XL-Desk – Owner’s Manual Page 21
6) At this point as the engineer you have some decisions to make as to how you
want to record. The direct channel output (CHOP) can be set post-fader or pre-
fader using the
CHOP POST
button. You can process the input recording
channels using external rack gear connected to the insert points (
INS
button)
or the 500-series rack slots (
500
button).
7) Set up 8 tracks in your DAW session to record the 8
microphone signals. This tutorial assumes that the
first 8 direct channel outputs have been connected
to the first 8 inputs of your DAW’s audio interface.
8) In your DAW record arm the 8 channels for
recording. Route the outputs of these tracks into
DAW INPUT 9-16
on XL-Desk.
9) Press the
DAW
button for channels 9-16 and
you will see signal coming into the desk.
Route these channels to Mix Bus A using
the
A
routing button (above the
CUT
button).
Ensure that the MIX A master fader is
raised and that MON SOURCE is set to
MIX A.
Don’t forget to un-select the Mix Bus B
AFL
button when you want to hear the DAW returns. At any point, you
can choose whether you’re listening to the input signals on Mix B or the DAW returns on Mix A by simply
toggling the Mix B
AFL
button on or off.
CHANNEL OUT 1 - 8
INSERT SEND 9 - 16
DAW INPUT 9 - 16
POWER
MADI
RATE
CLOCK
LEVEL
OUTPUTS
INPUTS
MX
16 - 4
POWER
MADI
RATE
CLOCK
LEVEL
OUTPUTS
INPUTS
MX
4 - 16
POWER
MADI
RATE
CLOCK
LEVEL
OUTPUTS
INPUTS
MX
4 - 16
Channel outputs to
DAW interface
inputs
MADI
Analogue
Содержание XL-Desk
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