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Operating modes
In the FOH mode, LR feeds the main PA. M sums the L and R post-fade signals
to provide an additional feed for a mono fill speaker or zone, or main feed into
a mono PA. Groups 1-4 may be used for multitrack recording, zone feed and so
on, or simply left unconnected where they are used as subgroups to LR for
level masters and/or inserted processing. In
monitor mode Groups 1-4 and LR XLRs and inserts become the aux mix
masters. M becomes the engineer’s listen wedge AFL/PFL feed. This configures
the console with 6 main stage monitor and an engineer’s output. The groups
and LR are still available via the matrix to provide yet more monitor feeds
8.7. AUX OUT 1-6
Each AUX send is available on an
impedance balanced TRS jack operating
at -2dBu/0,62V line level. The Aux senda
are typically used to feed monitors, effects
devices such as reverb and delay.
8.8. MATRIX OUT 1-4
Each matrix output is available on an impedance balanced TRS
jack operating at -2dBu/0.62V line level. The matrix outputs are
typically used for mono or stereo recording or broadcast feeds,
delay and fill speakers, zone feeds, additional monitors such as
IEM, hearing assist loops and so on.
8.9. MATRIX EXT IN 1-4
Each matrix has an unbalanced 0dBu/0,77V line level TRS jack
input. An external signal such as ambience mix, additional or
sub mixer, remote source, reference tone and so on may be
mixed in to each matrix. The inputs are normally as shown in
the diagram here. This means you can plug in just one jack
(EXT!) as a common source to all matrix, two jacks (EXT1, 2)
as a common stereo source to matrix pairs, or four independent
sources. This is ideal for adding mono or stereo ambience to
recordings or in-ear monitor fed from the matrix.
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