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14

INITIAL WIRING CONSIDERATIONS

For optimum performance, it is essential for the earthing system to be clean and noise free, as all signals are referenced to this earth.
A central point should be decided on for the main earth point system, and all earths should be 'star fed' from this point. It is common
electrical practice to `daisy chain' the earths to all electrical outlets but this method is unsuitable for audio installations. The preferred
method is to run an individual earth wire from each outlet, back to the system star point to provide a safety earth screen reference for
each piece of equipment.A separate earth wire should also be run from each equipment rack and area, to the star point. This may or
may not be used depending on circumstances, but it is easier to install in the first place, than later when problems arise.The location of
the star point should be a convenient, easily accessible place, preferably at the rear of the console or in the main equipment rack.

Install separate 'clean' and 'dirty' mains outlets, wired individually back to the incoming mains distribution box. Use the 'clean' supply for
all audio equipment and the `dirty' supply for all lighting, etc. Never mix the two systems.

If necessary, to provide sufficient isolation from mains borne interference on the booth output, install an isolating transformer. This
should be provided with a Faraday Shield which must be connected with earth.

Never locate the incoming mains distribution box near audio equipment, especially tape recorders, which are very sensitive to electro-
magnetic fields.

Ensure that all equipment racks are connected to earth, via a separate wire back to the star point.

Equipment which has unbalanced inputs and outputs may need to be isolated from the rack to prevent earth loops.

AUDIO WIRING

Having provided all equipment with power and earthing connections, consideration must be given to the method of providing audio
interconnection and adequate screening of those interconnections. This must be done in a logical sequence to avoid problems and
assist in the localisation of problem equipment.

Connect the Main or Booth system to the console and check for any hum, buzz, or RFI. Only when you are satisfied with the quietness
of the console and the PA system should you proceed with the next step.

Connect decks or CD players, FX and sends one at a time, checking and isolating any connection which degrades performance.

Connect all other peripheral devices.

Connect all microphone lines.

By following this sequence much time and future trouble will be saved, and the result will be a quiet, stable system.

SHIELDING

Audio equipment is supplied with a variety of input and output configurations, which must be taken into consideration when deciding
where the screen connections should be made. There are three sources of unwanted signal being impressed on the screen, which are
as follows:

Extraneous electrostatic or electromagnetic fields.

Noise and interference on the earth line.

Capacitive coupling between the screen and signal wires.

To minimise the adverse affects of the unwanted coupling to the signal wires, it is important that the screen is connected at one end only,
i.e. the screen must not carry any signal) current. Any signal) on the wires within the screen will be capacitively coupled to the screen.
This current will ultimately be returned to the source of the signal, either directly, if the screen is connected at the signal source end, or
indirectly via the earthing system, if the signal is connected at the signal destination end. The indirect connection will cause an increase
in high frequency cross-talk, and should be avoided wherever possible.

Therefore, in general, always connect the shield only at the signal source end. In high RF areas, the screen can also be connected to
earth via a 0.01 mF capacitor. This will present a short circuit at RF frequencies, thus lowering the effective shield impedance to ground.
However, at low audio frequencies the capacitor will effectively be an open circuit and thus not cause an earth loop problem.

Содержание UREI 1620LE

Страница 1: ...1...

Страница 2: ...commitment on the part of the vendor Soundcraftshallnotbeliableforanylossordamagewhatsoeverarisingfromtheuseofinformation or any error contained in this manual No part of this manual may be reproduced...

Страница 3: ...MAINS INSTALLATION 13 INITIAL WIRING CONSIDERATIONS 14 AUDIO WIRING 14 SHIELDING 14 POINTS TO REMEMBER 15 WORKING SAFELY WITH SOUND 15 INSPECTION AND INSTALLATION 16 BLOCK DIAGRAM 22 OPERATING CONTRO...

Страница 4: ...intended to alert the user to the triangle is intended to alert the user to the triangle is intended to alert the user to the triangle is intended to alert the user to the triangle is intended to ale...

Страница 5: ...or replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus Only use att...

Страница 6: ...d with liquids such as vases on the apparatus THIS APPARATUS MUSTBE EARTHED Under no circumstances should the safety earth be disconnected from the mains lead Themainssupplydisconnectdeviceisthemainsp...

Страница 7: ...controls The Model 1620LE has been designed for long life and reliability All input and output level controls are quiet and smooth acting Modular construction assures minimum down time for service all...

Страница 8: ...Ohms Gain 64 dB maximum 1 kHz measured at House XLR Connector RCA type phono jack Microphone Input Input Impedance For 150 ohm microphone electronically balanced Gain 60 84 dB adjustable on card measu...

Страница 9: ...mended Load 200 Ohms Frequency Response 1 5 dB 20 Hz 20 kHz THD N 0 3 20 Hz 20 kHz 20dBu into 200 ohm load Maximum Output 20 dBu into 200 Ohms Connector 6 3mm 1 4 in stereo jack on front panel Mono Ou...

Страница 10: ...0V setting Power Connector IEC with cable retainer ENVIRONMENT Operating 0 C to 50 C 32F to 122 F Storage 20C to 60C 4F to 140F PHYSICALSPECIFICATIONS Dimensions Front Panel 133 x 483mm 5 1 4in x 19 i...

Страница 11: ...o and from the Dealer or Soundcraft and postage must be prepaid 4 This warranty shall only be available if a the Equipment has been properly installed in accordance with instructions contained in Soun...

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Страница 13: ...circuitry may result Likewise on all balanced inputs avoid sources with large common mode DC AC or RF voltages as these will reduce the available signal range on the inputs Note that OdBu 0 775V RMS...

Страница 14: ...nnection and adequate screening of those interconnections This must be done in a logical sequence to avoid problems and assist in the localisation of problem equipment Connect the Main or Booth system...

Страница 15: ...ety regulations are not being infringed WORKING SAFELYWITH SOUND Althoughyournewconsolewillnotmakeanynoiseuntilyoufeeditsignals ithasthecapabilitytoproducesoundswhichwhenmonitored through an amplifier...

Страница 16: ...L CONSIDERATIONS The 1620LE Mixer will operate satisfactorily over a range of ambient temperatures from 0 C to 50C 32F to 122F and up to 80 non condensing relative humidity If the system is installed...

Страница 17: ...the recessed switch EXTERNAL CONNECTIONS Note See also the Block Diagram page 22 for further details Input and output signal wires should be shielded cable connected in accordance with standard wirin...

Страница 18: ...uxiliary Line Level Inputs Five sets of auxiliary line level inputs are available on the Model 1620LE labelled AUX A B C D and E Connection on the rear panel is through RCA type phono jacks These inpu...

Страница 19: ...izer crossover network or other connected device we recommend connecting a 620 ohm 1 2 watt resistor across the line at the end of the cable which is hooked up to the input of that device This will es...

Страница 20: ...l control should be provided JACK Signal Tip Gnd Ring Gnd Ring Tape Outputs Two parallel sets of RCA type phono jacks provide convenient means for connecting to tape recorders These outputs are not af...

Страница 21: ...sformer less circuitry or input transformers minimize common mode noise or interference which may be induced into the interconnecting wires or cables Where audio must be transmitted through cables or...

Страница 22: ...22 BL BL BL BL BLOCK DIA OCK DIA OCK DIA OCK DIA OCK DIAGRAM GRAM GRAM GRAM GRAM...

Страница 23: ...ut positions labelled AUX 1 AUX 4 have input source selector switches allowing any of these four positions to control any of five auxiliary inputs AUX A E or the output of an optional internal preampl...

Страница 24: ...six position selector switch determines which input will be heard When cueing be certain that the level control for that input is completely off to avoid cueing through the house system HOUSE BOOTH A...

Страница 25: ...GURATIONS MICROPHONE GAIN ADJUSTMENT As supplied the microphone preamplifier card Part No 1620 MC is set for 64 dB of gain which should be adequate for most installations If necessary the gain may be...

Страница 26: ...he connector on the motherboard into which the new preamplifier card will be installed This switch allows its AUX input to be used as a line input when no preamplifier is installed and must be switche...

Страница 27: ...the mother board Note the orientation of the card and make certain that the card correctly mates with the connector on the motherboard 4 If required adjust the gain of the preamplifier by rotating the...

Страница 28: ...AUX A E from the AUX 4 control since bypassing the extra tone control and master gain amplification stages will cause the AUX 4 control to be out of phase with the other AUX controls If the same line...

Страница 29: ...ontrols 1 Remove the three screws fastening the top cover of the 1620LE to the chassis and remove the cover 2 Locate the Tone Control circuit board on the right side of the front panel 3 Press and rel...

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