ...io Signal Processor Product RackPack Transient Designer Model 2715 Compliance Engineer Wolfgang Neumann Test Basis EN50081 1 1992 EN50082 1 1992 EN60065 1993 EN61000 3 3 1995 EN60065 2002 EN55013 2001...

Страница 3: ...r Link Mode 12 Signal LED Overload LED 13 Applications 14 Drums Percussion 14 Drums Ambience 15 Guitars The Transfer Of Dynamic Structures 16 Bass Staccato vs Legato 17 The Re Invention Of Reverb 17 B...

Страница 4: ...d out by qualified persons In the light of possible physical damage or injuries any manipulation is at your own risk In order to avoid any residual voltage the device should be disconnected from any p...

Страница 5: ...achine and immediately contact a qualified technician when you think repairs are needed or when moisture or foreign objects may accidentally have gotten in to the housing or in cases when the machine...

Страница 6: ...U AWARE OF IMPORTANT OPERATIONAL ADVICE AND OR WARNINGS THAT MUST BE FOLLOWED BE ESPECIALLY ATTENTIVE TO THESE AND ALWAYS FOLLOW THE ADVICE THEY GIVE The symbol of a lamp directs your attention to exp...

Страница 7: ...channel are required to allow the user to completely reshape the attack and sustain characteristics of a sound attack can be amplified or attenuated by up to 15dB while sustain can be amplified or at...

Страница 8: ...nsient Designer Rear Panel Connections Wiring or Mixer Insert Send Converter Output or Mixer Ins Return Converter Input Channel Split O U T P U T 2 OUT P U T 2 O U T P U T 1 OUT P U T 1 I N P U T IN P...

Страница 9: ...Otherwise all inputs and outputs are balanced electronically Output 2 cannot be fit ted with a transformer It is actively decoupled and allows for the input signal to be split into two output signals...

Страница 10: ...the operation of the ATTACK control please refer to Technology on page 19 cont The ATTACK control circuitry uses two envelope generators One follows the shape of the original curve and adapts perfect...

Страница 11: ...on and explanation of the possible applica tions of the SUSTAIN control please refer to Applications page 14 cont Output Gain The OUTPUT GAIN control allows you to reduce the output signal by up to 22...

Страница 12: ...u will find that the LINK LED of the master module will not illuminate This tells you that you have pressed the wrong LINK button since the controls of the master module control both devices in LINK m...

Страница 13: ...ndicates that an audio signal reaches the input with a level above 20dB This LED helps the operator especially in complex setups to determine immediately whether the Transient Designer actu ally recei...

Страница 14: ...lly the FX parts of too dry signals are strengthened Applied to single instruments or loops the Transient Designer allows you to create entirely new sounds and or effects The following examples are gi...

Страница 15: ...hear a lot of unusual stereo movement Enjoy an amazingly simple integration of drum sounds into a mix If the acoustic level of a snare is expanded to approximately 4dB by increasing the attack value t...

Страница 16: ...and with less ambience simply reduce SUSTAIN The Transfer Of Dynamic Structures This application requires two modules in the basic and four modules in stereo mode Feed a master module with a kick dru...

Страница 17: ...ing of the reverb is strongly reduced whereas the sustain blossoms and seems almost endless obviously that will only happen if the decay of the reverb in the actual reverb device has been set to a suf...

Страница 18: ...s Increase the ATTACK values to re gain a more natural response characteristic The sounds occupy less space in the mix and appear more identifiable even at lower volumes Post Production When dealing w...

Страница 19: ...loud signals pianissimo to fortissimo are treated the same way Both ATTACK and SUSTAIN control circuitries operate simultaneously and don t affect each other The ATTACK Control Circuitry The ATTACK co...

Страница 20: ...N Control Circuitry The SUSTAIN control circuitry also plays host to two envelope genera tors The envelope tracker Env 3 again follows the original waveform The envelope generator Env 4 maintains the...

Страница 21: ...s the control voltage of the VCA Diagram 6 displays the processed waveforms with maximum and mini mal sustain to compare against the original waveform in diagram 4 Diagram 4 Generated Envelopes Sustai...

Страница 22: ...ectronically balanced optionally transformer balanced Impedance ca 20kOhm Max Input Level 21dBu Outputs XLR connectors electronically balanced Output 1 optionally transformer balanced Output 1 Impedan...

Страница 23: ...RackPack Transient Designer 23 Block Diagram...

Страница 24: ...s from a softer and silky atmosphere without being emphasized Further advantages are aspects of improved operational safety gal vanic insulation excludes the transmission of damaging currents Electrom...

Страница 25: ...call Settings LINK ON T R A N SIENT DESIGNER 2 7 1 5 dB dB S I G O V L 2 0 1 5 1 0 6 3 0 1 2 3 5 6 SUSTAIN 2 4 1 8 1 2 6 3 0 3 6 1 2 1 8 2 4 OUTPUT GAIN ATTACK 1 5 1 3 1 0 6 3 0 3 6 1 0 1 3 1 5 dB Art...

Страница 26: ...RackPack Transient Designer Manual Transient Designer Modell 2715...

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