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Page 13

STEREO INPUTS

E

ach Stereo Input section comprises two independent pairs of inputs.  The Stereo
Input (upper pair of jacks) feeds a full-facility input channel, very similar to the mono

input.  The lower pair of jacks are intended for a cassette or CD source, typically to pro-

vide background music before a performance and are fed to the stereo mix only and Aux

1 & 2.

CASS/CD INPUT SECTION

13 GAIN

The GAIN switch provides two input sensitivities.  The LO setting (switch released)

should be selected for -10dBV semi-professional equipment such as CD players or cas-

sette, and the HI setting (switch pressed) should be selected for -20dBV Hi-Fi equip-
ment.  Start with the LO setting if the source level is unknown.

14 AUXILIARY SENDS

These controls route a mono sum of the input channel signal to Auxiliary busses 1 &

2.  These are separate from the main outputs and can therefore provide additional out-

puts for foldback, echo units or extra loudspeaker `fills’.

The sends are derived 

before

the LEVEL TO MIX control (Pre-fade) and are there-

fore not affected by the position of that control.  This makes them particularly suitable
for foldback or monitor feeds, which need to be controlled separately from the main
P.A. mix.  These sends are not affected by the mute switching.

15 PFL

When the PFL switch is pressed, a mono sum of the pre-fade signal is fed to the head-

phones and L & R meters, where it replaces the normal Mix L/R signal.  The PFL/AFL ON
LED on the master section illuminates to warn that the headphones and the meters are
now responding to the PFL/AFL selection and the PFL LED on the input section lights to
identify the active channel.  This is a useful way of listening to any required input signal
without interrupting the main mix, for making adjustments or tracing problems.

16 LEVEL TO MIX

This control sets the level of the stereo signal to the stereo MIX.  The knob should

be left fully anticlockwise when not required.

STEREO INPUT SECTION

17

GAIN

This knob allows you to match the input level to suit a wide variety of professional, semi-

professional and hi-fi sources.  Start with a low setting, especially for professional equipment,
and increase it if you cannot reach an adequate signal level with the fader at maximum.  

18 EQUALISER

The Equaliser section has HF and LF shelving controls, each with a range switch to

provide two centre frequencies for each control.

Turn the HF knob to the right to boost high (treble) frequencies by up to 15dB at a

choice of 6kHz or 12kHz centre frequencies, adding crispness to percussion from drum
machines, synths and electronic instruments.  Turn to the left to cut these frequencies,

reducing hiss or excessive brilliance.  

Turn the LF knob to the right to boost low (bass) frequencies by up to 15dB at a

choice of 60Hz or 120Hz centre frequencies, adding extra punch to synths, guitars and
drums.  Turn to the left to reduce hum, boominess or improve a mushy sound.  

Set both knobs in the centre-detented position when not required.

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All manuals and user guides at all-guides.com

Содержание SPIRIT LIVE 42

Страница 1: ...All manuals and user guides at all guides com a l l g u i d e s c o m...

Страница 2: ...ice of four Mute Groups All frame sizes are provided as standard with dedicated stereo inputs 1 stereo input is included on the 12 channel frame and 2 stereo inputs on all other frame sizes Each stere...

Страница 3: ...xible and potentially destructive feature of the mixer They have a similar effect on the frequency response of the input channel as the tone controls on a hi fi system but with much greater precision...

Страница 4: ...hen the signal becomes so high that it would exceed the power supply rail voltages and is as a result limited This commonly occurs where gain settings are incorrectly set or where sources are improper...

Страница 5: ...f the warranty please read this section carefully The LIVE 42 mixer must only be connected through the Power Supply supplied The wires in the mains lead are coloured in accordance with the following c...

Страница 6: ...Page 5 CONNECTING IT UP All manuals and user guides at all guides com a l l g u i d e s c o m...

Страница 7: ...pole mono jacks which will automatically ground the cold input Use this input for sources other than mics such as keyboards drum machines synths tape machines or guitars The input is BALANCED for low...

Страница 8: ...ck socket which is normally bypassed When a jack is inserted the signal path is broken just before the mix fader The mix signal appears on the TIP of the plug and is returned on the RING A Y lead may...

Страница 9: ...elected input if a phasing problem is suspected Grounding and Shielding For optimum performance it is vital that all signals are referenced to a solid noise free earthing point and that all signal cab...

Страница 10: ...ructure of the console Each Component has a specific function and only by getting to know what each part is supposed to do will you be able to tell if there is a genuine fault Many faults are the resu...

Страница 11: ...tion The signal from the channel appears on the TIP of the plug and is returned on the RING The insert point allows limiters compressors and other signal processing units to be added as required to pa...

Страница 12: ...its or extra loudspeaker fills AUX 1 2 3 are derived before the channel fader PRE FADE and are therefore unaffected by the fader position This makes them particularly suitable for foldback or monitor...

Страница 13: ...replaces the normal Mix L R signal The PFL AFL ON LED on the master section illuminates to warn that the headphones and the meters are now responding to the PFL AFL selection and the PFL LED on the i...

Страница 14: ...FL AFL ON LED on the master section illuminates to warn that the headphones and the meters are now responding to the PFL AFL selection and the PFL LED on the input section lights to identify the activ...

Страница 15: ...urce in the stereo image When the control is turned fully left or right you feed only that side of the signal to the mix 22 ROUTING SWITCHES The input channel signal may be routed in stereo to the mai...

Страница 16: ...B buses They should be turned fully anticlockwise when not required If required the Matrix outputs may be used to create an additional stereo output from the console and in this case the Groups may be...

Страница 17: ...ormally the Matrix Sends are derived from a mono sum of Mix L R Pressing the STEREO switch routes Mix L to Matrix A and Mix R to Matrix B to allow the Matrix outputs to be used as a separate stereo ou...

Страница 18: ...AFL signal 39 PHONES This control sets the level of the PHONES output jack 40 MONO CHECK Normally the Phones output monitors the Stereo Mix Pressing the MONO CHECK switch sums the L R outputs to check...

Страница 19: ...the correct position Initial Set Up Once you have connected up your system see the sections on connection and wiring earlier in this manual for guidance you are ready to set initial positions for the...

Страница 20: ...Channel Fader slightly until the level is out of the red segments or adjust the Master Fader Note The level of any source signal in the final output is affected by many factors principal ly the Input...

Страница 21: ...c ondary system fed from the Matrix outputs The illustration shows the flexibility of the inputs to the mixer and how the direct outputs are available as sources for a multitrack tape machine The Aux...

Страница 22: ...ddition of a voice cluster and mono fill both fed from the Matrix outputs The source for the Matrix could be the main Mix or a combination of Mix and Groups The first three Aux sends are used as mono...

Страница 23: ...ereo Inputs to the Mix may be expanded by using the Stereo Returns for sources such as keyboards and drum machines when the normal Stereo input channels are already used Additional stage foldback is p...

Страница 24: ...ment is to drive a large number of separate loudspeaker outputs for spot sound effects The Groups Mix Aux Sends and Matrix outputs are all used for this purpose Each could be provided with Graphic EQ...

Страница 25: ...n advance including fader positions and muted until required Releasing the respective Master Mute button activates the whole group Pressing the button mutes the selected channels SCENE 1 OR BAND 1 SOU...

Страница 26: ...l a larger number of input channels or to accommodate a separate mixer being used as a submixer Note that the PFL AFL monitoring and Mute buses remain separate Groups 1 4 out Slave Mixer Master MIxer...

Страница 27: ...two wires but out of phase resulting in cancellation of the interference signal clipping the onset of severe distortion in the signal path usually caused by the peak signal voltage being limited by th...

Страница 28: ...a term used to describe the orientation of the positive and negative poles of an audio connection Normally connections are made with positive to positive negative to negative and this would correct p...

Страница 29: ...ical Channel Fader Attenuation 80 dB Typical Aux Attenuation 80 dB Typical Pan Isolation 70 dB Adjacent Channel Crosstalk 85 dB FREQUENCY RESPONSE 20Hz to 20kHz 1dB T H D 10dBu Input routed to Mix 20d...

Страница 30: ...FLIGHT CASE MOUNTING The console is ideal for flight case mounting with all connectors on the top panel The end cheeks may be removed to save space in the flight case if required The example below sho...

Страница 31: ...Page All manuals and user guides at all guides com a l l g u i d e s c o m...

Страница 32: ...Page All manuals and user guides at all guides com...

Страница 33: ...O MONO CHECK MIX LEFT INSERT INSERT MIX RIGHT MIX LEFT MATRIX A OUT GROUP OUT MATRIX B OUT MATRIX A BUS MATRIX B BUS FADER MATRIX A MATRIX A MATRIX B MATRIX B A A B B FADER AUX1 AUX 2 3 5 6 SIMILAR AU...

Страница 34: ...All manuals and user guides at all guides com...

Страница 35: ...All manuals and user guides at all guides com...

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