5
Turn to the right to boost high (treble) frequencies,
adding crispness to percussion from drum machines,
synths and electronic instruments. Turn to the left to cut
these frequencies, reducing hiss or excessive
brilliance. Set the knob in the centre-detented position
when not required.
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Most professional equipment uses input and output
levels of +4dBu, but semi-professional tape machines
use a low level of -10dBV (or hi-fi systems 100mV).
This switch allows you to match the stereo input to
either standard. Release the switch for +4dBu, or
press for -10dBV.
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This is similar to the Aux Send 1 control, but is
always POST-FADE.
Turn to the right to boost low (bass) frequencies, adding extra
punch to synths, guitars and drums.
Turn to the left to reduce hum, boominess or improve a mushy
sound. Set the knob to the centre-detented position when not
required.
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Accept 3-pole `A' gauge (TRS) jacks. Use
these inputs for sources such as
keyboards, drum machines, synths, tape
machines or as returns from processing
units. The inputs are BALANCED for low
noise and immunity from interference, but
you can use UNBALANCED sources by
wiring up the jacks as shown later in this
guide, although you should then keep
cable lengths as short as possible.
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