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INSTALLATION STEP 2

SELECTING INPUT MODES

REMOTE/LOCAL INPUTS

The 

 amplifier can be driven with either one, two, three or four separate “balanced audio” DIN inputs

(each DIN input contains an audio pair).   your source unit has front and rear outputs, you can take
advantage of its fading capability by driving the 

 amplifier in 2 or 

 modes with two pairs of inputs.

When operated this way, the low pass subwoofer channel will operate in a non-fading mode-it derives its

signal from the Channel 

 inputs. included with the  DaVinci amplifier is the Soundstream Limited

Edition BLT4, which drives two pairs of balanced audio lines. This is perfect for front   rear fading capabilities,
or as a subwoofer level controller. Additional balanced line transmitters can  be used to drive all of the

channels independently if desired. The “Remote/Local” inputs selector switches will be set based on the

number of inputs being used, and 

the 

mode in which the DaVinci amplifier is operating 

 Please

see the system diagrams on pages 18   21 for more details.

The stereo channels of the DaVinci amplifier have the ability to operate in either of the following modes:

 

 

with identical left and right stereo channels for maximum fidelity.

Bridged Mono for dedicated single channel operation; ideal for using the  DaVinci in four or six-channel
operation. It is also used when large amounts of power are necessary for single speakers.

Any of the pairs of stereo channels of the  DaVinci amplifier can be bridged onto a single speaker. For bridged
operation, please use the wiring 

scheme 

shown below. In bridged mono mode, only the right channel input is

active (i.e., use Channel 2 input for bridging Channels 

 Since the DaVinci is a full balanced input

amplifier and both the stereo left and right information is one balanced  DIN plug, it may be necessary to drive
the right channel input of a bridged pair of channels with information from the left channel. The left and right
channel information can be swapped at the Balanced Line Transmitter by reversing the left and right channel
inputs from the head unit. This way, left channel audio will be fed to the right channel input of a bridged 

pair.

However, an additional balanced line transmitter may be required to accomplish this. Please see the system

diagrams for more details.

COHERENT STEREO

BRIDGED MONO

CH2

CH2

Содержание AirBass

Страница 1: ...I A v Limited I N C I Edition Seven f Channel Balanced Input Amplifier OWNER S MANUAL AND INSTALLATION GUIDE SOUNDSTREAM E C N 0 0 G E S...

Страница 2: ...capabilities and features Please retain this manual and your sales and installation receipts for future reference Soundstream amplifiers are the result of American craftsmanship and the highest qualit...

Страница 3: ...9 Selecting Crossover Modes 10 Selecting Input Modes 11 Wiring 12 Installation and Mounting 13 Crossover Adjustments I 14 Level Setting 15 LSE Q Subwoofer Equalization Circuitry 16 A RBASSTM Accessory...

Страница 4: ...pacitance Bank Multiple miniature stiffening capacitors ensure rapid power de livery for dynamic peaks Multiple small input power capacitors are used to provide a lower ESR Equivalent Series Resistanc...

Страница 5: ...lexible Input Sensitivity Variable input sensitivity controls for use with a balanced line transmitter such as the Soundstream BLT4 LSE Q Fully adjustable subwoofer equalization circuit providing freq...

Страница 6: ...DaVinci DA V I N C I l 3 l 4 I 5 l 6 l 7 l 8 l 9 2 O 2 l 2 2 25 24 25 26 27 28 29 30 FRONT PANEL 35 36 37 0 0 v v v v 38 39 40 41 I I I I __ __ _ _ I s _ BOTTOM PANEL 6...

Страница 7: ...idrange high pass filter in 4 way mode and Channels 5 6 midbass low pass filter in 3 and 4 way modes High Range Band Pass I High Pass Crossover Adjustment Pot Channels l 2 crossover frequency setting...

Страница 8: ...used to obtain the 5 Volt balanced signal l Independent Level Controls The BLT4 features independent Left and Right channel input level controls for added adjustment flexibility and convenience l Cha...

Страница 9: ...CH 3 4 input gain level is too high 6 Input Level Channel 4 Right input sensitivity level control 7 Inputs Unbalanced RCA signal inputs CH l 2 8 Output 6 pin DIN Balanced signal output jack CH l 2 9...

Страница 10: ...ly variable 24 dB octave electronic crossover with a range of 30 120 Hz Z WAY HIGH PASS The high pass crossover is used for sending only midrange and high frequency information to particular speakers...

Страница 11: ...inci amplifier have the ability to operate in either of the following modes 0 Coherent Stereo TM with identical left and right stereo channels for maximum fidelity 0 Bridged Mono for dedicated single...

Страница 12: ...th four 30 amp glass fuses In the event of a blown power supply fuses the Fault indicator on the front panel will light Never replace the fuse with a higher value than what is supplied This may result...

Страница 13: ...mount the amplifier until all of the wiring is completed WIRING a b C d e f g h Run and connect the audio signal and remote turn on cables to the amplifier from the source unit through the access pan...

Страница 14: ...to accommodate a good mixture of frequency response power handling and personal preference 3 WA Y MODE Midbass Satellite For initial crossover set up try setting the subwoofer low pass filter to appro...

Страница 15: ...While playing extremely dynamic source material or a test tone slowly increase the BLT4 input level until the red LED labeled REFERENCE on the top of the BLT4 begins to blink This calibrates the inpu...

Страница 16: ...racteristics above the tuning frequency but below the tuning frequency power handling de i0 drops off considerably This is due to the loss of any appreciable resistive IS 1 4 FIG 5 Limited Excursion s...

Страница 17: ...it board and flipping a switch See the diagram below The switch is located on one of the DaVinci s input circuit boards DO NOT set the AlRBASS switch unless the AlRBASS module has been added DO NOT se...

Страница 18: ...0 0 0 O DE EYPHASIS II 3 y SUB CURRENT WWER t I OUl t f IUPUT OVERLOAD 0 0 wp CHANNELS l 2 b FRONT SATELLITE SPEAKERS I IL OUT N A OUT CHANNELS 3 4 CHANNELS 586 SUBWOOFER CHANNEL REAR SATELLITE SPEAKE...

Страница 19: ...t DA V I N C I IN IN i i OUT CHANNELS 3 4 NI A OUT CHANNELS l 2 CHANNELS 5 6 SUBWOOFER CHANNEL FRONT MIDBASS SPEAKERS FRONT TWEETERS FRONT MIDRANGE SPEAKERS SUBWOOFERS I 12 dB Oct HIGH PASS 800Hz 4kHz...

Страница 20: ...V I N C I IN 1 REM IN 0 0 II y c y y 0 0 0 SUB CURRENT POWER INPUT OVERLOAD CHANNELS l 2 RIGHT SATELLITE SPEAKERS LEFT SATELLITE SPEAKERS 3 I I 12 dB Oct HIGH PASS 200Hz 800Hz 2 3 4 IN IN OUT 5 IN N A...

Страница 21: ...th Rear safellife speakers _ I DA V I N C I IN 1 REM I INPUT OVERLOAD IN 2 3 4 IN CHANNELS l 2 CHANNELS 38 4 5 OUT OUT CHANNELS 5 6 SUBWOOFER CHANNEL FRONT RIGHT FRONT LEFT SATELLITE SPEAKERS SATELLIT...

Страница 22: ...your amplifier Y PROBLEM CAUSE No sound and LED s are not lit Fault LED is lit Repeatedly blown amp fuse frequent activation of Smart Power Supply Circuit No sound from channels with input No sound fr...

Страница 23: ...Separation 90 dB Damping 200 Input Sensitivity 5 0 0 mV 5 0 V Input Impedance 12 k ohms CROSSOVER SPECIFICATIONS all continuously variable 2 way High Pass 12 dB octave 60 240 Hz Low Pass 24 dB octave...

Страница 24: ...T E C H N 0 L 0 G I E S SOUNDSTREAM TECHNOLOGIES 120 Blue Ravine Road l Folsom l California 95630 USA ph 916 351 1288 l fax 916 351 0414 ver 10 22 97a...

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