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Camera

Camera Specifications

MX Sensor

SENSOR

14 MEGAPIXEL MYSTERIUM-X™

PIXEL ARRAY

5120 (h) x 2700 (v)

DYNAMIC RANGE

13.5 stops, up to 18 stops with HDRx™ 6 fps with
5K   FF   and   HDRx   On   15   fps   with   4K   HD   and

HDRx™ On

MAX IMAGE AREA

5120 (h) x 2700 (v)

LENS COVERAGE

27.7mm (h) x 14.6mm (v) = 31.4 mm (d)

MAX DEPTH OF FIELD

Equivalent   to   S35mm   (Motion)   /   APS-H   (Still)

lenses

ACQUISITION FORMATS

5K FF REDCODE RAW (Full Frame) 

4K HD REDCODE RAW 
3K HD REDCODE RAW 

1080p REDCODE RAW 
1K REDCODE RAW

PROJECT FRAME RATES

23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97

I/O ports:

Front

2 x balanced 1/8” jacks

EVF/LCD

Rear

SDI

HDMI

Sync (Genlock/Timecode/Word Clock)

Power

DSMC Side Handle

The side handle is a removable item which expands the user interface and gives extra battery
options.  It has a LCD display, navigation wheel, record start/stop, and user programmable

buttons (8 total).

1 Redvolt battery can be mounted inside the handle.  Redvolts last for about 25 minutes.

The handle screws into the Scarlet body and may be removed and replaced with a flat body
panel.

SSD Module and Cards:

The   side   mount   SSD   module   is   technically   removable,   but   we   record   only   to   SSD   cards   so   it   is

Содержание scarlet

Страница 1: ...sure 5 ASPECT RATIO RESOLUTION 5 Compression 6 Time Base Frame Rate 6 Camera Looks 6 ISO EXPOSURE What the FLUT 7 Timelapse Intervolometer 7 Timecode and Jam Sync 10 Time Code Display 10 Time Code Sou...

Страница 2: ...W PROJECT FRAME RATES 23 98 24 25 29 97 47 96 48 50 59 97 I O ports Front 2 x balanced 1 8 jacks EVF LCD Rear SDI HDMI Sync Genlock Timecode Word Clock Power DSMC Side Handle The side handle is a remo...

Страница 3: ...the appearance of being sharper though the actual pixel density is the same 800x480 in 5 A stylus is provided to use with the screen so you do not have to use your greasy fingers As with the original...

Страница 4: ...ity not which battery has the most charge left In the case of simultaneous use of Red Bricks and RedVolts the camera will run down the Red Brick completely before switching over to the RedVolt Red pro...

Страница 5: ...t an image of visually correct brightness Then you ve got the least grainy possible image on your RED Graeme Nattress official Red problem solver Red Exposure Guides three parts http www red com learn...

Страница 6: ...st when shrinking the image Time Base Frame Rate Use 24 fps unless you have specific reasons to use a different rate Slow motion effects are achieved through the varispeed menu option Be sure to match...

Страница 7: ...etadata toolbox of RedCineX Pro or Adobe Premiere Pro Timelapse Intervolometer As of Firmware V4 the Scarlet has built in timelapse intervolometer functions FRAME PROCESSING You can select the followi...

Страница 8: ...rames You can use frame averaging to achieve the effect of long exposure along with the benefits of reduced noise However frame averaging does affect motion blur characteristics For example if you sel...

Страница 9: ...lay In TOD mode the time runs continually With edge display the time code starts and stops coincident with recording You will always use TOD to maintain sync with external audio recording Time Code So...

Страница 10: ...ed camera via HDMI or preferably 3G SDI It runs on Sony NP style batteries These are the same batteries which run the Sound Devices recorders as well as the small LED light panels The Manhattan field...

Страница 11: ...urrently use It is compatible with all versions of Red footage including footage with the new RedColor3 setting Quick video tutorial from Red http www red com learn workflow cs6 premiere pro red overv...

Страница 12: ...it in PPro using R3Ds 2 Export XML and render offline video 3 Import into Resolve and verify your timeline against your offline 4 Use trim R3D function and export trimmed R3Ds to a new folder 5 Use re...

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