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4

C

HARISMA

is a 2-channel tube processor designed to improve

the power, punch, dynamics and the subjective loudness of the
signal being processed. 

Designed to introduce a subjective tonal warmth and a

smooth bottom end into digitally recorded material, C

HARISMA

is a joint development between SPL and Manfred Reckmeyer,
the designer responsible for the development of the 8-channel
C

HARISMA

.

C

HARISMA

represents a solution that far exceeds the mere

simulation of tape saturation, and C

HARISMA

´s tube saturation

characteristics can be fully controlled by the user. The concept of
operation is simple. Each C

HARISMA

channel has three potentio-

meters: D

RIVE

sets the drive level to the tubes, C

HARISMA

adjusts

the tube saturation characteristic, and O

UTPUT

sets the output

signal level. 

C

HARISMA

also helps to prevent overload and clipping on digi-

tally or analogue recorded tracks. You should use C

HARISMA

while recording before your digital recorder in order to clip-
protect your recording (e. g. limiting peaks from live-recorded
drums or reducing sharp “esses” from vocals). C

HARISMA

gives

your signals more clarity, transparency and presence. Each part
of the mix, instrument or vocal can easier be distinguished and
located. Using C

HARISMA

on single instruments alone lets those

signals stick out of the mix. C

HARISMA

also helps you to place

vocals in a densed playback and maintaining their presence.

We will start with general safety hints, followed by the

connections on the rear panel. We then take a look at the
controls on the front and go on with practicals tips for the usage
of C

HARISMA

.

The housing of C

HARISMA

has the standard 19"-EIA format and

occupies 1U (44 mm) in your rack. When installing the unit in a
19"-rack, the rear side of the unit needs some support, especi-
ally in a touring case. 

C

HARISMA

should not be installed near units which produce

strong magnetic fields or extreme heat. Do not install C

HARISMA

directly above or below power amplifiers or digital processors.
This eliminates problems which could result from interfering
high-frequencies such as clock frequencies, MIDI or SMPTE
control signals.

Check that the voltage details quoted on the back panel are

the same as your local mains electricity supply. Use a minus (-)
screwdriver to set the voltage selector to the voltage for the
area in which the unit will be used.

Never cover up the ventilation slots on the top of the unit. If,

during operation, the sound is interrupted or indicators no
longer illuminate, or if abnormal odor or smoke is detected, or
if liquids are spilled on the unit, immediately disconnect the
power cord plug and contact your dealer. 

Only clean your C

HARISMA

with a soft, lint-free cloth. Use only

standard cleaning agents. Never use alcohol or paint thinner,
because they may damage the finish.

Introduction

Operation safety

Содержание Charisma 9733

Страница 1: ...Model 9733 Manual Dual Channel Tube Processor...

Страница 2: ...tion of SPL Limitations of Liability In no event will SPL be liable for any damages including loss of data lost profits cost of cover or other special incidental consequential or indirect damages aris...

Страница 3: ...standard with excellent sound quality to provide you a precious component for studio purposes Please read this manual carefully to ensure you have all the information you need to use the CHARISMA We...

Страница 4: ...SMA also helps you to place vocals in a densed playback and maintaining their presence We will start with general safety hints followed by the connections on the rear panel We then take a look at the...

Страница 5: ...split the output between a mixer and effects processor However only one type of input jack or XLR should be connected at a time the CHARISMA is not intended to be used as a mixer To ensure optimal si...

Страница 6: ...ocessing has reached its maximum position Now the tube is fully saturated and the typical limiting effect occurs Increasing the DRIVE results in more tube distortion IMPORTANT When you start to proces...

Страница 7: ...control range bring in the harmonical distortion and the tube limiting very slowly you can compare this with the soft knee characteristic of a limiter In comparison to the HARD control range the SOFT...

Страница 8: ...sinewave like layer sounds When processing these sounds the PROCESS LED should illuminate rarely When processing squarewave like transient sounds you can drive the tubes harder The PROCESS LED may ill...

Страница 9: ...d much more like real drums Choose an extreme HARD setting fully clockwise for kick drums or snares You effectively prevent clips on your digital recorder while you also have control about the kick of...

Страница 10: ...oroidal transformer and is designed to minimize induced hum and noise due to the non existence of an air gap The primary voltage may be selected between 230 V 50 Hz and 115 V 60 Hz by means of a reces...

Страница 11: ...ad ohms 600 Ohms Hard bypass switch yes Measurements Frequency Response 30 Hz 40 kHz 40 kHz 3 dB CCMR 100 dBu 100 Hz common mode rejection 100 dBu 1kHz 80dBu 10kHz 70dBu 20kHz THD N 0 41 1 kHz total h...

Страница 12: ...SPL warranty repair facility in the country where purchased or to the SPL factory in Germany in the original packaging or a replacement supplied by SPL with all trans portation costs and full insuran...

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