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Manual-5

12. SWITCHABLE LOOP SEND jacks:

 Use these ¼" unbalanced Left and Right Outputs for driving the inputs of a proces-

sor activated by the front panel LOOP button.

13. SWITCHABLE LOOP RETURN jacks: 

Use these ¼" unbalanced Inputs for receiving the outputs of the above device.

14. MAIN EFFECTS LOOP SEND jacks:

 These ¼" unbalanced connectors provide drive to the inputs of a signal processor

which is not to be switched

 from the front of the mixer. Connecting only to the LEFT EFFECTS SEND provides a 

mono

Output; connecting to both Left and Right provides a stereo feed.

15. MAIN EFFECTS LOOP RETURN jacks:

 A pair of ¼" unbalanced Inputs for receiving the processed signal generated

from the MAIN EFFECTS LOOP SENDs.

16. Balanced MAIN MIC Input jack:

 Use this XLR connector for connecting a balanced microphone of any impedance,

either dynamic or condenser.

17. Unbalanced high-impedance AUX MIC Input jack:

 This ¼" unbalanced Input is for wireless or other high-impedance

mics.

18. MIC LOOP jack

: This ¼" TRS (Tip-Ring-Sleeve) connector is for inserting external signal processing in the microphone

circuit only. This is a

 tip-send, ring-return

 configuration. This feature does not affect the operation of the Main Program

Channels.

19. PHANTOM POWER switch:

 Engaging this pushbutton a15 V Phantom Power to the balanced (XLR) MAIN

MIC Input only. It has no effect on the Auxiliary Microphone Input. The adjacent red LED illuminates whenever Phantom
Power is active.

20. BOOTH DUCKER switch:

 When in the ACTIVE position, the ENGAGE MIC switch on the front panel reduces the

Microphone level at the Booth Outputs. When this switch is in the DEFEAT position, Microphone level is not reduced.

21. AUX/PHONO input jacks:

 Use these stereo Phono Input pairs for connecting any moving-magnet type cartridges to the

mixer. Internal jumpers are provided to convert these into Line level Inputs (See 

Service Information

, page  Schematic-1).

AUX/PH 1 and AUX/PH 2 jumpers are set at the factory for PHONO. The PH/AUX 3 jumper is set at the factory for a
LINE level input. When these jumpers are set to PHONO, never use these Inputs for any other purpose due to the amount
of gain and RIAA equalization present. 

Any unused Phono Input should have the Phono Shorting Plug installed to prevent

interference from an outside source. 

Do not put any of the Phono Shorting Plugs into the Tape Out jacks, as this will short

all

 the Outputs.

22. PHONO/AUX 3 input jacks: 

As #21 above. Note this Input is shipped with the internal jumpers in the LINE position.

23. LINE 1 & 3 through 6 Input jacks:

 These stereo pairs of RCA connectors are unbalanced, Line level Inputs only. They

are suitable for all line-level devices such as the audio outputs of VCRs, compact disc players, tape recorders, etc.

24. LINE 2 Input jacks:

 This is a fully balanced, ¼" Tip-Ring-Sleeve Line Input. The tip of the jack is (+), the ring is (–) and

the sleeve is ground.

25. GROUNDING POST:

 This terminal is provided to facilitate your hum chasing, buzz eliminating experiments. Its purpose

is to provide a place to connect those otherwise unusable extra wires coming out of the turntables.

26. Chassis ground point:

 A 6-32 screw and toothed washer is provided for chassis ground. Since the MP 24x does not get

chassis ground through the AC cord, this point is provided in case your system does not have another earth ground such as
the rack rails. See the

 ChassisS Grounding

 note on page Manual-8 for details.

27.

 

GROUND LIFT SWITCH.

 This switch separates 

chassis ground

 from 

signal ground

. Normally, this switch should be in

the LIFT position. In some circumstances, moving it to the opposite position eliminates stubborn hum and buzz problems.
If you are tempted to move this switch with your power amplifiers turned on and cranked up, 

don’t. Always turn your

system levels down before changing your grounds around

 and then bring them up slowly.

28. POWER input connector: 

No, this is not where Commissioner Gordon plugs in his Bat-phone, in fact 

it is not a telephone

jack 

at all. The MP 24x uses an 18 volt AC center-tapped transformer only.

 Use only a model RS 1, or other remote AC

power supply approved by Rane.

Содержание MP 24X

Страница 1: ...47 It s just not something you do Trust us you don t want to make mistakes with this sucker So just this once please we highly recommend you read this entire manual front to back every single page every single word It will familiarize you with the many intricacies of the MP 24x not to mention all the nooks and crannies ...

Страница 2: ... side of the Crossfader to any of the four Input Channels when the Crossfader is activated by its ENGAGE switch 7 Right hand CROSSFADE ASSIGN switch This four position rotary switch ASSIGNS the right side of the Crossfader to any of the four Input Channels when the Crossfader is activated by the ENGAGE switch 8 ACTIVE CROSSFADER This fader controls the Levels of any two Channels assigned to it by ...

Страница 3: ... PAN CONTROL This rotary control serves two purposes in the STEREO mode it changes the relative levels of the Cue and Program mixed together in both earcups In the MONO mode it changes the balance between the Mono Cue in the left ear cup and the Mono Program in the right 21 HEADPHONE CUE mode switch In the up position this switch feeds STEREO Program and Cue to both earcups in the down position th...

Страница 4: ...lanced and unbalanced MAIN OUTPUTS of the MP 24x as it is rotated CCW 6 METER SENSITIVITY ADJUST Clockwise rotation decreases the full scale sensitivity of the PEAK PROGRAM METER as indicated by the full scale voltage calibrations around the control 7 SYSTEM MONO STEREO switch Engaging this pushbutton converts all Outputs except tapes and loops to MONO regardless of the nature of the Input signals...

Страница 5: ...ry for PHONO The PH AUX 3 jumper is set at the factory for a LINE level input When these jumpers are set to PHONO never use these Inputs for any other purpose due to the amount of gain and RIAA equalization present Any unused Phono Input should have the Phono Shorting Plug installed to prevent interference from an outside source Do not put any of the Phono Shorting Plugs into the Tape Out jacks as...

Страница 6: ...e rule is Whatever works works MP 24x CONNECTION Even though the system variations are limitless in most applications where the MP 24x is used an installer must follow some basic interconnect guidelines Unfortunately even though the system and the primary components such as mixers processors and amplifiers are of commercial grade most of the source components i e turntables disc players tape decks...

Страница 7: ... that is THE HEADPHONE CONTROL CUE SYSTEM To use the HEADPHONE CUE System signal must be present at one of the Inputs Well at least you do to make sure it works Depressing the CUE switch for the respective Input Channel presents this signal to the Headphone Cue amplifier An LED illuminates next to the CUE switch attesting to the fact that it was indeed pushed down Now select how to listen to it Mo...

Страница 8: ...ders affect this drive level BOOTH AND ZONE OUTPUTS The ZONE OUTPUT is an additional Stereo Output with it s own ZONE LEVEL control that can be routed to an amplifer that feeds the bar another tape recorder etc This output is Post EQ which means also that the mic is heard from the Zone Outputs along with any Program EQ changes This can be changed with an internal jumper block The BOOTH OUTPUT oper...

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