Samson C-que 8, Руководство пользователя, Страница: 15 / 63

ENGLISH
13
C•que 8 Connections
CUE MIX SET-UP FOR MULTITRACK RHYTHM SECTION RECORDING
RHYTHM SECTION AND BACKING TRACKS MIX
FROM CONSOLE AUX SEND
SIGNAL FLOW
Bass Guitar
Fr
om
M
ix
er
D
ir
ec
t Out
R
h
ythm Guitar
Fr
om
M
ix
er
D
ir
ec
t Out
Lead Guitar
Fr
om
M
ix
er
D
ir
ec
t Out
Keyboards
Fr
om
M
ix
er
D
ir
ec
t Ou
t
SIGNAL FL
O
W
MAIN
INJEC
T
VOLUM
E
2 CH
STEREO
SHAPE
OU
T
SHAPE
OUT
CH
1
OL
0
-6
-1
2
-1
8
-2
4
OL
0 -6
-1
2
-1
8
-2
4
CH
1
CH
2
SHAP
E
OUT
SHAP
E
OU
T
OL
0 -6
-1
2
-1
8
-2
4
C
H
3
CH
4
4 CHANNEL
HEADPHONE AM
P
CH
2
CH
3
CH
4
VOLUM
E
VOLUME
VOLUM
E
VOLUM
E
MAIN
INJEC
T
2 CH
STEREO
SHAPE
OU
T
SHAPE
OU
T
0
1
0
0
1
0
CH
1
OL
0 -6
-1
2
-1
8
-2
4
OL
0
-6
-1
2
-1
8
-2
4
CH
1
C
H
2
SHAPE
OU
T
SHAPE
OUT
OL
0
-6
-1
2
-1
8
-2
4
CH
3
C
H
4
4 CHANNEL
HEADPHONE AM
P
CH
2
CH
3
CH
4
VOLUM
E
VOLUM
E
VOLUM
E
VOLUM
E
MAIN
INJEC
T
2 CH
STEREO
SHAPE
OU
T
SHAPE
OU
T
CH
1
OL
0
-6
-1
2
-1
8
-2
4
OL
0 -6
-1
2
-1
8
-2
4
CH
1
CH
2
SHAPE
OU
T
SHAPE
OU
T
OL
0 -6
-1
2
-1
8
-2
4
CH 3
CH
4
4 CHANNEL
HEADPHONE AM
P
CH
2
CH
3
CH
4
VOLUM
E
VOLUME
VOLUM
E
VOLUM
E
MAIN
INJEC
T
2 CH
STEREO
SHAP
E
OU
T
SHAP
E
OU
T
0
10
0
10
CH
1
OL
0 -6
-1
2
-1
8
-2
4
OL
0
-6
-1
2
-1
8
-2
4
CH
1
CH
2
SHAP
E
OU
T
SHAP
E
OU
T
OL
0
-6
-1
2
-1
8
-2
4
C
H
3
C
H
4
4 CHANNEL
HEADPHONE AM
P
CH
2
CH
3
CH
4
VOLUM
E
VOLUME
VOLUM
E
VOLUM
E
SIGNAL FL
O
W
SIGNAL FL
O
W
SIGNAL FL
O
W
0
1
0
BALANC
E
L
R
0
1
0
0
1
0
0
1
0
0
1
0
VOLUM
E
0
1
0
BALANC
E
L
R
0
1
0
0
1
0
0
1
0
0
1
0
VOLUM
E
0
1
0
BALANC
E
L
R
0
1
0
0
1
0
0
1
0
0
1
0
VOLUM
E
0
1
0
BALANC
E
L
R
0
1
0
0
1
0
0
1
0
0
1
0
TO
RIGHT
LINE INPUT ON REAR P
ANEL
LINK OUTPUT
BALANCED
LEFT
RIGHT
LINE INPU
T
BALANCED
L
E
F
T
R
IG
H
T
LINK OUTPUT
BALANCED
LEFT
RIGH
T
LINE INPU
T
BALANCED
LEFT
R
IG
H
T
LINK OUTPUT
BALANCED
LEFT
RIGH
T
LINE INPU
T
BALANCED
LEFT
R
IG
H
T
LINK OUTPUT
BALANCED
LEFT
RIGH
T
LINE INPU
T
BALANCED
LEFT
R
IG
H
T
The f
ollo
wing e
xample sho
w
s a sophistic
at
ed cue mix f
or tr
ack
ing a rhythm sec
tion dur
ing a r
ec
or
ding session using fiv
e C
•
The f
ollo
wing e
xample sho
w
s a sophistic
at
ed cue mix f
or tr
ack
ing a rhythm sec
tion dur
ing a r
ec
or
ding session using fiv
e C
The f
ollo
wing e
xample sho
w
s a sophistic
at
ed cue mix f
or tr
ack
ing a rhythm sec
tion dur
ing a r
ec
or
ding session using fiv
e C
que 8’
s.
The c
omplet
e mix f
or all the
musicians is sent via the c
onsole
’s auxiliar
y send t
o the C
•
musicians is sent via the c
onsole
’s auxiliar
y send t
o the C
musicians is sent via the c
onsole
’s auxiliar
y send t
o the C
que 8’
s RIGHT LINE input and daisy
-chained fr
om unit t
o unit
. T
hen signal fr
om each instr
ument is c
on-
nec
ted fr
om the c
onsole
’s dir
ec
t outputs t
o each of C
•
nec
ted fr
om the c
onsole
’s dir
ec
t outputs t
o each of C
nec
ted fr
om the c
onsole
’s dir
ec
t outputs t
o each of C
que 8’
s mast
er INJECT inputs using a mono 1/4-inch (
TIP/SLEE
VE) c
able
. (B
y using a mono 1/4-inch c
able onl
y
the L
ef
t Injec
t input is c
onnec
ted).
T
he C
•
the L
ef
t Injec
t input is c
onnec
ted).
T
he C
the L
ef
t Injec
t input is c
onnec
ted).
T
he C
cue 8’
s ar
e set t
o 2-channel mo
de
, so that the B
AL
ANCE c
ontr
ols the le
vel diff
er
enc
e b
et
w
een the back
ing tr
acks and indi-
vidual instr
uments
. T
his allo
w
s the lead v
oc
alist or musician t
o dial up his or her o
wn tr
ack f
or a
“mor
e me
” mix.