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Page 15

GROUP SECTION

T

he Group outputs are available on XLR connectors, and a pre-fade insert point is
also provided on 3-pole 1/4” jacks.  The Groups may also feed the stereo Mix (see

27, below) or the Matrix outputs (see 28, below).

26 GROUP FADERS

These 100mm long-throw fader determine the level of the Group signal.  Normal

operating position is at the `0’ mark, providing 10dB of gain above that point if required.

27 GROUPS TO MIX, STEREO/MONO

Pressing the GROUPS TO MIX switch feeds the post-fade Group signals in stereo to

both sides of the stereo Mix.  Groups 1 and 3 feed Mix Left, and Groups 2 & 4 feed Mix
Right.

Alternatively pairs of Groups may be used as mono subgroups feeding both sides of

the Mix, by pressing the STEREO/MONO switch.

28 MATRIX SENDS (GROUPS)

The console is provided with two independent Matrix outputs A & B. These may

receive feeds from each Group or Mix Left and Right to create additional mixes for extra
speaker outputs (e.g. side fills or delays) without affecting the main mix.  The MATRIX
SENDS control the level of the Group signal sent to Matrix A & B buses.  They should be
turned fully anticlockwise when not required.

If required the Matrix outputs may be used to create an additional stereo output

from the console, and in this case the Groups may be fed as stereo pairs, for instance
with Groups 1 & 3 feeding Matrix A and Groups 2 & 4 feeding Matrix B.

29 PFL

When the PFL switch is pressed, the pre-fade signal of the relevant Group is fed to

the headphones and L & R meters, where it replaces the normal Mix L/R signal.  The
PFL/AFL ON LED on the master section illuminates to warn that the headphones and
the meters are now responding to the PFL/AFL selection and the associated PFL LED
lights to identify the active Group.  This is a useful way of listening to any required Group
signal without interrupting the main mix, for making adjustments or tracing problems.

30 STEREO RETURNS

Four STEREO RETURNS are provided which feed either to the stereo Mix or the

local pair of Groups, as selected by the 1-2(3-4)/Mix switches.  These are an ideal way of
mixing in the output of a reverb or effects unit, additional keyboards or the output of
other consoles used as sub-mixers.  The knobs should turned fully anticlockwise when
not required.

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30

27

28

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Содержание SPIRIT LIVE 42

Страница 1: ...All manuals and user guides at all guides com a l l g u i d e s c o m...

Страница 2: ...ice of four Mute Groups All frame sizes are provided as standard with dedicated stereo inputs 1 stereo input is included on the 12 channel frame and 2 stereo inputs on all other frame sizes Each stere...

Страница 3: ...xible and potentially destructive feature of the mixer They have a similar effect on the frequency response of the input channel as the tone controls on a hi fi system but with much greater precision...

Страница 4: ...hen the signal becomes so high that it would exceed the power supply rail voltages and is as a result limited This commonly occurs where gain settings are incorrectly set or where sources are improper...

Страница 5: ...f the warranty please read this section carefully The LIVE 42 mixer must only be connected through the Power Supply supplied The wires in the mains lead are coloured in accordance with the following c...

Страница 6: ...Page 5 CONNECTING IT UP All manuals and user guides at all guides com a l l g u i d e s c o m...

Страница 7: ...pole mono jacks which will automatically ground the cold input Use this input for sources other than mics such as keyboards drum machines synths tape machines or guitars The input is BALANCED for low...

Страница 8: ...ck socket which is normally bypassed When a jack is inserted the signal path is broken just before the mix fader The mix signal appears on the TIP of the plug and is returned on the RING A Y lead may...

Страница 9: ...elected input if a phasing problem is suspected Grounding and Shielding For optimum performance it is vital that all signals are referenced to a solid noise free earthing point and that all signal cab...

Страница 10: ...ructure of the console Each Component has a specific function and only by getting to know what each part is supposed to do will you be able to tell if there is a genuine fault Many faults are the resu...

Страница 11: ...tion The signal from the channel appears on the TIP of the plug and is returned on the RING The insert point allows limiters compressors and other signal processing units to be added as required to pa...

Страница 12: ...its or extra loudspeaker fills AUX 1 2 3 are derived before the channel fader PRE FADE and are therefore unaffected by the fader position This makes them particularly suitable for foldback or monitor...

Страница 13: ...replaces the normal Mix L R signal The PFL AFL ON LED on the master section illuminates to warn that the headphones and the meters are now responding to the PFL AFL selection and the PFL LED on the i...

Страница 14: ...FL AFL ON LED on the master section illuminates to warn that the headphones and the meters are now responding to the PFL AFL selection and the PFL LED on the input section lights to identify the activ...

Страница 15: ...urce in the stereo image When the control is turned fully left or right you feed only that side of the signal to the mix 22 ROUTING SWITCHES The input channel signal may be routed in stereo to the mai...

Страница 16: ...B buses They should be turned fully anticlockwise when not required If required the Matrix outputs may be used to create an additional stereo output from the console and in this case the Groups may be...

Страница 17: ...ormally the Matrix Sends are derived from a mono sum of Mix L R Pressing the STEREO switch routes Mix L to Matrix A and Mix R to Matrix B to allow the Matrix outputs to be used as a separate stereo ou...

Страница 18: ...AFL signal 39 PHONES This control sets the level of the PHONES output jack 40 MONO CHECK Normally the Phones output monitors the Stereo Mix Pressing the MONO CHECK switch sums the L R outputs to check...

Страница 19: ...the correct position Initial Set Up Once you have connected up your system see the sections on connection and wiring earlier in this manual for guidance you are ready to set initial positions for the...

Страница 20: ...Channel Fader slightly until the level is out of the red segments or adjust the Master Fader Note The level of any source signal in the final output is affected by many factors principal ly the Input...

Страница 21: ...c ondary system fed from the Matrix outputs The illustration shows the flexibility of the inputs to the mixer and how the direct outputs are available as sources for a multitrack tape machine The Aux...

Страница 22: ...ddition of a voice cluster and mono fill both fed from the Matrix outputs The source for the Matrix could be the main Mix or a combination of Mix and Groups The first three Aux sends are used as mono...

Страница 23: ...ereo Inputs to the Mix may be expanded by using the Stereo Returns for sources such as keyboards and drum machines when the normal Stereo input channels are already used Additional stage foldback is p...

Страница 24: ...ment is to drive a large number of separate loudspeaker outputs for spot sound effects The Groups Mix Aux Sends and Matrix outputs are all used for this purpose Each could be provided with Graphic EQ...

Страница 25: ...n advance including fader positions and muted until required Releasing the respective Master Mute button activates the whole group Pressing the button mutes the selected channels SCENE 1 OR BAND 1 SOU...

Страница 26: ...l a larger number of input channels or to accommodate a separate mixer being used as a submixer Note that the PFL AFL monitoring and Mute buses remain separate Groups 1 4 out Slave Mixer Master MIxer...

Страница 27: ...two wires but out of phase resulting in cancellation of the interference signal clipping the onset of severe distortion in the signal path usually caused by the peak signal voltage being limited by th...

Страница 28: ...a term used to describe the orientation of the positive and negative poles of an audio connection Normally connections are made with positive to positive negative to negative and this would correct p...

Страница 29: ...ical Channel Fader Attenuation 80 dB Typical Aux Attenuation 80 dB Typical Pan Isolation 70 dB Adjacent Channel Crosstalk 85 dB FREQUENCY RESPONSE 20Hz to 20kHz 1dB T H D 10dBu Input routed to Mix 20d...

Страница 30: ...FLIGHT CASE MOUNTING The console is ideal for flight case mounting with all connectors on the top panel The end cheeks may be removed to save space in the flight case if required The example below sho...

Страница 31: ...Page All manuals and user guides at all guides com a l l g u i d e s c o m...

Страница 32: ...Page All manuals and user guides at all guides com...

Страница 33: ...O MONO CHECK MIX LEFT INSERT INSERT MIX RIGHT MIX LEFT MATRIX A OUT GROUP OUT MATRIX B OUT MATRIX A BUS MATRIX B BUS FADER MATRIX A MATRIX A MATRIX B MATRIX B A A B B FADER AUX1 AUX 2 3 5 6 SIMILAR AU...

Страница 34: ...All manuals and user guides at all guides com...

Страница 35: ...All manuals and user guides at all guides com...

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