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MTR231 

Multi-Pattern Studio Condenser Microphone

7

10dB Attenuation Pad

The MTR231 includes a 10dB attenuation pad that can be selected with the slide 
switch located below the grill, which is used to prevent overloading the onboard 
preamplifier by lowering the input sensitivity of the microphone preamplifier 
circuit. Setting the switch to the left (0dB position) the control is bypassed and 
there is no effect on the signal. When the switch is set to the right (-10dB posi-
tion) the input sensitivity of the microphone will be lowered by 10dB. This is use-
ful when close miking loud sound sources with very high transient sounds, such as 
drums, cymbals or brass instruments.

Before setting the attenuation pad switch to the -10dB position, it is advisable to 
perform a sound check and to optimize the input signal levels using proper gain 
staging. If distortion is apparent when the performer is singing or playing their 
instrument at maximum level, work backwards through the signal chain to find 
out where the distortion exists. First check the microphone preamp level. If it is 
set to the minimum position and there is distortion, activate the preamplifier pad 
switch. If the signal level drops and the distortion goes away, then the microphone 
preamp was overloaded. If the level drops but the distortion remains, then the 
overload is happening at the microphone input. Set the attenuation switch to 
the -10dB position. If the distortion still remains, then either have the performer 
lower the level of their instrument or move the microphone further away from the 
sound source.  

Содержание MTR231

Страница 1: ......

Страница 2: ...used In these pages you ll find a detailed description of the features of the MTR231 as well as instructions for its setup and use and full specifications If your microphone was purchased in the Unit...

Страница 3: ...r Dual 1 gold sputtered capsule Smooth and transparent sound reproduction Selectable pick up pattern Omnidirectional Cardioid Figure 8 48 volt phantom power operation 10dB attenuation pad Internal cap...

Страница 4: ...an issue with the phantom power supply or the microphone cables When connecting the MTR231 to a mixer use a balanced cable and be sure that the input is balanced and connected to a channel that is se...

Страница 5: ...election switch to the left position indicated by the circle icon Unidirectional cardioid The cardioid pickup pattern is the most widely used for studio and live miking applications It captures sound...

Страница 6: ...ruments Before setting the attenuation pad switch to the 10dB position it is advisable to perform a sound check and to optimize the input signal levels using proper gain staging If distortion is appar...

Страница 7: ...from the microphone the tone becomes more natural as the low frequency rolls off To achieve the fullest sound the vocalist should aim the microphone center line towards their mouth If some consonants...

Страница 8: ...en lid For a more contemporary ensemble sound place two MTR231 microphones in the piano positioning one over the bass strings and one over the high strings at a distance of 6 12 inches apart When miki...

Страница 9: ...sible together with a splayed angle of 90 135 The closer the angle between the microphones is to 90 the more narrow or mono the soundstage will appear Since cardioid pickup patterns tend not to reprod...

Страница 10: ...nd connection Note Do not adjust the angle of the shockmount without loosening the thumb screw If you do this the shockmount may be damaged and you may void your warranty Install the MTR231 into the M...

Страница 11: ...of the blasts of air from vocal ists when pronouncing words that include these hard consonant sounds The pop filter also helps to protect the microphone element from moisture The MTR231 features a un...

Страница 12: ...1V Pa 2kHz Cardioid 37dB 3dB 0dB 1V Pa 1kHz Figure 8 33dB 3dB 0dB 1V Pa 1kHz Equivalent self noise 16dB Dynamic Range 118dB Signal to noise 78dB Output Impedance 50 30 at 1kHz Maximum SPL 132dB Poweri...

Страница 13: ...20 20000 Hz 10000 5000 2000 1000 500 200 100 50 20 5 10 15 20 dB 25 45 45 90 90 135 135 180 0 5 10 15 20 dB 25 45 45 90 90 135 135 180 0 5 10 15 20 dB 25 45 45 90 90 135 135 180 0 Frequency Response F...

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