background image

6

Setting the drive level to the
tubes

P

ROCESS

= processing starts

M

AX

= max. saturation

Examples:

– with snare or kick drum you
can use heavy distortion (M

AX

LED illuminates)

– with layer sounds you
should be very careful! Only
use very little distortion if any
(P

ROCESS

LED rarely)

Control elements

The D

RIVE

control sets the drive level to the tubes. D

RIVE

values

can be adjusted between -oo    dB and +24 dB.

You have control over the tube´s onset of saturation to find the

optimum point of processing. The higher the D

RIVE

, the more tube

harmonics are being generated. At the same time, limiting gets
stronger, increasing the density of the tube distortion.

Start off with the D

RIVE

set at 0 dB. Now the input level is

equivalent to the level driving the tube electronics. When you
increase the value, you will get a more intense tube processing
and the output volume rises. To compensate this use the O

UTPUT

control (4).

The P

ROCESS

LED illuminates when C

HARISMA

starts its tube

processing. The tubes are starting to generate their typical sound
and harmonical structure.  

The M

AX

LED indicates that the processing has reached its

maximum position. Now the tube is fully saturated and the
typical limiting effect occurs. Increasing the D

RIVE

results in more

tube distortion.

IMPORTANT: 

When you start to process a sound with heavy

transients and attack, like a snare or a kick drum, you can drive
the tubes into heavy saturation before you start to hear the
tube´s distortion. When the P

ROCESS

LED starts to illuminate you

hardly hear a change. Drive the tubes into heavier distortion so
that the M

AX

LED illuminates frequently and the tube processing

becomes audible.

On the other hand, when you process layer sounds or almost

sinewave-like sounds you will sometimes hear the tube´s distor-
tion even before the P

ROCESS

LED illuminates. The C

HARISMA

effect

is sometimes unpleasant on layer sounds! So, set the D

RIVE

level

depending on the character of the sound you want to process. Our
hearing detects overtones on sinewave-like signal immediately as
unpleasant distortion, whereas squarewave-like sounds can be
heavily distrorted and still remain pleasing to the ear.

Note: 

Do not set the D

RIVE

controls to identical scale settings

and expect the tubes to act identical when different source
characteristics are present at the inputs. Trust your hearing.

Drive

2

1

Max/Process LEDs

1

3

2

4

5

Содержание Charisma 9733

Страница 1: ...Model 9733 Manual Dual Channel Tube Processor...

Страница 2: ...tion of SPL Limitations of Liability In no event will SPL be liable for any damages including loss of data lost profits cost of cover or other special incidental consequential or indirect damages aris...

Страница 3: ...standard with excellent sound quality to provide you a precious component for studio purposes Please read this manual carefully to ensure you have all the information you need to use the CHARISMA We...

Страница 4: ...SMA also helps you to place vocals in a densed playback and maintaining their presence We will start with general safety hints followed by the connections on the rear panel We then take a look at the...

Страница 5: ...split the output between a mixer and effects processor However only one type of input jack or XLR should be connected at a time the CHARISMA is not intended to be used as a mixer To ensure optimal si...

Страница 6: ...ocessing has reached its maximum position Now the tube is fully saturated and the typical limiting effect occurs Increasing the DRIVE results in more tube distortion IMPORTANT When you start to proces...

Страница 7: ...control range bring in the harmonical distortion and the tube limiting very slowly you can compare this with the soft knee characteristic of a limiter In comparison to the HARD control range the SOFT...

Страница 8: ...sinewave like layer sounds When processing these sounds the PROCESS LED should illuminate rarely When processing squarewave like transient sounds you can drive the tubes harder The PROCESS LED may ill...

Страница 9: ...d much more like real drums Choose an extreme HARD setting fully clockwise for kick drums or snares You effectively prevent clips on your digital recorder while you also have control about the kick of...

Страница 10: ...oroidal transformer and is designed to minimize induced hum and noise due to the non existence of an air gap The primary voltage may be selected between 230 V 50 Hz and 115 V 60 Hz by means of a reces...

Страница 11: ...ad ohms 600 Ohms Hard bypass switch yes Measurements Frequency Response 30 Hz 40 kHz 40 kHz 3 dB CCMR 100 dBu 100 Hz common mode rejection 100 dBu 1kHz 80dBu 10kHz 70dBu 20kHz THD N 0 41 1 kHz total h...

Страница 12: ...SPL warranty repair facility in the country where purchased or to the SPL factory in Germany in the original packaging or a replacement supplied by SPL with all trans portation costs and full insuran...

Отзывы: