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maxWerk - Copyright 2000-2007 Amanda Pehlke
Published by RedMoon Music - www.RedMoon-Music.com
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the harmonically useful ones for you. The user scale available at
value 0 is for the adventurous, offering a seven-pitch set of
definable intervals that you can add as part of your Werk file. You
can repeat or re-order the pitches in this scale any way you please.
With the transposing function disabled, you can test the sound of
Scales from the Scales window before you enter new Transposer
data. If you want to base your Werk patterns on one particular
Scale, be aware that Scales at values 8 and above may not produce
normal Major, Minor, Diminished or Augmented triads on all their
notes, and instead you may hear some quirky chords. If you are
new to music theory, bear with us a minute about this, and you'll find
out how maxWerk can make many helpful scale changes for you.
1. Tonics – The values for Tonics and (+)Notes you see in the first
two bar graphs determine the degree of transposition within Key
and Scale that maxWerk applies to Note Editor values. The pattern
of Tonic shifts from bar to bar by itself forms the basis of a scalic or
modal chord progression. Consider a Basic Loop note line that
includes values 1, 3, and 5. A Tonic transposition of 1 makes those
values trigger Scale notes in positions of the same number, so if the
default Key is C, as 1's, 3's, and 5's play you hear the root, the third
and the fifth pitches, or notes C, E, and G.
If we first hear a note line (along with any notes on other enabled
tracks) based on a Tonic of C, and the Tonic pattern then shifts to 5,
the note value at position 1 now triggers the fifth note of the current
Scale. Value 3 now refers to the third above that, and so on; so that
1, 3, and 5 values now sound the pitches of the triad on 5. As a
result, we hear G Major produced by values 1, 3, and 5. If the
transposition changes to 7, it moves the pitches to the seventh triad
(in the Major Scale the diminished). Each transposition gives us a
valid triad on 1, 3, and 5, and values 2, 4, 6, and 7, when and if they
appear in the Note Editor, sound the passing tones of the pattern.
When you disable playback of Transposer data, the numeric keypad
keys 1 through 7 let you make Tonic changes over all patterns as
they play in tracks enabled for transposing. Be sure you disable the