RME Audio Hammerfall HDSP 9652, Руководство пользователя

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User's Guide HDSP System HDSP 9652
© RME
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To cope with some situations which may arise in studio practice, setting ‘Pref Sync Ref’ is es-
sential. One example: An ADAT recorder is connected to the ADAT1 input (ADAT1 immediately
becomes the sync source) and a CD player is connected to the SPDIF input. Try recording a
few samples from the CD and you will be disappointed. Few CD players can be synchronized.
The samples will inevitably be corrupted, because the signal from the CD player is read with the
(wrong) clock from the ADAT i.e. out of sync. In this case, 'Pref Sync Ref' should be temporarily
set to SPDIF.
RME’s exclusive
SyncCheck technology (first implemented in the Hammerfall) enables an easy
to use check and display of the current clock status. The ‘SyncCheck’ field indicates whether no
signal (‘No Lock’), a valid signal (‘Lock’) or a valid
and synchronous signal (‘Sync’) is present at
each of the digital clock source inputs. The ‘AutoSync Ref’ display shows the current sync
source and the measured frequency.
In practice, SyncCheck provides the user with an easy way of checking whether all digital de-
vices connected to the system are properly configured. With SyncCheck, finally anyone can
master this common source of error, previously one of the most complex issues in the digital
studio world.
An example to illustrate this:
The ADAT1 and ADAT2 in-
puts are receiving signals
from a digital mixing desk that
has been set to clock mode
'Internal' or 'Master'. An
ADAT recorder is connected
to input ADAT3. The Ham-
merfall DSP is set to Auto-
Sync mode. As expected,
SyncCheck shows that the
ADAT1 and ADAT2 inputs
are in sync (as they are
driven by the same clock
from the mixing desk), but shows ‘Lock’ instead of 'Sync' for the input ADAT3. Because the
ADAT recorder is not receiving any signal from HDSP or from the mixer, it will generate its own
clock at a rate which is (almost) the same as the sample frequency of the mixing desk - but not
identical.
Remedy: To drive the ADAT recorder from its digital input, set it to slave mode (DIG), and con-
nect the input to the HDSP’s ADAT3 output. The Hammerfall DSP is already in sync with the
mixing desk, so it will send an identical (synchronous) signal to ADAT3 out. The ADAT recorder
will lock onto this, its output will also be in sync. The signal from the ADAT recorder is now fully
in sync with the signals from the mixing desk.
At 88.2 or 96 kHz: If one of the ADAT inputs has been selected in ‘Pref Sync Ref’, the sample
frequency shown in the field
SPDIF Freq. differs from the one shown in ‘AutoSync Ref’. The
card automatically switches to S/MUX mode here, because ADAT optical inputs and outputs are
only specified up to 48 kHz. Data from/to a single input/output is spread over two channels, the
internal frequency stays at 44.1 or 48 kHz. In such cases, the ADAT sample frequency is only
half the SPDIF frequency.