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STEREO INPUT CHANNEL

STEREO INPUT L & R

These inputs accept 3-pole ‘A’ gauge (TRS) jacks.  Use these inputs for sources such

as keyboards, drum machines, synths, tape machines or as returns from processing

units.  The inputs are BALANCED for low noise and immunity from interference, but

you can use UNBALANCED sources by wiring up the jacks as shown, although you

should then keep cable lengths as short as possible to minimise interference pick-up.

INPUT +4/-10

Most professional equipment uses input and output levels of +4dBu, but

semi-professional tape machines or hi-fi systems use a lower level of -10dBV.  This

switch allows you to match the sources

connected to the Stereo input jacks to either standard, which is important to ensure the best possible sound quality.  If

you are not sure what input level is appropriate, start with the switch UP to 4dBu.   If you are unable to achieve

an adequate signal level (even with the fader at maximium), press the switch in for -10dBV.

HF EQ

Turn to the right to boost high (treble) frequencies, adding crispness to percussion from drum machines, synths and

electronic instruments.  Turn to the left to cut these frequencies, reducing hiss or excessive brilliance.  Set the knob in the

centre-detented position when not required.  The control has a shelving response giving 15dB of boost or cut at a fixed

frequency.

LF EQ

Turn to the right to boost low (bass) frequencies, adding extra punch to synths, guitars and drums.  Turn to the left to

reduce hum, boominess or improve a mushy sound.  Set the knob to the centre-detented position when not required.  The

control has a shelving response giving 15dB of boost or cut at a fixed frequency.

AUX  SEND 1

This is used to set up a separate mono mix for FOLDBACK, EFFECTS or recording, and the combination of all the Aux

1 Sends is mixed to the Aux 1 Output.  For Effects it is useful for this to fade up and down with the FADER (this is called

POST-FADE), but for Foldback or Monitor feeds it is important for the send to be independent of the FADER so that, for

instance, the mix to artists headphones is not affected by changes in fader level (this is called PRE-FADE).  The Master

Section AUX1 PRE switch allows you to chose pre- or post-fade across the whole mixer as required.  Leave the knob

turned down when not in use.

AUX  SEND 2

This is similar to the Aux Send 1 control, but is always POST-FADE.

BALANCE

This control sets the amount of the channel signal feeding the Right and Left MIX outputs, allowing you to balance the

source in the stereo image.  When the control is turned fully right or left you feed only that side of the signal to the mix.

Unity gain is provided by the control in the centre-detented position.

FADER

The linear FADER gives you smooth control of the overall signal level in the channel strip, allowing precise balancing of

the various source signals being mixed to the Master Section.  It is important that the input level is set correctly with the

+4/-10 switch to give maximum travel on the fader which should normally be used at around the ‘0’ mark.  See the

‘Initial Setting Up’ section on page 10 for help in setting the right level.

Hot (+ve)

Cold (-ve)

Gnd/Screen

Signal

Gnd/Screen

Gnd/Screen

Tip

Ring

Sleeve

Unbalanced

Balanced

SPIRIT FOLIO

13

All manuals and user guides at all-guides.com

Содержание SPIRIT FOLIO

Страница 1: ...Safety Precautions Initial Setting Up The Controls in More Detail Using Folio Typical Applications Stereo Public Address Stereo Recording Location Recording Glossary Technical Specifications System B...

Страница 2: ...an up or enhance the sound The AUX SENDS let you set up a separate mix for artists FOLDBACK or to add EFFECTS PROCESSORS PAN swings the signal to the LEFT or RIGHT of the stereo MIX output 1 You can l...

Страница 3: ...the signal from the MONITOR OUTPUTS via a suitable power amplifier The MASTER FADERS set the level of the combined signal from all of the input channels going to the amps and speakers The CHANNEL FADE...

Страница 4: ...s 3 pole A gauge TRS jacks Use this input for sources other than mics such as keyboards drum machines synths tape machines or guitars The input is BALANCED for low noise and immunity from interference...

Страница 5: ...n be enhanced or reduced Set the lower knob to the centre detented position for a neutral EQ response Turn to the right to boost high treble frequencies adding crispness to cymbals vocals and electron...

Страница 6: ...age 13 This is similar to the Aux Send 1 control but is always POST FADE Turn to the right to boost low bass frequencies adding extra punch to synths guitars and drums Turn to the left to reduce hum b...

Страница 7: ...o image When the control is turned fully right or left you feed only that side of the signal to the mix See page 13 The linear FADER gives you smooth control of the overall signal level in the channel...

Страница 8: ...swaps back to the previous source This works just the same as AUX 1 AFL See page 14 See page 14 The three colour peak reading BARGRAPH METERS normally show the level of the MIX RIGHT and MIX LEFT outp...

Страница 9: ...pe machine without using up any of the LINE inputs This pot sets the level of playback signal fed either to the MIX when MIX is pressed or MONITOR when TAPE RETN is pressed Press this switch to route...

Страница 10: ...llows The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked with the letter E or by the earth symbol The wire which is coloured Blue must be connect...

Страница 11: ...to mix down input signals but also to provide a monitor mix for artists to hear previously recorded tracks when overdubbing new parts A typical set up is as follows Connect input sources and set gain...

Страница 12: ...as shown below although you should then keep cable lengths as short as possible to minimise interference pick up on the cable Unplug anything in the MIC input if you want to use this socket Set the i...

Страница 13: ...Turn to the left to cut low frequencies by up to 15dB for reducing hum stage rumble or to improve a mushy sound Set the knob to the centre detented position when not required AUX SEND 1 This is used t...

Страница 14: ...re detented position when not required The control has a shelving response giving 15dB of boost or cut at a fixed frequency AUX SEND 1 This is used to set up a separate mono mix for FOLDBACK EFFECTS o...

Страница 15: ...same level You should therefore aim for an average reading of 6 9 if the mix contains a high proportion of high level transients and a lower reading of around 0 for steadier signals with the Master F...

Страница 16: ...ll Tape Return signal MONITOR PHONES LEVEL This control sets the output level to the MONITOR LEFT RIGHT outputs If HEADPHONES are plugged into the PHNS jack the Monitor outputs are cut off and the kno...

Страница 17: ...ufficient level for a direct connection and will require a Direct Injection DI box connected via the microphone input The output is taken from Mix L R and connected to the speakers via a suitable powe...

Страница 18: ...reverb or other effects unit is fed from Aux 1 set as post fade and brought back to the mixer on a Stereo input Location Mixing In this example the mixer is used as a simple very portable microphone m...

Страница 19: ...ing occurs High Pass filter a filter that rejects low frequencies Line level signals at a nominal level of 10 to 6dBu usually coming from a low impedance source Oscillator a built in tone generator fo...

Страница 20: ...onse 20Hz 30kHz relative to 1kHz 1dB Input Output Impedances Mic Inputs 2k Line Inputs 10k Outputs 75 Input Output Levels Mic Input 11dBu maximum Line Input 30dBu maximum Any Output 22dBu maximum Head...

Страница 21: ...All manuals and user guides at all guides com a l l g u i d e s c o m...

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