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permanently installed on our Scarlet.

We use 64GB SSD cards.  Each card will give you between 23-46 minutes of record time depending on
compression quality.

EVF, LCD, and SDI

The  

EVF

  and  

LCD

  can display based upon the  

RAW

  (unprocessed) image, or display based upon the

Redcolor

  (processed look) image.   Factors such as  

ISO, Exposure, FLUT, contrast, colour balance

, etc

will change how the 

Redcolor

 image is displayed.  Both the EVF and LCD will indicate which view is being

displayed with 

RAW

 (RAW image) or 

vmCLR

 (REDCOLOR image) at the top center part of the OSD.

 vmRAW is your indicator as to what the unprocessed sensor is actually seeing (exposure @ 320, linear
gamma, etc).  This viewing mode is one of your best tools for verifying correct exposure (in combination
with the histogram and clipping warnings)

LCD

The 5” Red LCD has four buttons across the top.  The two middle buttons control the brightness of the
LCD.  The far left button toggles between vmRAW and vmCLR for quick comparison, the far right button
toggles OSD information.   When using the LCD for focusing, clearing this information will give you a
larger, less cluttered image to work with.

To get proper brightness that matches the exposure of the camera, use the arrows on the top of the LCD
to gain up to maximum brightness, then tick down 4 clicks.  Obviously environmental conditions such as
direct sunlight will change visibility.

5” Touch LCD

The 5” Touch LCD is the newest addition to our monitoring arsenal.     It has a bolt down base with a
double hinged neck to give it movement similar to other build on camera LCD screens.   It displays a
higher colour saturation and contrast range than the original 5” LCD, thus giving it the appearance of
being sharper, though the actual pixel density is the same (800x480 in 5”) .  A stylus is provided to use
with the screen, so you do not have to use your greasy fingers.  As with the original 5”, the touch LCD has
four buttons – they are along the left hand side, instead of the the top.

SDI Output

Serial Digital Interface, or SDI is a high quality video standard for connecting display devices via coaxial
cable.     Usually   found   in   high   end   filmmaking   and   industrial   video   devices   SDI   requires   expensive
encoders and decoders, but uses inexpensive cabling.   Cables can range from a few inches long to a
hundred feet or more.  SDI almost exclusively uses locking BNC connectors.  SDI devices often have a
“pass through” so that they can be daisy chained for multiple screens to be run from one original video
tap.   The Scarlet outputs a full 1080 signal with options for clean, full or partial overlays of the video
image.  We have a very flexible Manhattan HD089B2 with 3G SDI, a 9” field monitor with multiple video
connections and powering options.  Monitors can also be rented from places like Sim Video, or AFCOOP.

Media

The Red Scarlet has a total of 2 different media types (VS 4 on the One): SSD (Solid State Drive)  media
which we currently use (for both the Scarlet and One), and the newer mini SSDs.   Other media types are
usable on the One, but outdated.  SSDs from Red are packaged in industrial strength aluminum housings
and are notched so they slide into the camera’s SSD module only one way (Red label faces out).   SSD’s
come in a range of sizes from 32GB to 512GB.   Our cards are 64GB.   Record time will vary based on
factors such as frame rate, resolution, and compression level.

Media 

must

 be unmounted (or camera shut down) before removing the card.  Failure to do so may result

in a corrupted dataset on the card and a complete loss of footage.   Media may be ejected through the

Содержание scarlet

Страница 1: ...sure 5 ASPECT RATIO RESOLUTION 5 Compression 6 Time Base Frame Rate 6 Camera Looks 6 ISO EXPOSURE What the FLUT 7 Timelapse Intervolometer 7 Timecode and Jam Sync 10 Time Code Display 10 Time Code Sou...

Страница 2: ...W PROJECT FRAME RATES 23 98 24 25 29 97 47 96 48 50 59 97 I O ports Front 2 x balanced 1 8 jacks EVF LCD Rear SDI HDMI Sync Genlock Timecode Word Clock Power DSMC Side Handle The side handle is a remo...

Страница 3: ...the appearance of being sharper though the actual pixel density is the same 800x480 in 5 A stylus is provided to use with the screen so you do not have to use your greasy fingers As with the original...

Страница 4: ...ity not which battery has the most charge left In the case of simultaneous use of Red Bricks and RedVolts the camera will run down the Red Brick completely before switching over to the RedVolt Red pro...

Страница 5: ...t an image of visually correct brightness Then you ve got the least grainy possible image on your RED Graeme Nattress official Red problem solver Red Exposure Guides three parts http www red com learn...

Страница 6: ...st when shrinking the image Time Base Frame Rate Use 24 fps unless you have specific reasons to use a different rate Slow motion effects are achieved through the varispeed menu option Be sure to match...

Страница 7: ...etadata toolbox of RedCineX Pro or Adobe Premiere Pro Timelapse Intervolometer As of Firmware V4 the Scarlet has built in timelapse intervolometer functions FRAME PROCESSING You can select the followi...

Страница 8: ...rames You can use frame averaging to achieve the effect of long exposure along with the benefits of reduced noise However frame averaging does affect motion blur characteristics For example if you sel...

Страница 9: ...lay In TOD mode the time runs continually With edge display the time code starts and stops coincident with recording You will always use TOD to maintain sync with external audio recording Time Code So...

Страница 10: ...ed camera via HDMI or preferably 3G SDI It runs on Sony NP style batteries These are the same batteries which run the Sound Devices recorders as well as the small LED light panels The Manhattan field...

Страница 11: ...urrently use It is compatible with all versions of Red footage including footage with the new RedColor3 setting Quick video tutorial from Red http www red com learn workflow cs6 premiere pro red overv...

Страница 12: ...it in PPro using R3Ds 2 Export XML and render offline video 3 Import into Resolve and verify your timeline against your offline 4 Use trim R3D function and export trimmed R3Ds to a new folder 5 Use re...

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