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Interconnection-2

Ground Loops

Almost all cases of noise can be traced directly to ground 

loops, grounding or lack thereof. It is important to under-

stand the mechanism that causes grounding noise in order 

to effectively eliminate it.  Each component of a sound 

system produces its own ground internally. This ground is 

usually called the audio 

signal

 ground. Connecting devices 

together with the interconnecting cables can tie the signal 

grounds of the two units together in one place through 

the conductors in the cable. Ground loops occur when the 

grounds of the two units are also tied together in another 

place: via the third wire in the line cord, by tying the metal 

chassis together through the rack rails, etc. These situations 

create a circuit through which current may flow in a closed 

“loop” from one unit’s ground out to a second unit and back 

to the first. It is not simply the presence of this current that 

creates the hum—it is when this current flows through a 

unit’s audio signal ground that creates the hum. In fact, even 

without a ground loop, a little noise current always flows 

through every interconnecting cable (i.e., it is impossible to 

eliminate these currents entirely). The mere presence of this 

ground loop current is no cause for alarm if your system 

uses properly implemented and 

completely

 balanced inter-

connects, which are excellent at rejecting ground loop and 

other noise currents. Balanced interconnect was developed 

to be immune to these noise currents, which can never be 

entirely eliminated. What makes a ground loop current an-

noying is when the audio signal is affected. Unfortunately, 

many manufacturers of balanced audio equipment design 

the internal grounding system improperly, thus creating bal-

anced equipment that is not immune to the cabling’s noise 

currents. This is one reason for the bad reputation some-

times given to balanced interconnect.

A second reason for balanced interconnect’s bad reputa-

tion comes from those who think connecting unbalanced 

equipment into “superior” balanced equipment should 

improve things. Sorry. Balanced interconnect is not compat-

ible with unbalanced. The small physical nature and short 

cable runs of completely unbalanced systems (home audio) 

also contain these ground loop noise currents. However, the 

currents in unbalanced systems never get large enough to 

affect the audio to the point where it is a nuisance. Mixing 

balanced and unbalanced equipment, however, is an entirely 

different story, since balanced and unbalanced interconnect 

are truly 

not compatible

. The rest of this note shows several 

recommended implementations for all of these interconnec-

tion schemes.

The potential or voltage which pushes these noise cur-

rents through the circuit is developed between the indepen-

dent grounds of the two or more units in the system. The 

impedance of this circuit is low, and even though the voltage 

is low, the current is high, thanks to Mr. Ohm, without 

whose help we wouldn’t have these problems. It would take 

a very high resolution ohm meter to measure the impedance 

of the steel chassis or the rack rails. We’re talking thou-

sandths of an ohm. So trying to measure this stuff won’t 

necessarily help you. We just thought we’d warn you.

The Absolute Best Right Way To Do It

The method specified by AES48 is to use balanced lines and 

tie the cable shield to the metal chassis (right where it enters 

the chassis) at both ends of the cable

.

A balanced line requires three separate conductors, two 

of which are signal (+ and –) and one shield (see Figure 1a). 

The shield serves to guard the sensitive audio lines from 

interference. Only by using balanced line interconnects can 

you 

guarantee 

(yes, 

guarantee

) hum-free results. Always use 

twisted pair cable. Chassis tying the shield at each end also 

guarantees

 the best possible protection from RFI [radio fre-

quency interference] and other noises [neon signs, lighting 

dimmers].

Neil Muncy

1

, an electroacoustic consultant and seasoned 

veteran of years of successful system design, chairs the AES 

Figure 1a. The right way to do it.

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Содержание SM 26S

Страница 1: ...claration of Conformity 22369 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 10 6 2 6 2 10 10 6 2 6 2 10 10 6 2 6 2 10 10 6 2 6 2 10 10 6 2...

Страница 2: ...he power cord is the AC mains disconnect device and must remain readily operable To completely disconnect this apparatus from the AC mains disconnect the power supply cord plug from the AC receptacle...

Страница 3: ...r le courant alternatif AC et doit absolument rester accessible Pour d connecter totalement l appareil du secteur d branchez le c ble d alimentation de la prise secteur 16 Cet appareil doit tre branch...

Страница 4: ......

Страница 5: ...roper output level The MASTER INPUT LEVEL control adjusts both Right and Left Input signal levels together WEAR PARTS This product contains no wear parts 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2...

Страница 6: ...ight Master Input program to each channel s MONO OUT PAN When used as a MIXER this control pans the Mono channel Input between the LEFT and RIGHT MIX OUTPUTS 4 MASTER OUTPUT LEVEL controls the gain of...

Страница 7: ...sions possible with the SM26S NOTE These Expand Outputs are not buffered from the Master Inputs Therefore it is not possible to mix both balanced and unbalanced lines in the same channel between sever...

Страница 8: ...t only be done with the power off by qualified service personnel If an SM26S needs to have an additional set of indepen dent outputs as in a 2x4 stereo distribution amplifier see Swiss Army Mixer Figu...

Страница 9: ...es at once For instance Inputs 1 through 3 may be mixed to the left and or right output buses while at the same time Outputs 4 and 5 are delivering signal originally applied to the Left and Right Mast...

Страница 10: ...rtion SMPTE 0 009 002 60 Hz 7 kHz 4 1 4 dBu unity gain Signal to Noise Ratio re 4 dBu 20 kHz noise bandwidth 120 2 dB Mono Outputs unity gain 98 2 dB Mix Outputs unity gain Crosstalk L R Panning 60 1...

Страница 11: ...with panning ability on every input Many musical instrument performers find the SM26S indispensable for combining various effects and expanding the available loops on their signal processors The SM26S...

Страница 12: ...requirements pending The unit shall be UL and cUL listed pending The unit shall be entirely constructed from cold rolled steel The unit shall be a Rane Corporation SM26S Architectural Specifications T...

Страница 13: ...er amplifier It has 12 dB of gain and better than 80 dB of attenuation The distortion products are less than 008 and the noise floor is a trifle 35 microvolts Inside this RaneNote is found a gruelingl...

Страница 14: ...nd Right Mix Outputs The Output from each of the Mix pots feeds the individual Mono Channel Level stages through a Figure 1 SM26S Complete Block Diagram switching contact associated with the MONO IN j...

Страница 15: ...act opposite mode as described above When wired per Figure 3 the SM26S becomes a 2 In 6 Out Splitter Distribution Amp The master stereo signal is con nected to the Left and Right input jacks and is s...

Страница 16: ...control NOTE One additional channel can be gained by rotating all the PAN pots fully CW and using the LEFT INPUT and LEFT MIX OUTPUT or rotate tully CCW and use the RIGHT IN and OUT combination MONO I...

Страница 17: ...he SM26S s while their respective Left and Right Mix Outputs are used to cascade the chain by con necting to the Left and Right Inputs of the next SM26S and so on RIGHT INPUT LEFT INPUT 1 2 3 4 5 6 TO...

Страница 18: ...available as 6 buffered Outputs if needed Stereo Headphone Mixer Figure 8 shows how the SM26S can be used as a 6 In 2 Out stereo mixer driving the HC 6 Headphone Console Six Mono Inputs are brought in...

Страница 19: ...Stereo mixing is done in the exact opposite man ner Up to 4 stereo pairs are brought into all Inputs by connecting one pair to the Left and Right INPUT jacks and the three remaining lefts to Channels...

Страница 20: ...he splitter with their pan controls all the way to the left bus Since the MONO IN jacks know that an individual Input overrides the master Input Channels 4 5 and 6 will act as the mixer with their pan...

Страница 21: ...onnections Grounding and EMC practices Shields of connectors in audio equipment containing active circuitry Rane s policy is to accommodate rather than dictate However this document contains suggestio...

Страница 22: ...connect is not compat ible with unbalanced The small physical nature and short cable runs of completely unbalanced systems home audio also contain these ground loop noise currents However the currents...

Страница 23: ...CTICE RECOMMENDED PRACTICE OPTIONAL CASE 1 2 3 3 1 2 CHASSIS GROUND SIGNAL GROUND CHASSIS GROUND CHASSIS GROUND The Next Best Right Way To Do It The quickest quietest and most foolproof method to con...

Страница 24: ...ounded and therefore immune to ground loop hums and buzzes Ground lifts are simply another Band Aid to try in case of grounding problems It is true that an entire system of properly grounded equipment...

Страница 25: ...guarantee that a hum free intercon nect can be achieved nor is there a definite scheme that will assure noise free operation in all configurations References 1 Neil A Muncy Noise Susceptibility in An...

Страница 26: ...20 24 24 19 18 17 B B B B A A A A A A FEMALE BALANCED XLR NOT A TRANSFORMER NOR A CROSS COUPLED OUTPUT STAGE FEMALE BALANCED XLR EITHER A TRANSFORMER OR A CROSS COUPLED OUTPUT STAGE BALANCED TRS NOT A...

Страница 27: ...RED SHIELD RED SHIELD SHIELD RED RED BLACK N C N C N C RED BLACK RED SHIELD N C BLACK RED BLACK RED 3 NC 2 RED 1 SHIELD 2 RED 1 SHIELD 3 BLACK 2 RED 1 NC 3 BLACK 2 RED 1 NC 3 BLACK 2 RED 1 SHIELD SHIE...

Страница 28: ...3 BLACK 2 RED 1 SHIELD 3 BLACK 2 RED 1 SHIELD SHIELD BLACK SHIELD RED BLACK SHIELD RED BLACK RED SHIELD SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD RED...

Страница 29: ...ECTS IN MATERIAL OR WORKMANSHIP THE SPECIFIC PERIOD OF THIS LIMITED WARRANTY SHALL BE THAT WHICH IS DESCRIBED TO THE ORIGINAL RETAIL PURCHASER BY THE AUTHORIZED RANE DEALER OR DISTRIBUTOR AT THE TIME...

Страница 30: ...IN THE USA If the product is being sent to Rane for repair please call the factory for a Return Authorization number We recommend advance notice be given to the repair facility to avoid possible need...

Страница 31: ...ompliance with the LV directive and EMC direc tive in the event that the equipment is modified without written consent of the manufacturer This declaration of conformity is issued under the sole respo...

Страница 32: ...5 4 3 2 1 MIX OUTPUT EXPAND OUT MASTER IN 100 240 V 50 60 Hz 7 WATTS RANE CORPORATION This device complies with Part 15 of the FCC Rules Operation is subject to the following two conditions 1 this dev...

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